Hi! Do you still think there's hope Beth will show up in DD4? Are the clues still strong? I want her to appear in the next season so badly. I was convinced she'd show up in Season 3, and I was honestly so disappointed when she didn't. I ended up convincing myself she'd be in Season 4 instead, and if she doesn't appear there my heart is seriously going to break. I know she’ll appear in DC next season, but I really want her actual return to happen in DD4. I've literally been counting the days and months ever since the DD3 finale aired last year, and I can't wait any longer! I'm not even joking! I keep having upsetting dreams about Season 4 ending without Beth showing up, so I'm getting a little anxious 🥹😭 Atp I don't even care about the romance anymore. I just want a Beth and Daryl reunion. I just want to see them interact. Even if they only share 2 scenes next season I'd be so happy😭 But oh my God I really don't want DD4 to end without even a trace of Beth. I'd love to hear your thoughts because whenever I start losing hope, I come back and read them. Do you still think there's a real chance she'll appear in DD4? What are the strongest pieces of evidence we still have? I swear I want to raid the AMC studios and watch Season 4 already because I seriously can't wait anymore. 😂 lmao
Hi,
I understand how you feel, and I totally agree!
While there's tons of symbolism indicating Beth's return, determining when and how the symbolism will pay off is always the hard part. However, as this is the end of the spin, they MUST pay off the themes established for the spin-off.
Additionally, Norman's interviews, and Gimple's, during the filming of season 4 are very telling. First, Norman said, "there was ALWAYS going to be a very specific ending."
This entire series, Daryl, Isabelle, Carol and others have said that Daryl left the Commonwealth looking for "something". This happens to be the exact word that Rick says to Daryl in 5x10 before the music box wakes up. Seeing how distraught and depressed Daryl is at the loss of Beth, Rick says to Daryl, " It's been 3 weeks since Atlanta. I know you lost SOMETHING back there."
So what's the ending that has ALWAYS been planned? It's Daryl getting his SOMETHING back aka Beth.
In an interview about season 4, Gimple said that season 4 was going to rectify things from the past. Of course, this will include things from Daryl's childhood, but after he makes peace with his childhood, then he will get his reward which is finding Beth.
Think of it like this. Carol makes peace with Sophia dying, and now she will get the loving family she didn't get with Ed and Sophia with Antonio and Justina. That's her happy ending.
To parallel that, Daryl will make peace with his childhood. Then, he will be reunited with Beth and at some point Laurent getting the "home" or family he didn't have as a child. That's Daryl's happy ending.
Finally, the best predictor of future behavior is past behavior. So looking at the last season of Fear The Walking Dead, what did they do?
Not only had they brought back Madison in the previous season, they specifically brought back Troy, who had been beaten in the head with a hammer and thrown into the water. Both these characters had been "dead" for many years.
So anyone saying it's not possible that they would bring back Beth obviously has not watched Fear The Walking Dead which is under the direction of the same chief content officer, Scott Gimple.
How did the flagship end? With Rick, who had been "dead" for years to the rest of Team Family, seen for the first in years.
Will Beth be seen alive by the end season 4? I really think so.
Do I think it will be a full story?
No, I think they will save that for later, but I 100% think we will see her alive before the end of Daryl Dixson.
After all these years, Emily is filming again for TWDU. Not just a cameo mind you, we know she will be in at least one full episode. Beth is back for a REASON.
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Uhhhh, guys? This was apparently posted a couple of weeks ago from the Daryl Dixon post production crew saying post had wrapped. In the top left when zoomed in it says, "Property of RTD 408".
But am I nuts or......is that not two people embracing between those pillars? Or is it another pillar??? What do you think?? At first I thought for sure it’s two people embracing….but then I’m like could also just be a pillar…..gah!
EDIT: auroraroseane on the Discord found it! It is near the base in Cadiz Spain that was one of the last filming locations. Also, there is no pillar! So it's definitely a couple hugging - could be Carol/Antonio, could be Daryl/Someone!
Definitely no pillar in that spot.
EDIT: Also looking at the darkness around the edges of the post-production party picture….i think this might be new opening credits. So once again, highlighting how this season is going to be different from the others. S1 and S2 in France had the same opening credits (a couple of minor changes in the S2 ones). S3 and S4 in Spain are going to be different.
EDIT: Updating the post to show what the end title card of the credits have been for all the seasons until now. S4 is so DIFFERENT.
S1/S2/S3/S4:
Color scheme is so much lighter and it actually has a location in it.
@twdmusicboxmystery
The hugging couple COULD be Cantonio OR.....
I don't believe that they would have had Emily Kinney out filming this much in the open, but since this appears to be part of the title credits, this is likely a representation of something that's going to happen in the season, not actually the footage of an actual thing.
**Editing and reblogging to add some AMAZING news found by @obidala2 today.
Michael E. Satrazemis will direct 3x1 Trillium(aka Bethroot), 3x7 Hourglass and 3x8 TENEBRAE.
He also directed.......SLABTOWN!
We now have Hoffman and Negrete, writers from Beth's era, AND Satrazemis director of Slabtown
******
TD has been tracking art and its symbolism in TWD since the inclusion of and focus on the large painting by Caravaggio called The Denial of Peter featured prominently in Slabtown 5x4. Caravaggio painted this work months before he died, and it's considered the epitome of his style.
What is an element of that style called? Tenebrism. See the definition below.
The writers used tenebrism as a stylistic element throughout the entire SlabTown episode not just to highlight the painting itself. I've included a couple of pictures below, but the tenebrae style is used in multiple shots throughout the episode. To make sure we picked up on this symbolism, they included, the at least TD famous, close up of Beth's sneakers with the white and black shoelaces symbolizing the contrast between the light and the dark.
Slabtown could, in fact, have more accurately been called Tenebrae.
Matthew Negrete wrote Slabtown and is a writer on Dead City this season for episodes 2 and 4. He is also an executive producer for the season. He and Hoffman were in the writer's room when seasons 4 and 5 were written. They are intimately familiar with Beth's arc and its symbolism.
