in the dueling arena, female black rose duelists wear the prince's clothes: this gendered expression of power, which is so significant when utena does it outside the symbolic space, becomes natural, even from the most mundanely feminine women. I say mundanely feminine to emphasize that these are not women who feel any angst about being women. kouze, wakaba, keiko, kanae, and shiori may be tortued, they even may be tortured about the how the nature of their womanhood affects their relationship with other women (shiori being the most obvious, but think also of how any friendly relationship kanae may want from anthy is affected by the fact that she is another women in akio's life, or how keiko is targeted by nanami in a way nanami would never target a man, or how wakaba's feelings about anthy stealing saionji are clearly a projection of how she feels about anthy stealing utena which she cannot verbalize because she's been raised to center male attention), but they never turn toward their own womanhood as the fault in the situation.
shiori, unlike juri, does not wish she were a man in her relations with juri. wakaba does not realize that it is masculine power which makes saionji and utena "special." kanae does not wish that she could inherit directorship herself. and yet, they still wear a man's clothes when they attack anthy for their woes. their one claim to specialness, to power, to autonomy, is in the clothes of male authority. unlike juri, nanami, and utena, however, they do this under a psychoanalytic trance: they are far from realizing this desire consciously. the black rose duelists will never get what they want because they do not realize that their only autonomy within the patriarchy comes though imitation of (juri and utena) or proximity to (nanami) male power.
what is so interesting about rgu is that this dance with masculinity/princehood that the women in the show do could so easily be painted as a kind of freudian penis envy: the more "mature" ("enlightened"?) female characters (juri and utena) are the ones who emulate masculinity the most, who are the most upfront about the fact that they wish they were a man in their dealings with other women. compare juri with keiko: juri's desire for masculinity, her frank analytic understanding of her lust for shiori, are what make her a duelist, while keiko's passive femininity makes her so insignificant utena doesn't know her name. however, ikuhara makes it clear that this understanding of the power of masculinity under the patriarchy is not real maturity, and in fact takes duelists even further from graduating ohtori. akio, the embodiment of a powerless child taking refuge in this abusive masculine authority, will never leave the school and never grow up. it is the realization that masculine authority will always be toxic which allows duelists to mature. nanami spends most of the show as the most childish duelist, the one who is years and years from graduating, but once she realizes that her proximity to touga's power (the masculine safety of the patriarchal family system) will never serve her, she becomes clearly one of the most enlightened among them. the black rose duelists are so pathetic and hopeless in their dueling attempts not because they do not want to be men, but because they do not even realize that the world that they want to impress so badly wishes they were. juri, touga, saionji, and utena (for most of the show) trap themselves in an attempt to become what ohtori wishes they were: real men, princes. nanami and anthy, a little wiser in their way, accept that they will never be able to achieve this perverse ideal but, instead, attempt to find security by clinging to the coat tails of those in power.
dios presents the fantasy to the students of ohtori, the hope, that this power can be absolutely good, absolutely protecting, and absolutely eternal. a man has the power to stop something bad from ever happening again. when touga is a man like akio is, he will have absolute control over anyone who might hurt him and be absolutely safe. when utena is a man like the prince is, she will be able to save herself from the coffin and be absolutely safe. when anthy has a man like dios was, he will be able to keep the entire world away from them and they will be happy.
it is only by rejecting this power entirely, by recognizing that the prince is an impossible dream, that they can escape. utena realizes this when she sees that anthy will always be victimized by male oppression. on some level, this is the realization that the rose bride (who is every woman) will always be abused by the patriarchal society-- on some level, utena's realization is a theoretical one. but on a truer level it is the realization that anthy will always be abused. this is what it is to really love a woman as another woman: to realize that the way the world hurts her is so intolerable that it is better to enter the vast unknown than to abandon her in exchange a perfect, white picket fence life. to fall into the nothingness, the empty map of lesbian desire, and hope she will follow. it is better to free her and die than to live happily when she is trapped without you.
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Lately I've been working on the two bonus episodes for chapter 2, so I haven't worked on chapter 3 very much... Here's a another preview.
There's all sorts of additional things like new textbox design and multiple sprites...
The progress on the bonus episodes right now is roughly this much:
I tried a different video editing style for both of them and draw a lot of assets. It looks nice, but it ended up being very time consuming, which is why they're taking so long, so I don't think I'll do it again for future bonus episodes.
i woke up today and said... hey i wanna waist my time doing lots of tedious linework and rendering braided hair. so i drew danganronpa fluffy yuri slop
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Putting the term "Catholic guilt" on a high shelf where fandom can't reach it until everyone learns how to identify characters who are very very clearly coded as Protestant.
it's very frustrating seeing otherwise well-structured posts about media literacy and critical thinking bookended with statements about "nowadays", "nobody has literacy anymore", "this generation is so anti-intellectual", and the like, unquestioningly falling into better past fallacies.
Do we really think the 80s and its Satanic Panic were better at critical thinking? what about the 40s? the Victorian era? societies have always had problems with critical thinking and literacy, because most societies have dealt with propaganda, corrupt leadership, difficulty providing education (due to poverty or discrimination or other issues), and/or people who resist critical thinking (due to privilege or circumstance or what have you). we can criticize media trends without pulling a "well back in the GOOD OLD DAYS" about it.
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ppl have been saying this but i really do despise how much radqueer 4chan type bullshit is being spread thru queer tumblr space currently like. what are we fucking doing man. hating lolicons and nazis used to be normal
I know that P:EG has been cancelled and the official death order has been released but to me the chapter 4 culprit is actually Eloise who also tried to take out Damon (because of his involvement in the class trials) but was thwarted by Tozu because of Damon’s traitor perk.
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
Early this morning, we received an email from @namecheap.com that the domain neocities.org was being suspended because of a court order from New Delhi, India (a jurisdiction we don't operate in), which was for an unrelated court order about a sports streaming site on a different domain.
Our domain, neocities.org, was NOT listed in the provided court order document, but Namecheap took the report at face value and suspended the domain anyways, and told us "We have to resolve the issue with the complainant in order to have the domain unsuspended." As in, a legal firm in New Delhi.
Amazingly, we were somehow able to contact their office even though it's midnight in New Delhi, and they acknowledged that taking down neocities.org was a mistake and not what they wanted, and told me they are going to email Namecheap to try to get them to restore the site as well.
So the legal firm that sent the complaint -and- us are both trying to get Namecheap to unsuspend the domain, but as of this writing, they have not responded to any of the requests and we are trying all means to get them to escalate this to a higher priority.
At this point, we have no control over this, only Namecheap does, and Namecheap are the only people that can fix this mistake and unsuspend the domain. Until then, there's nothing we can do to restore service to the subdomain sites and the front site (the custom domain sites still work).
We are already on the phone with an enterprise domain management company and will be moving to a different registrar soon, but we can't even transfer the domain out of Namecheap until they remove the suspension, so either way we're still stuck for now waiting for Namecheap to do something here.
The internet is increasingly becoming dangerous to operate on because of crazy laws and orders like this. A bunk legal complaint in one country, which we aren't even based in, aimed at one alleged infringement issue, has just been converted into infrastructure-level damage against an entire platform
Please accept our apologies for this outage. We will be doing everything in our power to restore the domain and ensure this doesn't happen again.
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