For me it's very important when shipping Miketosis to not sideline VanMike and Vanessa in general. Mike and Vanessa have a complex relationship too, they've been through so much together and yet Mike still doesn't know much about her, not her traumas, the real her, maybe that's why their date didn't sit right with me, it's not that I think they can't share attraction for each other because there truly is potential, it's just... Vanessa, sweet messed up Vanessa, wanting to actually be normal but nothing ever let's her be normal, her brother isn't normal, why would Mike choose someone so not normal over her, when that's the life Mike wants, isn't it? To fix her, to make her normal too, she's actually trying to be normal, Michael isn't.
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Smth smth (movie) Henry seeing Mike Schmidt and Michael (or Vanessa, pick your poison) together and knowing he's about to watch the same exact thing that happened to him because of William unfold all over again and there's nothing he can do to stop it because he learnt the hard way that letting an Afton in will do nothing but ruin your life (but for some Godforsaken reason you'll keep letting them come back)
And even better: when it doesn't. What does that mean, if enough love and time could heal one Afton? What did Henry do wrong that he wasn't good enough to fix his?
thinking about the contrast between mike and abby in their too-small house full of bare minimum secondhand furniture, scraping money together for cheap dinners. mike overworking himself at minimum wage jobs for survival, so exhausted he’s sick with it but having to push on anyway. versus michael alone in the big, beautiful afton family home, feeling his skin crawl every time he thinks about all the empty halls and rooms — so many of them he can’t even enter because they’re too triggering. him having all of his father’s money but nothing to do with it, he doesn’t even eat most days — and the money is his father’s. he doesn’t want to touch it.
mike fantasising about a life like michael’s. a big house abby could run around and play in, space for mike to work out. all the ways he’d spend all of that money.
michael fantasising about a life like mike’s. a small, cosy home with people who love him. warmth and connection. all the things he’d say if there was someone there to listen.
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@superfamilyweek Day 6: Fashion: Decided to play barbies with Mae Kent
PLEASE PLEASE PLEASE CLICK ON THE GIF IF THE COLORS ARE DESATURATED OR CRUNCHY, I PROMISE ITS SUPPOSED TO LOOK NORMAL. I just don’t know how to make good gifs….
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I Think Muse Should Be Associated With Renegade / The Apprentice Arc
So, I made a Renegade playlist. And while making said playlist I realized, hey, oh my good God, there's a lot of Muse on here! CW for some implications of Sladebin and it's inherent toxic and abusive nature, the relationship depicted below is not supposed to be seen as healthy and/or admirable.
TIME IS RUNNING OUT
"You'd never dream of breaking this fixation"
A song where you're unsure if the speaker wants it to be over or wants to dig their claws in. Perfect, isn't it? The idea that Slade is hurting him isn't a question to Dick. Slade will probably kill him some day, literally or figuratively, and Dick knows that. None of it means he doesn't keep coming back. He wants the friction.
STOCKHOLM SYNDROME
"This is the last time / I'll forget you / I wish I could!"
Stockholm Syndrome is another obvious pick, for anyone who knows what Stockholm actually is. However, the song has some allusions to the abuse cycle (Like Time Is Running Out) which I believe fit Slade and Dick's relationship very well. Whether you view the track from Slade's perspective, purposefully trying to manipulate Dick by 'not standing in his way', or from Dick's perspective as he keeps promising himself this is the last time he goes back.
PSYCHO
"I'm in control motherfucker! Do you understand?"
Holy crap! A song that isn't from Absolution?! I couldn't not pick Psycho, alright. While the obvious reasons... Are obvious... I want to focus on the first verse. Even more specifically, 'You're on your own / lost in the wild / so come to me now". Slade, at the end of the day, makes Dick feel special. Useful, and talented, and capable. And if you want to draw a comparison to another type of person who makes teenagers feel special and needed, well, there's definitely a comparison to draw. Psycho doesn't just match Renegade because he's been broken down and rebuilt, it matches because of the manipulation.
Please be gentle. I am no expert on Muse (You probably noticed, these songs are all quite popular), nor am I any kind of expert on comics or Nightwing specifically. These are just my opinions and are in no way a definitive way to view the Deathstroke/Apprentice dynamic or these songs.