— Juliet Ashbury, The Only Good Girl is a Dead Girl (via godswollen)

Constant Puyo - Femme au bord de l'eau, c.1910

Beautiful drawings by Jena Quach

Kay Nielsen - "Young woman embracing a thorn bush" (c. 1913)

Underwater sculpture by artist Jason deCaires Taylor.

'the hitcher: a cautionary tale' shot by guy aroch in detour magazine october 1998

joseph cornell : cygne crépusculaire (1949)

French vintage postcard

Kseniya's Hair from Spovid (Confession) series, Vasylkiv, Kyiv region, Ukraine, 2024 by Ira Lupu @iralupu

Sissy Spacek on the set of Badlands, 1972

 Carl Ander | Static Motion (LL’Editions, 2025)

pierre imans wax mannequins, c. 1920s

Leonora Carrington set & costumes for the play Penelope, 1957.

nikki mawhood by david sims for dazed & confused march 2001

“The photo on the cover of Have One on Me was modeled after typical Orientalist fantasy-figure iconography, like an odalisque or a Venus in Furs—a sort of cartoonish amalgamation of feminine signifiers stylized to illustrate the Lacanian idea “Woman is a symptom of man.” Annabel Mehran, the photographer, used black-and-white film that the artist Becca Mann later hand-tinted over with watercolors. The idea was to mock-up a shabby, 1920s Parisian studio with an absinthe-dulled lady posing on a divan in bits of old drapery fabric, and then paint over the resulting tableau into some idealized, Technicolor, hedonistic fantasy set. The specifically female, earthbound, corporeal, and decadent character in that album art reflects the character of those songs’ narrator as well as the idea of feminine self-diminishment.” -Joanna Newsom

Roger Schall

Jack WELPOTT - Janet in the Room, 1972