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@bloodbitches

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JUNKYARD (2017), Peter Hauser (PĂźrĂŠ Bildmagazin Nr. 17).

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The BrontĂŤ Cabinet: Three Lives in Nine Objects by Deborah LutzÂ
Vintage Jean Paul Gaultier Torso Ring
Nick Knight, Massive Attackâs Mezzanine

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Oman; Zar rings. Scanned from the book Oman Adorned: A Portrait in Silver; 1997; Miranda Morris & Pauline Shelton
Copper bath tub
La vie de Jesus (1997) dir. Bruno Dumont

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âSubvertingâ Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how âWound of Christâ from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risquĂŠ way that challenges Christian beliefs. But what you don't know is that that stigma isnât just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christâs foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internetâŚwhere you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in factâŚyou're posting an image that was sexualized for you by the very Medieval saints you think youâre so different thanâŚfrom âsubvertedâ Catholic art.