Hilye inscribed on the petals of a pink rose symbolising Muhammad (18th century)
Muhammad used to hear the voices of persons who were being tortured in their graves.[Hadith 44][Hadith 45]
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Hilye inscribed on the petals of a pink rose symbolising Muhammad (18th century)
Muhammad used to hear the voices of persons who were being tortured in their graves.[Hadith 44][Hadith 45]

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Hope you are enjoying National Rose Month this month. This hilye-i şerîf, or depiction of holy figures through text and non-figural image, contains the 99 names of God in the right carnation, with the corresponding names of Muhammad in the left. The buds below contain calligraphic representations of Qur’anic phrases, as well as the names of some Companions of the Prophet. The hilye was a common way for artists to depict holy figures visually while avoiding the rendering of human figures.
Rose and carnations with foliage Inscription: The 99 names of Allah in the right flower; the names of Muhammed in the left Ottoman Islamic 1707-1709 Repository: Staatsbibliothek zu Berlin–Preussischer Kulturbesitz, Berlin, Germany, Or. Oct. 1602, f. 48v. HOLLIS number: olvwork443754
Emile Claus (27 September 1849 – 14 June 1924) - The Old Gardener.
Introduction to Sara la Kali, Saint of displaced people.
Sara la Kali is the patron saint of the Romani people. She is venerated primarily in Saintes-Maries-de-la-Mer, a town in the Camargue region of southern France, which is a significant pilgrimage site for the Roma community.
Her domain as a saint consists of displaced people, refugees, migrants, people who were/are oppressed & the Romani people. She is a symbol of hope for the oppressed.
According to her legend, Sara was a servant of the three Marys (mainly her mother, Mary Magdalene), who helped them (with the help of an angel) to arrive in France by a small boat, fleeing persecution of Christians after Jesus' death. She is also said to be Jesus' secret daughter, hidden from the patriarchy for her safety.
In one legend, Sara supported the Marys by begging while they were busy teaching Christianity to the locals. In another legend, when the Marys were still on their journey and caught in a storm at sea, Sara spread her cloak to save them.
Yet another legend has it that Sara was not a servant, but a Roma queen who already lived in the south of France and welcomed the arrival of the Marys and Christianity.
In another version, there were more people on the boat: Mary Salome, Lazarus, Joseph of Arimathea, and Jesus' followers, who set out to sea in the small boat with no oars, sails, food, or water.
This is where Sara comes in. In this version, Sara was a maid to Mary Jacob. As the small boat carrying her mistress drifted out to sea, Sara was deeply heartbroken, thinking she had been left behind in a land devastated by war & persecution. When Mary Jacob saw Sara distraught and crying, she threw her cloak over the waves. Sara grabbed it and was pulled into the boat with the others.
Where did she come from?: When the Romani people were persecuted and forced to convert to Christianity, they blended their indigenous Hindu beliefs with Christian practices, creating a form of syncretism. The romani at that time were mostly Shakta Hindus, and worshipped the goddess Kali-ma.
Since Kali-ma was so important to them, they transformed/disguised her as a Christian saint, and called her “Sara Kali”. Sara is a blending of different traditions, Kali-ma and the Black Madonnas/marys.
Another thing that traces back to her origin as a dharmic goddess is her halo, which is the dharmachakra (wheel of the law).
Sara shares traits with other Black Madonnas and dark, feminine divinities in Latin America, the Caribbean, Africa, etc. She is often called "black mother" (just like Kali-ma's name, which literally translates to that).
the Roma have been persecuted as unwelcome migrants from India, facing violence wherever they go. Despite this, their patron Saint Sara has provided hope and identity to the more than 12 million members of the Roma diaspora around the world.
Every year, thousands of Roma gather in Saintes-Maries-de-la-Mer to honor her with a procession and various rituals. In one of her rituals, She is immersed in the water just as the Hindu goddess Durga is every year in India. The Romani venerate her as their queen, but she is also a mother to all the local Catholics who feel a connection to her.
Sara Kali's personal veneration by the Romani brings cures of sickness, good luck, fertility, success in business ventures, and protection.
Other names/titles she goes by: Saint Sarah, Saint Kali, Sara E Kali, black mother, Mother of the Romani, secret child of Jesus, sati-Sara, Queen of the Romani, protector of the oppressed, brown sara, sara the black, Sarah the Egyptian
Ave Sara La Kali... mother of the Romani