The writers so often use artwork symbolically in TWD and one of the ways they point this out to us is by having it appear out of place. For example, this Caravaggio was said to have been rescued by Dr. Edwards outside the High museum in Atlanta. However, this painting has never been housed there.
Guess where it is housed? Why the Metropolitan Museum of Art in New York City setting for Dead City.
Many of the works featured in Dead City season 2 at the Met are not housed there. Most notably the Goya painting which is housed in Spain. This ties Dead City to Daryl Dixson as Goya is the signature artist in the opening credits of DD3.
What could this mean for Beth return? I've been tracking the season 5 replay since season 1 of Daryl dixon. I've always thought that the replay of Slab town would occur after Beth reappears to explain where at least part of where Beth has been this whole time. Could 3x8 of Dead City be that replay? I think it could, but more likely it could be one of those titles with multiple meanings.
In Dead City it could mean the end of New York City's return. The lights could go out in the city as the religious meaning of the word tenebrae would indicate, but it could also include a coda or post credit scene that shows where Beth is, thereby connecting it to Slabtown.
In light of recent sightings of both Norman and Emily in Italy, and all the past connections to Italy including the Up the Wolves song, the many references to the Mona Lisa painted by Italian artist Leonardo da Vinci, and of course Caravaggio being an Italian artist, we can't rule out a reunion between Beth and Daryl in Italy.
I'm not 100% convinced this is going to be the case, but it's worth taking a look at while we're talking about tenebrae and Caravaggio.
Based upon spoilers and rumors, we know that the US military will be part of Daryl Dixon season 4. According to reports, there is a large naval ship that Daryl saves, perhaps his reward is to be granted a flight to another military installation. There is a rumor that an abandoned air base with signs in English was used for filming. We have the behind the scenes pictures of Daryl on a flight looking excitedly out the window. So, theoretically, if Daryl is flying to another base in the area to meet up with someone in Italy, where would the most likely base be? Below I've included a list of American bases in Italy. The one I highlighted below stands out because Naples was where Caravaggio painted The Denial of Peter. It is another Naval Base like the one in Cadiz and coordinates with other bases throughout the region as a command and supply hub.
As you can see above, Campania can be translated as " happyland ". Now wouldn't it make sense for Daryl to find his happy ending in " happy land".
One final little tidbit tying dead City into the European and Italian location, is the behind the scenes photo taken during filming featuring maggie, negan, herschel, and the croat fighting a rainstorm just outside the Croatian embassy. Remember the Croat tells Maggie in season 2 that he wants to go home to Croatia. Where is Croatia? Next to Italy.
I'm not saying that Dead City season 3 will wind up in Croatia by any means, but I do think it's an interesting connection especially with the storm. I've been waiting for a 5x10 kind of storm for our season 5 replay. Will that storm be it symbolically with the location of Croatia hinting at Italy?
I'm not sure, but I am about 90% sure that these spin-offs are merging and Beth and Daryl will be part of whatever happens next with Dead City, or perhaps it'll be called something new, where Maggie, Negan, Beth, and Daryl will reunite.
Again, I'm not 100% convinced that Italy is where this will end, but it's definitely interesting.
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It was like a dream, a mirage, to see Beth walking up to their group across the entry hall of the Guggenheim. He felt Carol squeezing his arm, heard her adamant whispering of his name, but he couldn’t move, he couldn’t breathe. It was like all the oxygen had been sucked from the room. Electricity shot through his body as if he had been struck by lightning and his legs turned to jelly. It took all his strength to stay upright.
Sunlight streamed through the museum’s tall windows making Beth glow. At first he thought she was a hallucination like Isabelle had been back at the chunnel, but the light made it clear she was older . He could see the scars, faded on her face. She was real. She was alive. She was beautiful.
The dream, the mirage, evaporated when they heard her tale. Shock and disbelief at finding her alive turned to deep guilt and shame when he learned everything that she had gone through. The long buried pain that had kept Daryl from uttering Beth’s name for a decade came roaring to the surface. He longed to question her, to demand she fill in the gaps in her story but he couldn’t speak. He was tongue-tied in her presence too overcome with turmoil to even open his mouth.
Seeing that Daryl was unable or at least unwilling to talk Carol haltingly told Beth an abbreviated version of how they ended up in Spain, what happened to the family after Grady, who they lost that she knew, and that Maggie had a son and was still alive. This news brought Beth, who had been stoic if not rather pale and drawn until then, to tears. Carol gently reached out and squeezed Beth’s arm while Daryl watched in strained silence.
“You can always come home with us Beth,” Carol said softly, but Beth vehemently shook her head.
“You don’t understand the power of the CRM. They can wipe out whole cities if they want to. It’s better for everyone if I just stay dead,” she said finitely. Fury exploded within Daryl, finally rousing his speech and bringing him to his feet. He contended that they could face the threat together as a family citing the size of the Commonwealth and all the enemies they’d conquered in the past. However, she remained resolute, her blue eyes glinting like steel. He swore it was the same look she had at Grady before she had stabbed Dawn.
“I get it now,” the words seem to mock him. He wasn’t looking at the Beth he remembered but the dead girl.
The sunshine earlier in the day did not prepare them for the onslaught of the storm that erupted around them that night. Thunder cracked and lightning flashed as Daryl lay awake struggling to make sense of the events of the day and his tumultuous emotions. The sense of unreality was still with him along with the guilt and shame he carried but it was his unreasonable rage at Beth’s refusal to return to the United States that made him feel like he was crawling out of his skin.
He knew she was trying to protect them and she had a whole community to think about but he couldn’t reconcile Beth,the girl who never gave up looking for her family, with this woman, who didn’t even hesitate at the idea of going back with them. Worse still, despite his anger, the image of Beth glowing in the sunlight appeared again and again in his mind, opening up a hollow place in his chest filled with longing he didn't understand and didn’t want to explore. Letting out a long breath Daryl threw his arm up over his face and tried to sleep.
