Ainu, early 20th century, Hokkaido, Japan

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Ainu, early 20th century, Hokkaido, Japan

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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'Tomten and Fox' by Lennart Helje (1940-2017)
Hilma af Klint, Group IX/SUW, The swan, no 1
1914-15
Paul Lautensack: Tabulae apocalypticae secretiores - Valentin Weigel: … : Ms. germ. fol. 1179, c. 1500
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"An invisible creation precedes that which we can perceive through our senses; the world is already organized potentially before it becomes so in fact. Everything is constructed according to an image, to an ‘ideal’ of the species. A prototype therefore, is evident as coming before the collection of imperfect reproductions which make up the physical universe. The mysterious artist who dreams the prototypes appears to us in the Tarot in the features of the Hermit, the experienced old man, evoking the future, according to the past. He is the weaver of the immaterial and permanent loom on which is embroidered the transitory pictures."
— Tarot Of The Magicians, by Oswald Wirth
Art: Jeu de tarot kabbalistique dit "des imagiers du Moyen-Age", c. 1889 by Oswald Wirth
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Leonora Carrington, Labyrinth (1991)
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A once-in-a-lifetime shot — the moon perfectly framed by a rainbow. Caught at just the right time. 🌈 🌕
vitali skvorkin
Pier Paolo Pasolini by the Tiber (1950s)

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Kitagawa Utamaro, Mirror, from the series “Eight Views of Tea-stalls in Celebrated Places" (“Meisho koshikake hakkei”), 1790
Theatre performance involving a courtesan in formal attire. Early 1900’s, Japan, by unknown photographer
Nepalese fungus mask (made from the Lingzhi mushroom) PNGs.
(1. 2. 3. 4. 5. 6. 7. 8. 9.)
Lotte Pritzel with one of her many dolls in 1923. Rejecting Oskar Kokoschka’s commission for a replication of his lost lover in the form of an articulated doll, the dollmaker later became friends with Hans Bellmer, whose own fascination with dolls had roots in projected psychosexual obsessions, pedophilia, castration anxiety, and objectification of the female form as beckoning its own ruin.
The J. Paul Getty Museum, Los Angeles, Man Ray, Seabrook, Justine in Mask, 1930, Gelatin silver print, 23.7 x 18.8 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Omphale by Byam Shaw (1914)
Akio Hino (Japanese,contemporary)
Red fox, Hokkaido, 1980s