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Ô esprit ! Pourquoi t'abandonner aux pensées vaines ?/Ce faste rituel et ce culte sont vains,/Qui accroissent encore la vanité de l'esprit !/ Que ta prière à Elle soit secrète, que nul n'en sache./ À quoi bon ces poupées de métal ou de cuivre ou de terre ?/ Ne sais-tu pas, insensé, que l'univers entier est l'image de la Mère ?/ Tu apportes une poignée de graines, effronté,/ comme une offrande à la Mère, à Celle/ qui nourrit le monde d'aliments délicieux !/ À quoi bon, fou, illuminer ainsi/ de lanternes, de bougies et de lampes ?/ Fais plutôt que grandisse la lumière de l'esprit,/ qu'il dissipe sa propre ténèbre, nuit et jour./ Tu as amené d'innocentes chevrettes au sacrifice./ Égoïsme cruel !... Pourquoi ne pas dire : VICTOIRE A KALI !/ Et sacrifier tes passions, ennemies véritables./ Pourquoi frapper les tambourins ?/ Dépose plutôt ton esprit à Ses pieds en disant :/ Que ta volonté, ô Kali, soit faite !/ Et puis bat des mains.// Plus je ne t'invoquerai par ce doux nom, Mère !/ Tu m'as donné d'innombrables chagrins/ Et m'en réserves plus encore, je le sais !/ J'avais une maison, une famille et me voilà/ par ta grâce dépossédé de tout sur terre./ Que puis-je endurer d'autre, je ne saurai le dire./ Qui ne sait que je dois mendier pour mon pain/ de porte en porte ? Et pourtant, je suis dans l'attente./ Un enfant ne doit-il pas vivre, sa mère morte ?/ Rampraçad était bien l'enfant de sa Mère,/ mais toi, ô Mère, tu as traité ton fils en ennemi./ Si, aux yeux de sa mère, l'enfant souffre à ce point,/ à quoi bon cette Mère pour l'enfant, cette Mère ?/ Ô Mère, quel est ce crime que j'expie/ durant ma longue vie dans la prison du monde ?/ Le matin, je travaille ; combien dure est ma part./ Je m'en vais çà et là gagner un salaire sans honneur./ Quelle désillusion rongeuse me possède !/ Et cependant, ô Mère, par quels charmes profonds/ n'as-tu pas attaché mon âme à ce vain monde !/ En m'appelant sur cette terre, innombrables/ ont été les peines assemblées le long de mon destin./ Elles me consument et le jour et la nuit./ Oh ! Mère, je ne désire plus la vie !
Ramprasad Sen, A la Mère Divine
Kali 🌺
Some say the word occult means suppressed or lost knowledge or also hidden knowledge. In a real sense the deepest knowledge/vidya of the workings of existence/reality IS per definition hidden by Nature within herself as Nature’s own magical laws (of maya: appearance, illusion, conjuring reality through mind).
Long ago humans vibrationally entrained with these laws as consciousness was not as individuated as is today (ego-consciousness).
People were interconnected in a group mind (deity) & with the mind of the land & Nature as a unit, whole or tribe/clan or family/kaula— in an unbroken Shakti-circle (chakra or wheel) of self/group organisation.
With great (mental) power, the ancients could build monolithic structures on the land to bridge heaven & earth (deity, the godly & the human) in an unbroken circuit of flow.
These are the laws of creation & manifestation & wouldn’t anyone want to know how to create & bring about the circumstances they wish for?
So, when the ego/mind-consciousness of individuation evolved; necessarily the powers of Nature seemed to become lost & hidden. The ego-mind does not function vibrationally but rationally & pursues the laws of Nature scientifically.
The laws are hidden (from ego rational mind) until you know that what is, is for the best— & although as Jesus says— as son’s & daughters of the Godly, you have the power to move mountains with your faith— in realisation of that truth— you also know, that the mountain is already exactly where it ought to be— as everything serves everything else in creation in the great song/incantation of God, sounding the manifestation into existence (alphabet letters & spell).
It is difficult to study the occult, because the ego-aspect has appropriated much of it for its own ends— but the nuggets of ancient truth remains scattered & coded in the texts for those who dare to know. Within western occultism much has preserved (if you strip away the distortions).
Within the lore of Kali we can find encoded the entire structure of cosmic order & manifestation through the wheel (chakra) of the year/time; the witch-compass & other yantras or telluric power circuits; or sigils of sacred letters.
Kali

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Gerhard Richter - Uncle Rudi
Gerhard Richter: Dead
olej na płótnie, 62 x 67cm, 1988
Seria trzech obrazów “Dead” bazuje na fotografiach przedstawiających terrorystkę Ulrike Meinhof, członkinię Frakcji Czerwonej Armii (Baader-Meinhof). Zdjęcia zostały zrobione po jej samobójczej śmierci w więzieniu Stuttgart-Stammheim, 9 maja 1976 roku. Przedstawiają zbliżenia głowy i tułowia leżącej kobiety, której oczy i usta są częściowo otwarte. Jej ciemne włosy są prawie nie do odróżnienia na ciemnym tle, podczas gdy jasne ubrania i blada skóra twarzy wyraźnie się wyróżniają. Nieco rozciągnięta szyja odsłania ciemną, głęboką linię pozostawioną przez pętlę.
Gerhard RICHTER (b.1932) Fenster 1968 Huile sur toile / Oil on canvas Kunstpalast , Düsseldorf
Rétrospective Gerhard Richter à la @fondationlv jusqu'au 2 mars 2026
Gerhard Richter Candle, 1982 oil on canvas
Gerhard Richter
Candle, 1982. Oil on canvas

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Two Candles by Gerhard Richter | 1982
Gerhard Richter, Wolken (blau) (Clouds [Blue]), 2025