The next day they found that the storm had damaged some of the outer buildings and weakened patches of the fences. The storm had also driven more walkers to the Guggenheim necessitating a culling of the herd that had gathered. All hands were needed in the clean up and shifts were organized to deal with the aftermath. Daryl jumped in to help with the others in his group without being asked, eager to burn off some of the dangerous energy still coursing through him.
Throughout the day he would catch glimpses of Beth as she oversaw the mending of the fences or took her turn stabbing walkers and each time the hollow place in his chest would burn. When this happened he would work even harder pushing himself to the brink until sweat was pouring down his back and the tools would slip from his hands.
Daryl imagined he felt her eyes on him making the skin on the back of his neck blaze with unwanted heat but when he turned to look she would be busy speaking with a community member or soothing a crying child leaving him feeling foolish and even more pissed off.
“You wanna talk to her?” Carol asked hesitantly when she had caught him stealing a glance at Beth for the second time in just as many minutes.
“Ain’t nothin to talk about,” Daryl growled around the nails he was storing in his mouth and went back to hammering the fence. With unease he realized the burning in his chest told a different story.
The clean up took several days and Daryl continued to wrestle with his feelings. Several times Beth approached him but he brushed her off afraid of what might come out of his mouth. He didn’t know if he wanted to berate her or kiss her. Maybe both. This thought scared this shit out of him.
Moonshine once again fueled their connection when Beth finally convinced Daryl to catch up over drinks. Daryl arrived at her quarters freshly bathed and anxious. Beth greeted him warmly, blond hair in waves from her braid down her back, face luminous in the light of the candles that lit her room. The hole in his chest flamed at the sight of her.Their first attempts at conversion proved awkward and stilted until Beth recommended they play “I never,”.
“Yeh sure? Last time didn’t go so well,” Daryl mumbled, swirling the pungent liquid in his glass.
“I’m sure,” She assured him with a mischievous smile making his stomach swoop in response. They started slow and easy, simple statements, tame assumptions, and soon the conversation began to flow along with the moonshine until they were revealing the deeper shit, shit he’d never said to anyone, not even to Carol. He told her about the Dixon curse, how he felt about Laurent, and the dream that died with Isabelle.
Tears slowly rolled down her cheeks when she told him her fear of the CRM had kept her from getting close to anyone for long. She told him that even before she remembered her own name she remembered Judith. The memory was almost like a phantom ache, an ache she still had to this day.
“I thought she was mine,” Beth admitted, smiling softly through her tears. Daryl blinked.
“She was yours,” he said simply and her smile brightened. He cleared his throat.
“Well, you’d be proud of ‘lil ass kicker she ain’t afraid of much, strong, like her parents, ike you. Keeps my ass in line,” he smirks, taking a swig of moonshine. Beth laughed.
“I’d like to see that,” she said, taking a sip of her own drink. He set his glass down, hesitant now, he knew he was entering thorny territory but he was unable to stop himself from challenging her.
“Yeh can. Yeh just choosin’ not to,”. Her head snapped back as if he had slapped her, color flooding her cheeks.
“That’s not it. You don’t know. You don’t get it,” she insisted, angry now, eyes flashing.
“Yer right I don’t get it. Tell me, help me understand.” Daryl urged. Beth glared at him, arms crossed tight across her body. Her entire posture screamed of buried pain.
“Tell me,” Daryl pleaded, letting his desperation seep into his words. She huffed in exasperation and stubbornly swiped at her eyes.
“Beth,” he implored. Her blue eyes searched his face for something he didn’t know what but she must have found it because she slowly nodded.
“Whaddya doin’ ,” Daryl asked, alarmed as Beth stood and went to pull her sweater over her head. She paused.
“You wanted to know the reason. I’m showing you,” came her muffled reply from within the fleece. Once she had pulled the sweater entirely off leaving her in just a tank top he could see an arm bandage on her lower right arm. She then began to unwrap the bandage while he waited in silence, his stomach clenched in anticipation of what he might see.
“This. This is why. This is why they’ll never let me go. They’ll never stop searching and they’ll kill anyone in their way.” she vehemently explained, lifting her arm up to the nearest candle. He took it gently and examined the skin before he hissed out a shocked breath. There was a bite, an old one, long healed over. Fucking hell.
He listened in horrified silence as she told him about the experiments at Grady, what they had done to her, what she had witnessed.
“I get it now,” he thought as the gravity of her past hit him. No wonder she was terrified of those bastards. A certainty overcame him then so swift and so complete he swore he felt the ground move underneath him. He stood up suddenly, the force knocking his chair backwards.
“I ain’t leavin,'" he shouted at her as if she had shown him the door, “You hear me. I don’t care what shit been done to you.You fucking made it and I made it and that’s all that matters. You ain’t dead Beth. You ain’t dead and I ain’t goin’ back unless yer comin with me,”
As soon as he said it he knew it was true. This was where he belonged. With her.
“I get it now,” the words pounded in his chest in time with his beating heart.
She stared at him in shock, frozen. Then confusion crinkled her brow.
“I don’t understand. You were determined to get back to Alexandria. What changed your mind?” she asked, raising a calming hand and taking a tentative step forward. Daryl reached forward and tenderly brushed aside a blond lock that had fallen into her face.
“You know” he rasped thickly, eyes burning with meaning, and she trembled at his words. The air seemed to crackle around them and suddenly she was in his arms and they were kissing fiercely, her hands plunged into his hair and his arms drew her up against the burning pit of his chest that seemed to combust and consume him entirely at her touch. When they finally broke apart he rested his forehead on hers, panting, a faint smile tracing his lips.
Pearlie as a firefighter is making my TD spidey senses tingle. Here's why:
First here's a link to my resurrection post. The gist is, as Beth and Rick are parallels, we will see a scene parallel to the one where Rick reappears at the end of TWD. Beth will return surrounded by some of the same elements that were in her last scene, just like Rick.
