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MAGNIFIQUEâŤď¸âŞď¸âŤď¸âŞď¸
Il est trop chou-

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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By Arnaud Lajeunie for Fenty EyewearÂ

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GET TO KNOW ME: [1/5] FAVORITE ACTRESSES â ZENDAYA
â[Zendaya] is like a force, and I feel so lucky to be learning how to act next to her, as sheâs so experienced in a lot of ways. I think [Euphoria] pushes us to keep learning about ourselves as actors. Because itâs ⌠just constantly pushing us to go further and go harder, and she feels really committed to that.â â Hunter Schafer
porque eu sou bissexual e isso estĂĄ em todas as notĂcias do mundo !

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ONE NIGHT IN MIAMI, 2020
dir. Regina King
JOHN DAVID WASHINGTON as Malcolm in MALCOLM & MARIE (2021)
You know what, Malcolm? I feel like once you know someoneâs there for you and once you know they love you, you never actually think of them again. Itâs not until youâre about to lose someone, that you finally pay attention.
ZENDAYA as MARIE in MALCOLM & MARIE | 2021
i love the way the trailer looks but do you think m&m wouldâve been better in color not b&w?
Nope. The cinematography and lighting is BEAUTIFUL. They look so fucking good in that black & white, trust me. I also like Samâs reasoning for shooting it that way (the history of film and how in the b&w era, there werenât many romantic features with black people being made so he when he was creating an ode to old Hollywood, he made sure to rectify that).
And it just really works for the story. You pay more attention to the characters and the dialogue in the grayscale. It also makes the space feel more dynamic. Itâs all filmed at the Caterpillar property and not once does it feel like the location is constricted and I think that is party due to the b&w tbh. Itâs like if you saw it all in colour, you would feel like you memorised the entire space within 10 minutes of the film but the black and white makes you feel like youâre moving into new locations with every sequence change. Itâs also Samâs directing but seriously, Marcell is some genius. Idk how heâs doing it but yeah, when you watch it, you wonât wish it was in colour.

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EMMY AWARD WINNER ZENDAYA
I find it so randomly touching how basically every brand that Z has worked with decided to congratulate her on the Emmy with really thoughtful messages? Not just âCongratulations to this A-lister, who once wore us, for winning an Emmyâ, but like, genuinely sweet posts speaking about her as a person. My favorite from the lucky designer of that very night, CJR: âZendaya The muse. So grateful to have individuals who understand the zeitgeist, and navigate getting dressed and presenting themselves in these spaces with glamor, intelligence, and humour - with our work in mind.âÂ
Thereâs something to be said about being good at every part of the job. From bringing her A-game in front of the camera, to her business skills, to picking the right people to work with, to opening new doors, to using her platform, to speaking with kindness and intelligence, to owning every look ever. To doing every part of the âactressâ job with the right and equal energy because the people involved in all of those fields deserve it. So when these designers speak with heart about her (and Law as a team), you know itâs because they genuinely feel championed (and not just because Z does look unnaturally good in everything); âThe silver fringe dress from âOf Grace and Lightâ HC collection, was originally presented by an acrobat, floating on air. It is a 5 meter length dress, an impossible dream dress. What Zendaya does to it, itâs exactly what I hope for Couture. She makes the dress, and the dream, real; she takes it away from the Charles James salon behind couture to bring it to now, introducing the human values that stand behind couture to this new, beautiful, and powerful generation. And she is able to wear this dress effortlessly but keeping all the magic of it.â - Pierpaolo Piccioli.