I donât know where Iâm going, but Iâm on my way.
Carl Sagan (via wordsnquotes)
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@billypilgrim1855
I donât know where Iâm going, but Iâm on my way.
Carl Sagan (via wordsnquotes)

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And Lotâs wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So, she was turned into a pillar of salt. So it goes. People arenât supposed to look back. Iâm certainly not going to do it anymore.
Kurt Vonnegut, Slaughterhouse-Five (via theclassicsreader)
https://youtu.be/XTuIg7CGsjM
I loved her not for the way she danced with my angels, but for the way the sound of her name could silence my demons.
Christopher Poindexter (via quotemadness)
Thatâs when I realized what a true friend was. Someone who would always love you - the imperfect you, the confused you, the wrong you - because that is what friends are supposed to do.
Anonymous (via wordsnquotes)

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We habitually erect a barrier called blame that keeps us from communicating genuinely with others, and we fortify it with our concepts of whoâs right and whoâs wrong. We do that with the people who are closest to us and we do it with political systems, with all kinds of things that we donât like about our associates or our society. It is a very common, ancient, well-perfected device for trying to feel better. Blame others. Blaming is a way to protect your heart, trying to protect what is soft and open and tender in yourself. Rather than own that pain, we scramble to find some comfortable ground.
Pema Chodron (via quoteswagga)
Iâm here to tell you that if you get broken, itâs possible to put yourself back together. Iâm here to tell you that if you get lost, itâs possible that a light will come, dancing, on the horizon, to lead you home.
Nick Lake (via quoteswagga)
Every saint has a past and every sinner has a future.
Oscar Wilde (via quoteswagga)
When I was an art student, a professor told me, âIf you are thinking about where a painting is going to hang in a gallery and what others will say and think of it before you have put the first brush to the canvas, you are missing the point entirely.â Unfortunately, I think many young artists believe an artworkâs final destination is part of its reason to exist, and that is intertwined with the motivation to create the work. The pollution of âcreation with intent to succeedâ has never been more apparent than it is in the pop music of our time. Mainstream radio acts more as a pyramid scheme than an outlet for melodies and stories. A song is written. It is uncomplicated, shallow and flashy with spicy rhythm, tons of fun sounds and a simple melody thatâs easy to repeat. Itâs ear candy. A long list of people will invest in the song, feeling sure it will be playing on many stations many times, then advertisers and FaithTV and movie folk pitch in, and soon you have a dollar-generating product trickling down and feeding these investors. The pyramid is in operation, and nothing much is really good about it, except maybe some memorable drives with the song repeating over and over, and finally you kind of admit the song is not all that bad because you associate it with this special moment you had. In the end, it is still as far from art as you can go, and no one is better for it. In all types of art there is a choice. Create what you feel because you believe in it, or create what you think will be âsuccessful.â The difference between the two is this: with the latter, that which will be âsuccessfulâ can only âsucceedâ for a temporary moment with you and your physical state. But that which is created in sincerity, that which reveals part of your soul without control and plan, will outlive all of us and be generated between men for years to come. Though the work may not succeed in number of viewers, it still bears a life. This being said, just because you feel something, it doesnât mean you will, without a doubt, go out and make a masterpiece. But you wonât produce a masterpiece without that truth. This truth is a precious thing, a heart, a nucleus, a child that must be protected from the many distractions and trials that attempt to affect it. I often canât put a finger on what drives me to create. What force drags me to the studio at 6 a.m.? What pulls me out of bed in the middle of the night to jot down a story idea or melody? I have always had something to say or show. Most of it, if not all of it, has been only my flawed attempts to represent truth. But itâs been a story that has unfolded over the course of my life. I just follow it, as it keeps me busy and well-worked. Those who are proud of what they create, and who help others through it, should count themselves lucky, for this is the seed that grows the vine that traces the path that takes each of us on a spiritual journey with no end or resting place, a journey that can only be guided by the faith and can only lead to the flood of light at the final interruption of our lifeâs journey Our hands and minds, legs and mouths, eyes and ears, arms and feet were all made with purpose, and though you may never find that exact purpose, it is your obligation to yourself and God to search for it, and to search endlessly for a perfection that, though you will never achieve it, you must seek. This is faith. This is spirituality. So with art and spirituality, I see parallels. Both are misread, both are distorted, both are exploited, both are misunderstood and misused. As I struggle to find my place in art and in spirituality, I am beginning to believe both are destroyedânot by the lack of understanding that seems to swarm around them, not by the non-churchgoer or the folk artist making unsaleable, offensive work with horrific scenes and poor composition, but destroyed by the millions of people who claim or subtly believe they are right and others are wrong, by the sale of an unfinished Renoir for $13 million because a piece has prestige but not quality or truth. What Iâm trying to say is that neither art nor spirituality is ever âfigured out,â and they exist as a journey through each of our lives in different ways and in different degrees. You canât know the answer. You can only have faith and try. A creator of art can never stop developing and changing, nor can a spiritual man. In one of my grandfatherâs sermons, he compared faith to a shipâs rudder being too tight or too loose, saying we must flex and adapt through life. Art is an extension of spirituality, an expression of this journey through life that dips and climbs and challenges us all. Our faith carries us to the studio to do our work and our faith keeps us searching for perfection. A life only exists in the moment of now. It has no need to exist in the past, which is over, or the future, which does not exist. Your life is like a lump of clay. It can remain that way through luxury and idleness. Or it can be shaped through goodness and change, until you arrive at the masterpiece that is your life.
âMy Search For Truthâ by Scott Avett (via downwiththeavettbros)

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When Iâm the first one of my friends to show up somewhere
The most authentic thing about us is our capacity to create, to overcome, to endure, to transform, to love and to be greater than our suffering.
Ben Okri (via quoteswagga)
You will walk differently alone, dear, through a thicker atmosphere, forcing your way through the shadows of chairs, through the dripping smoke of the funnels. You will feel your own reflection sliding along the eyes of those who look at you. You are no longer insulated; but I suppose you must touch life in order to spring from it.
F. Scott Fitzgerald (via quoteswagga)
I Wish I Was - Lyrics
I wish I was a flame, dancinâ in a candle
Lightinâ up your living room, high on the mantle
I could bring some romance, without any scandal
And then when you were done, youâd just put me out
I wish I was a tune, you sang in your kitchenÂ
Putting your groceries away, and washing your dishes
I could roll around your tongue, and ease the tension
And then when you were done, youâd just quiet down
But if I get too close, will the magic fade
Would I turn you off or away
If I pull you in, would I push you out
Or something here you care about
Well Iâm at a loss for what to do, but Iâm drawn to you
I wish I was a sweater, wrapped around your hips
And when it got too cold, into me youâd slip
And when the sun came back, you would hang me up
And I would watch you as you undress
But if I get too close, will the magic fade
Would I turn you off or away
If I pull you in would I push you out
Of something here you care about
Well Iâm at a loss for what to do, but Iâm drawn to you
Iâm not a song, Iâm not a sweater
Iâm not a fire, Iâm something better
Iâm a man in love writinâ you a letter
Will you take it, will you keep it, will you read it, believe it
I love you, Iâm sorry
I meant what I said when I said I would rearrange my plans and change for you
âI Would Be Sadâ, The Avett Brothers (via the-sun-also-sets)

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@alliwillknowsomeday
Mumford and Sons play what was then an untitled new song live at the Institute of Contemporary Arts (ICA) in London on 4 March 2009. As Marcus explained, the...