So, when Beth returns she will need to be by or near a medical facility like Grady and there will be some type of emergency vehicle, perhaps another fire engine, nearby.
Pearlie with the the fireman's hat and the ax are giving me those vibes.
The numbers on his hat, the 781, could be a reference to season 7 episode 8 from the 1st Walking Dead show. In that episode, we see Daryl escape from The Sanctuary with the help of Jesus. He then reunites first with Maggie, then with Rick.
Coincidence? Gimple doesn't allow those.
I think that this is a universe easter egg. This is where we are headed. Beth, as the resurrected figure, will take Jesus' place in the story.
Had to edit to add the insane license plate connections. 781 is on the plate of the Grady car followed by Daryl and Carol in Consumed.
The reverse is on the car Carol and Daryl use.
All credit to @atrumreginablue for that connection in the replies!
If you want more details on the license plate theory, I suggest this post by @frangipanilove.
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Another YouTube video! This video includes everything here plus a whole bunch of signature Gala-style ramblings on the topic, which is the TWDU setting of OMAHA ^_^ I've also included the entire post here so you can follow along or just read if you'd like. As usual I am not a pro, so the video is not perfect but I think it gets the job done lol.
I had this in my drafts and decided to finish and publish after @4thenorthstar's recent post about mirrors and the Land of Oz (excellent post, read it here). I've written before about my interest in Omaha in TWDU, which was originally propagated by Beth's sweater, which I learned is called the "Over the Rainbow" cardigan by Free People, and why I think she, herself, is "over the [narrative] rainbow" in a way. This post is much bigger in scope than anything I've written about Omaha before and speculates a possible link between Beth and Omaha, the hidden jewel of TWDU. You can read it here on tumblr or listen to the audio here on my youtube channel. Enjoy!
The image above from season 1 of World Beyond is the closest look we've ever gotten of Omaha in TWDU. It is, by and large, and total mystery. The state of Nebraska is mentioned heavily in TWD season 2, not surprisingly, in the eponymous episode "Nebraska," in which Dave mentions rumors of "a rail yard in Montgomery running trains to the middle of the country—Kansas, Nebraska." Gimple could literally NEVER let worldbuilding like this go to waste. We already know how much he likes to use the train metaphor.
In the scene, a couple of "city slicking" interlopers are looking for a cut of the Greene farm. Of course, they, like many villains in TWDU, recognize the value in agrarian living as soon as the lights go out and the cities fall. In fact, the farmer archetype, as is first embodied by Hershel at the Greene farm, then Rick at the prison, then Maggie at Hilltop, is a very important symbolic treasure in TWDU, because it represents the heart of all struggle in any society founded on the cultural traits of Protestantism and good old fashioned self-reliance. In season 4, Hershel's entire philosophy revolves around self-reliance, self-defense, and self-governance while rejecting isolationism and tyranny.
In TWDU, Omaha partners with both Portland and Philadelphia semi-early on in the new world to form the Alliance of the Three, a civilizational upstart that exists almost entirely beneath the defense umbrella of the CRM. Over the years, the CRM seems to have instituted actual martial law, living in accordance with their own interests and rejecting the demands of civilian governments like the Civic Republic in Philadelphia to govern themselves. In their effort to maintain perfect control, and in the face of rising civilian unrest, the CRM evolves into a tyrannical force under the command of Major General Beale. "Threats" to their sovereignty are eliminated without question by "reclamation teams," while fear, usually propagated in the form of columns, or hordes of walkers that the CRM knows how to navigate en masse, is used to rule the masses with a "benevolent" iron fist. Televised propaganda about the continued dangers of the real world, despite the walls and infrastructure of places like Portland and the CR in Philadelphia, keep civilians living in a perpetual state of dependence on the CRM for defense and resources—resources which have only become more and more abundant as the CRM's influence spreads. In the CR, they have things like coffee, sugar, tropical fruit, anesthetic, medicine, and electricity. Without the CRM to defend their "rights" in the new world, would any of this be possible? The only price one has to pay is obedience. Don't make a fuss, follow the rules, and do your part.
Sounds a lot like Grady, doesn't it? A government creating the very dangers that it claims it is there to protect you against. It also sounds like several other tyrannical "proxy" governments in TWDU, including P.A.D.R.E. in Fear and of course the Commonwealth. All use strict, hierarchical governing "systems," guaranteeing safety and luxuries to the people, but only at an enormous, often hidden cost.
Back to Omaha. Omaha is the mythical "nowhere" place of TWDU. It is just over the rainbow and out of reach, heard of but never seen. We never once visit Omaha, not even in World Beyond. In fact, rather than have the story simply start in Omaha, tptb invents the Campus Colony, a "satellite" of Omaha in what is assumed to be nearby Lincoln. Why would they do this? Why not just have the story take place in Omaha. Why invent a whole new little placeholder, which is *sort of* Omaha, but not quite. Is it because something is hidden there that we are not yet ready to see? I don't know, but I think so.
In TOWL, we see Omaha's destruction televised on the night that Rick contemplates suicide. We know this takes place roughly just as the Endlings are about to reach the CRM research outpost in Ithaca, NY. Omaha dies, and it becomes just like a fabled land of legend. Many people have heard of it, but no one has actually been there, and it was destroyed before its true purpose and potential could be revealed. We've also never met an ordinary citizen from Omaha. We have only met Huck, who is a CRM soldier, and who only arrived in Omaha after the Fall.
Omaha, home to roughly 100,000 people, is obliterated by the CRM using some sort of modified chlorine gas, and both World Beyond and The Ones Who Live sort of hand wave the whole thing as just some impenetrable tragedy and little more. On this note, I have theorized that we may see Omaha, which is like the last frontier of major TWDU mythological settings, in a flashback series as possibly a place of a civilian revolution, an uprising against the CRM, or at the very least a powerful “hold out,” which would account for its desolation. Of course I think Beth was there and was directly involved, something that would have been foreshadowed by her time at Grady, and I think that part of the reason we don't get to visit Omaha is because it really is “over the [narrative] rainbow," so to speak, or it's "through the [narrative] looking glass," if you will. In Gabriel's words from WHAWGO, it is "that which cannot be seen." It's real, and permanent, just like Beth is, but it's structurally hidden behind the comic book story, which Gimple is contractually obligated to tell.
I like to think of Omaha as a symbolic “heart” and center for yet another American revolution, and the American dream as epitomized before Modernity and the Industrial Revolution of the 1900s. The original Wizard of Oz written by Frank Baum has, in the past, been analyzed as a Populist allegory with focus around the Peoples' Party, having formed in Omaha in the 1890s, in response to rising concerns about consolidating wealth and Industrialization of major cities. The uprising consisted of farmers alliances and labor organizations with a focus on securing rights for farmers and rural working class in a time of the Industrial takeover. Note that this is just one academic interpretation of Baum’s Oz; however, the connection between Omaha and Oz is irrefutably epitomized by the fact that the Wizard of Oz himself is actually just a salesman from Omaha whose hot air ballon blew “over the rainbow” during a storm one day. That he is able to “make” himself into the Wizard of Oz from nothing, just a stranger in a strange land, is yet another manifestation of the American dream. The notion that Omaha might be "Oz" is something I've been pondering for a long, long time.
I think it’s more likely that Omaha in the literary sense is just a symbolic jewel of traditional American rural life coming into contact with the promise of riches, technological advancement, and wealth of a more industrialized world (ie: the Emerald City). Of course, the messaging is still fairly clear: In the end, Dorothy still wants to go home, albeit to Kansas, but it’s really the same thing. The manufactured "beauty" of the new world was enough to entice her for a little while, but in the end, there really is no place like home. Home is where the heart is, where the roots are, etc. etc.
I think the parallels within the story, particularly per the struggles between a self-reliant but somewhat stark and difficult rural life that comes into contact with the shiny promise of Industrialization (ie: greater wealth but greater reliance on government bureaucracy and "protection") are really striking in terms of what may have taken place in Omaha in TWDU, a land of agrarians, and a settlement of 100,000 in the new world. Recall that Omaha, prior to even the formation of the CRM, managed to thwart Operation Cobalt and to save itself after the Fall. Though we still have no idea how it managed this, as this is but another secret the story has kept, we do know that it was self-sustaining when it joined Philadelphia and Portland to make the Alliance of the Three. One could imagine their longterm survival had something to do with Nebraska’s vast oceans of corn and cattle ranches as well as a certain hardened Midwestern “state of mind,” which is traditionally libertarian, harboring self-reliance and a significant suspicion of government. That said, in the new world, where industrialization is but a luxury in the face of impending starvation, access to experienced farming settlements with a lot of corn is a major advantage. Some might even call it necessity.
We see glimmers of this tension in the flagship via Hilltop, a clear Omaha proxy, which becomes highly contested as a stronghold for food (sorghum) and ethanol (corn). Rick and Maggie both know right away that this is a highly contested place. On that note, Hilltop is first attacked by the Saviors during AOW, then again by the Whisperers in season 10, and then again by the Commonwealth in season 11. This is not only because of its vast access to food and fuel but also for its symbolism as the sort of “last hold out” of the American dream as was forged during the Revolutionary War: self-reliance, homegrown prosperity, and independence from the monarchy.
Major General Beale, just like Lance Hornsby, would have known that if a population does not need you to survive, then you will struggle to bring them under your control. We see this struggle play out straightforwardly in season 11 when Maggie, a product of rural, Protestant roots planted by Hershel, upholds Hilltop’s independence and refuses Lance’s offer for them to join the Commonwealth. Lance is so desperate to get his hands on Hilltop’s corn and ethanol and to bring it under the Commonwealth’s control, however, that he ends up infiltrating the city with Commonwealth soldiers and ends up hiring Leah to take Maggie out. Maggie’s self-reliant attitude makes her a major threat to not only the people of the Commonwealth, who Lance views as needing her resources to survive, but also to the Milton family, whom Lance works for, and who desire to exact full control over the land.
In the episode "Warlords," Maggie tells a story to Lydia and Elijah about some corporate farmers who tried to get her dad to sell their farm before the Fall. Her story focuses on how her dad refused the salesmen on principle. By sticking together, refusing the corporation's "gifts," and outlasting the ensuing drought, they got to keep their farm and their sovereignty, and when all was said and done, despite some modest losses, their farm was worth three times more than it had been previously. Lydia and Elijah question Maggie, and their questions are good. Why did her father let the gifted food for the cattle rot? Why didn't he feed the cattle? The cattle were hungry, Elijah says. Maggie promises them that such hardship was only temporary, as it always is. But having come of age in the new world, and in a state of constant upheaval, the notion of "things going back to normal" or "the drought ending" are foreign ideas to Lydia and Elijah. Maggie's wisdom is perhaps too stark, too gruesome to understand at this point, and in the face of such bountiful offers by a civilizational entity like the Commonwealth. This is a generational struggle, not just ideological.
But what's learned here is that Maggie's sense of making something from nothing and pushing through rather than giving into hard times is earned, and while, not always popular in the moment, typically the right choice in the long run. This is why Maggie the farmer, though she is not always the warmest, most kind, or popular character, is a strong and sympathetic leader. It's what makes her so much like Rick, and it's why her people do follow her to the edges of the earth in those later seasons. Because as we all know by now, Maggie is right. She is right to question the Commonwealth and their relationship to the outside world. She's right to doubt their governance, their morals, and their motives. She's right to hold out, to remain self-reliant, and to hold onto what's hers, even if it's hard. Even if it makes people question. But recall that Maggie never forces anyone to stay at Hilltop. She wants them to come to these terms on their own, and to follow their hearts, because she knows that's how actual lessons are learned in life, especially when you're young. She is a good leader. She is not a tyrant.
On a related note, and on the topic of the Commonwealth as CRM proxies: In the previous episode "The Lucky Ones," as Lance is attempting to swindle Maggie into joining the Commonwealth (using tactics suspiciously close to those used by the corporate farmers in her story), there's suddenly a "swarm incoming," and a whole little mini horde of walkers conveniently descends on the settlement, right then and there. While it's never stated outright, Lance's reaction strongly suggests that said swarm was his orchestration, a way to show off the Commonwealth's powerhouse military force. It's an amoral means of devilish persuasion. Lance is a villain. He's a bad guy. Of course, Maggie sees right through him. It's not a coincidence that MG Beale uses this same exact tactics against Omaha, Portland, and the Civic Republic in World Beyond and The Ones Who Live. Like I said before, the CW creates the very danger that they claim to want to protect Hilltop against. It's insidious.
Now, what's eventually learned in Dead City is that Maggie, whose life has been filled with horrible personal tragedy, goes too far with all this. She eventually slips into a kind of harsh isolationism that does, in fact, threaten the wellbeing of her people. This of course brings us back to Hershel's tenets in season 4. Self-reliance is good. But total isolationism is bad. Learning to walk this line is something that multiple characters, including Rick, Daryl, and Michonne, all have to overcome over the course of the series.
OKAY. SO. Back to the template. If Gimple IS using the various wars and skirmishes in the flagship to tell a larger story, or to create a sweeping template for TWDU at large (ie: the CW as a CRM proxy, Hilltop as an Omaha proxy), then one can see how a similar scenario may have befallen Omaha. The CRM wants more control, but Omaha, which is self-sustaining, self-reliant, and likely under strong leadership, feels it doesn’t need the oversight and, like Philadelphia, desires to divest from martial law. So, they actually rebel. Or, they make very real threats to rebel. MG Beale, sensing a threat, sends someone (certainly a Leah archetype) to take out the leader and subsequently floods the city with chlorine gas, sending walkers in to clean up the mess. Meanwhile, Lt. Colonel Kublek feeds her soldiers a lie, which is that Omaha was actually TOO dependent on the CRM, and that it had to be taken out before it became a liability.
The truth, however, is the opposite, and the CRM destroyed Omaha for, I think, three reasons: 1.) To eliminate a threat to their sovereignty, 2.) to send a message to both Portland and especially Philadelphia, to keep them living in fear and dependent on the CRM for protection, and 3.) to use their resources, scot-free. Of course, given Beale’s singularly tyrannical temperament (not that far off from Hornsby tbh), reasons 1 and 2 above are truly the priority. I believe he would burn the corn if that’s what it took to secure the annihilation of his enemy. Same goes for Hornsby. And considering that we learn a lot in World Beyond about the role of the CR civilian government and its desires to retake the city from martial law, MG Beale, who is a paranoid tyrant in a changing world, would have great incentive to remove said temptation from their grasp, no matter the cost.
Side note: I don't believe it is a coincidence that Hilltop is mysteriously abandoned at some point between "Rest in Peace" and the timeline for Dead City. Though we don't know what happened to Hilltop, we know that a.) It has been abandoned, and b.) Maggie and her people have migrated somewhere else, to a sad and desolate place called the Bricks. Maggie herself also seems significantly more depressed, frustrated, and distant in Dead City than she does at the end of the flagship. Her anger with Negan also seems to have renewed in a more concentrated form. All of this begs the question: What the hell happened to Hilltop? Also. What the hell happened to Maggie? Why the hell are they hiding this from us? Does it have something to do with what happened to Omaha? Either metaphorically or literally? Honestly, it's a glaring mystery, which most of the GA seems to have simply dispensed with, or didn't even notice in the first place. We should keep in mind that Gimple rarely allows his glaring mysteries to linger forever. Important examples of this are Major General Beale himself, who is mentioned frequently but never shown in World Beyond, and also T. Brooks Ellis, who shows up in World Beyond as well. These things are waiting for us, at some point, down the pike. We can think of Gimple as a gardener. He plants his seeds as he goes, and they grow at different rates, but they all grow. That is a major reason why I am still here in Team Delusional. Too many seeds in "Coda" are still biding their time underground, planted but still unaccounted for.
Now, if Hilltop really is a proxy for Omaha, then I greatly love the notion that Omaha’s leader may have been another Greene sister, the one who got lost “over the rainbow” many years ago. This would be a very interesting culmination of the “mirror” trope that’s really hammered in by WHAWGO (you can read my post about TWD and Alice Through the Looking Glass here). It also wouldn’t surprise me if the “city out west” that Maggie mentions in “Home Sweet Home,” which Georgie went off to investigate without her, was also Omaha, creating an unwitting connection between Beth and Maggie in the real world, as Georgie would have almost certainly been involved in what would have at that time been a budding revolution. Are twin sisters Hilda and Midge an indication of this parallelism? Two sisters. One cause. Maybe??
According to this theory, or, I guess, elaborately explicated headcanon (if you will) Beth would have escaped Omaha before the mass killings, likely with help from US military hold-outs who she would have recruited to her side, foreseeing a war. Like Maggie, she’d find herself perpetually on the run, sort of like a leader without a home to go back to. Their joint revolution in the end would become a perfect catharsis for Hershel’s sacrifice in season 4, carrying forth his philosophy of self-reliance, self-defense, and self-governance, which he believed could be done WITHOUT total isolationism and WITHOUT tyranny. This beautiful comeuppance would supply great weight to his sacrifice.
It also creates a powerful culmination of what I like to call Nick Clark's "Third Way," ie: at the end of Fear season 3 when Nick is about to blow the dam, John Proctor, in all of his intellectualizing and philosophizing, proposes that there are only two ways to look at the world: "You either harness the fury," he says, "or get stampeded." It's almost a perfect analogy to Gareth's "You're either the butcher or you're the cattle" mantra in season 5. Anyway, to Proctor's claim, Nick Clark responds, "I'm looking for a third way."
The Third Way, I believe, is a philosophical reference to Jesus Christ as the "Good Shepherd." Jesus talks about himself as the Good Shepherd starting in John 10:11, in which he says, "I am the good shepherd. The good shepherd lays down his life for the sheep. He who is a hired hand, and not a shepherd, who doesn't own the sheep, sees the wolf coming, leaves the sheep, and flees. The wolf snatches the sheep, and scatters them. The hired hand flees because he is a hired hand, and doesn't care for the sheep. I am the good shepherd. I know my own, and I'm known by my own; even as the Father knows me, and I know the Father. I lay down my life for the sheep."
Jesus teaches that in this world, there are wolves and there are sheep, but there is also the Good Shepherd. The Good Shepherd is not mercenary. He doesn't run when his life is in danger, or when the going gets tough. He stays and defends his own even if that means death, and in this, the wolves are thwarted and the flock may prosper. This passage deals with things such as loyalty, persistence, blind faith, and necessary violence, ie: sometimes in order to protect his flock, it is necessary for the Good Shepherd to kill the wolves. This is an exact template for much of Morgan's struggle to kill the Wolves in season 6, and Tyreese's struggle to kill Martin in season 5. Both are wolves. If you cannot kill the wolves, then your flock will scatter and die. It's also perfectly allegorized by Rick shooting out the bridge and sacrificing himself to save his flock from the walkers in season 9.
I believe that Nick, who is a clearly stated Christ figure, is a proxy for Beth. I think that when Nick's actor wanted off the show, they then migrated that purpose over to Alicia, but that's another post for another day. I believe that the Third Way, or the way of the Good Shepherd is a philosophical layer that makes perfect sense with the Omaha sacrifice, and also with characters like Beth and Maggie who we see consistently standing strong on their principles and rejecting the mercenary, or the easy way out, even if that means committing self-sacrifice. This is why I think that Beth may have been in Omaha, and that Omaha as a setting has been hidden from us precisely because it *in some way* holds the key to her return (and to many more "returns" as well).
Now of course this could all just be bullshit and I could be WAY off lol. It's just a theory. So as usual we just have to wait and see. Thoughts? 💫
Hi! Daryl's 6 years in the woods - do you think they developed a story for what happened to the wing on his vest or is it just meaning some struggle happened and we will never know exactly what? As in the action isn't as important as the result - Daryl losing part of his identity (wing). Do you think there is any other footage from Find Me they will show us, mainly to clarify her hair colour at the time. And still I wonder why her place looked so messy and such if she left of her own accord.
Hey!! Ah I love all questions and theories about "Find Me." Thank you ^_^
You know I never really developed a solid theory about Daryl's wing. But I have thought about it a lot. I don't know if the writers developed a story for the wing. Somebody else might though. I do definitely see it as a symbol of his degraded sense of self, and where he belongs. I could come at it from a couple different angles.
I do think that the wing is largely symbolic. I remember when I first saw "Find Me," I felt strongly that the eroded wing was related to Daryl's eroded sense of self, and a generally eroded grasp on reality and slow descent into madness. I think that much of "Find Me" is about madness. Daryl's psychology is shockingly fragile. I remember the storm being a major tip-off for me. I think the storm happened, but I don't actually think he lost his map. I think he hallucinated that and he then went on to have a full on psychotic break. The jump cuts in the preceding scene when he's stomping on the boat walker's head are a major tip-off that his perceptions are changing. He is not well in these flashbacks, or memories, or whatever they are. The whole episode in and of itself feels like a metaphor in this way. The woods and the river are just these endless mazes of trauma and loneliness with Leah at the center, like a witch, a black hole, a bad memory, a wound. For a long time I didn't think Leah actually existed. I remember theorizing with @wdway and @twdmusicboxmystery that she was a full on hallucination. Of course, we were wrong, but I think that much of Daryl's time with Leah is either misremembered or forgotten entirely.
I agree with you, too, that the eroding wing is definitely related to some sort of loss of his identity, specifically, I think, after Rick, because Daryl was really Rick's "wingman." Shane even calls him as much in 2.12 "Better Angels."
After Merle dies, Rick basically becomes Daryl's surrogate older brother and his leader, and Daryl follows in his shadow for many years. It's important that the first time Daryl is ready strike out on his own and to be the hero of his own story is in "Alone" when he chooses to stay in the funeral home with Beth, and to possibly settle down there. After losing Beth, Daryl goes right back to Rick and to being his brother, and Rick even calls him as much after the confrontation with the Claimers in "A" and I don't know if anyone can really understand what this must have meant to him at the time. But the schism with Rick seems to start after "Coda" and this is not something that is ever explained or even explored. Daryl full breaks from Rick in "Warning Signs" and openly in "The Obliged," and we can see that Daryl is starting to feel stifled by the role as "wingman," even if it's just instinctively, but when Rick "dies," it's too soon and Daryl hasn't actually had the chance to process what this means yet. He's not ready to be on his own, without Rick, with the anchor to the past. He's like a ship lost at sea. So the erosion of the wing is, I think, also related to this, for sure.
I'm not sure how much more footage there might be of "Find Me." I know it was shot during COVID, so everything was very spare and as-needed. I do know that the writers intended a longer arc for Leah and for the Reapers and while I don't think there is anymore "footage" per se, I do think that there might be more story to be told there. For example, where they came from, why they're after Maggie, who they work for, why Lance knows who Leah is and how to find her, and whether they might have some sort of connection to the CRM. Like I have theorized they may have been contracted by Major General Beale or Jadis, basically as bounty hunters, hunting down "threats" like Georgie and Maggie and other self-sustaining communities (ie: Knoxville, which Maggie will not talk about) and eliminating them. I have even theorized that they may have been the ones who eliminated Grady, as Carver at one point mentions a "hospital in Rockville" that they had previously destroyed. If they're willing to destroy and pillage one hospital, well...
Not enough is known about the Reapers, and Pope's monologue in "Rendition" about "politicians," and how, in their final war, "they were coming for us," is certainly a reference to Operation Cobalt and it reminds me of the Radiowaves episode "Conspiracy Theory" in which a crazed man on the radio mentions a US Military protocol called N.O.A.H., which he speculates is a reference to an escape strategy for the President and other high ranking members of the US Government. Pope's story as a military vet of the Korangal Valley in Afghanistan (aka "the Valley of Death") clearly lays out the story of soldiers who feel abandoned by their government.
With rumors circulating that we might encounter the US President, or that a "renewal" of the flagship show may involve a major skirmish between the CRM, The Commonwealth, and the US military, I am once again reminded of Pope's references to "one last war," and how it involves the US government coming for the people. If the president DOES indeed make an appearance, it really makes me wonder where the heck he has been for the past 10-15 years or however long it's been. If he has been in hiding or maybe even imprisoned by the CRM? If this is true, then it stands to reason that Rick might erroneously free him, starting yet another fire with his goodness that he cannot extinguish alone, possibly even giving way to a replay of the Governor's return.
It might be that we never get more information about the Reapers, but I think their story will end up having major ramifications for what's to come. Gimple is a major proponent of Chekov's Gun, and he will always use everything he can use. Everything in his story has a job to do. Now on the note of Leah's hair color and what happened to her place, these are more reasons I initially theorized she was a pure hallucination. There are other things in "Find Me" that make no sense, like why Leah's story inexplicably mirror's Beth's and why she frequently repeats Carol's dialogue, making her feel like a fantasy. I still think that her red hair is an invention of Daryl's memory, that it basically rewired itself as a way of protecting him from the trauma of losing another pretty blond girl in the woods. I think the fact that Leah's hair is basically the same color as Dog's and the very first shot we get of her in which her face and Dog's face are both obscured and conflated could be evidence for this, ie: His memory is just blurring the two.
On the other hand, it could be that the blond hair is the hallucination. We don't actually know. Not a single character comments on Leah's hair at any point. But Daryl does look entirely shocked to see her when she takes her mask off in "Rendition." Like, stunned. And of course we all were, too, because she looks exactly like Beth. Whatever it is, I think it's in Daryl's head, and it is undoubtedly related to Beth and his linger ing trauma over what happened to Beth, because like, Leah looks like Beth.
And yeah I agree it's also really weird how messy and empty Leah's place is. I even remember other fans, not TD-related, questioning how the hell she managed to find a U-Haul truck to come and move out all her furniture and dishes during the apocalypse lol. I mean, the place was EMPTIED. This is another thing that just literally makes no sense, and it's yet another reason I thought she just... wasn't real! But we know now that she WAS real, so, now I just wonder how much of what we see in "Find Me" is real. If they actually lived in that cabin. Or if something else happened entirely. Daryl gets that nasty cut over his eye, for example. We never learn what happened there but it's a scar that he still has! It must be important. Did he and Leah do something together? Something bad? Idk.
There's also this really weird line by Pope in "Rendition," during the POV scene with Leah. Now this is one of a couple scenes that are from Leah's POV, which I think point to foreshadowing about Beth's life and Beth's "hidden" story that we don't yet have. Anyway, Pope says to Leah something about "losing a day of tracking our enemy because you... you had to go on a fishing expedition with an old boyfriend."
Because like, an old boyfriend? What is he talking about? He's clearly talking about Daryl. But what fishing expedition? Is this a metaphor? Is it just purposely vague? Leah was not recently on a "fishing expedition" with Daryl. At this point, I think I calculated it had been like 1-2 years since Daryl and Leah had last seen each other. Everything about this is confusing, because it makes it sound like Daryl was Leah's boyfriend BEFORE he met her in the woods that day in "Find Me." It was actually with this line that I started to lightly theorize that Leah was actually Beth! And that Beth had already come back, and Daryl had simply repressed it, and he couldn't see her. He was hallucinating somebody else. Honestly, I quietly kept up with this theory until the very moment Daryl shot Leah dead. Because up until then, there isn't really a definitive moment in which it becomes clear that she can't be Beth. Even when Maggie refers to her at one point, she doesn't say Leah's name. She just says her. And there are MULTIPLE moments in "Rendition" when we see Leah's face obscured by burlap, or from a distance, or in half-darkness, and in these shots it could just as easily be Emily Kinney as Lynn Collins.
Obviously I was very wrong lol. But like?? As you say there are so many unanswered questions and so many mysteries surrounding Leah and the Reapers. I do hope we get more information about them at some point, maybe even just in an easter egg or something...?
Anyway as usual I went on for too long lol. I hope you enjoyed my Ted Talk. Thoughts?
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i don't check the tag for a few months and suddenly we have confirmation that dawn wasn't the one who shot beth and also emily has been seen filming for a dream sequence excuse me helloooOOo WHAT ELSE DID I MISS
michonne changed her name to "dana bethune" in towl, right? they've never used a name randomly, so i looked the name up and found a man, norman bethune. appearently, he was an important surgeon back in the day.
he also developed a mobile blood-transfusion service in the spanish civil war. blood-transfusion? spain? 👀
there's also a scottish surname, beaton, that sometimes pronounced as bethune. it belongs to a medical family lived in scotland in the past.
it's quite a coincidence that we saw beth last as a nurse, and then michonne chose a surname that has connections to multiple people in the medicine field in real world.
also, in season 5 or 6, tara confuses denise's name with dana.
denise, who has to become the official doctor of alexandria, is the first dana we've ever heard actually. maybe beth also has to undertake the role of a nurse or a doctor after grady, again.
it seems dana is a name in a few different languages, and they're all related to daniel.
michonne chose the name dana willingly, but denise refused it. michonne lived, denise died. daniels live, others die lol
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