Updates, Secrets, and Screaming

it’s so discouraging for real artists and real writers to hear someone ask or suspect if a work they spent months (or years) working on, putting so much love and dedication into, are AI generated, done by soulless robots in less than one minute.

(it’s just as discouraging even if they didn’t spend months working on their works, because it is still something they created out of love and passion.)

if a real human-made art looks AI to you, that’s because AI was trained on human-made art and programmed to mimic human-made art.

When the Ice Answers Yuri on Ice Fanfic by MythboundCal

The music begins. But Yuri doesn’t hear it.

He hears breath. His own—ragged, sharp, then steady. Like wind through glass.

He steps onto the ice like it’s a love letter. As if saying it without words might make it true. That he’s strong. That he’s worthy. That he wants this.

The first glide is everything. It’s not movement. It’s memory.

And just like that— The letter becomes a vow.

He thinks of late nights and early mornings. Of Victor’s hand on his back. Of the sound his blades make when he finally lets go.

The rink becomes a galaxy. The spotlight, his moonlight. And overhead, the flashing of cameras Spirals into stars.

He gives himself to the moment. Every stumble, every sweat-stained failure, Every heartbreak etched into his spine— He offers it all to the ice.

And the ice? The ice answers.

By the final spin, he’s not skating anymore. He’s flying. Not to escape. But to arrive.

When he stops, there’s silence.

And then— Applause.

But none of that matters. Because now he knows:

To: @batmads-ao3  From: @korruptbrekker 

A digital art piece of Katsuki Yuuri and Victor Nikiforov from the anime Yuri!!! on Ice. Yuuri has feathered wings and is laying on Victor’s chest with one wing draped over both of them. A golden sliver of light highlights their faces and the feathers on Yuuri’s wing, like someone peeking through a door to check on them. They’re both asleep.

Can BDG fall in love with the honey bun again?

YURI!!! on ICE the movie: ICE ADOLESCENCE Cancellation Notice Thank you very much for always supporting "Yuri!!! on ICE." Regarding the postponed release of "YURI!!! on ICE the movie: ICE ADOLESCENCE," we have come to the decision to unfortunately cancel its production. We deeply apologize for not being able to meet the expectations of all those who have been waiting and have continued to support us throughout these years. The production committee and staff have been in constant discussions to create and to deliver the movie, but due to various circumstances, we have had to make the difficult decision to stop the production. We sincerely apologize to everyone who has been anticipating its release and thank you once again for your continued support. Yuri!!! on ICE PROJECT MAPPA Co., Ltd. Posted on the official Yuri on Ice twitter, @ yurionice_PR

I am bored and I cannot sleep, so I made this! Anyone who also writes fic is totally welcome to reblog this and ask their followers! Anyone is definitely welcome to ask me stuff, but I made this for anyone to use!

Inspiration and Reading Asks:

1. How long ago did you start reading fanfiction? Writing fanfiction?

2. How do you spend your time when it comes to fanfiction? Are you primarily a fic reader, writer, or a perfect 50/50 split of both?

3. Are there any fics that inspired you to write what you do?

4. Link your three favorite fics right now.

5. What are your fanfic pet peeves? Do they have a huge effect on whether or not you decide to read something?

6. How do you find new fic to read? Where do you primarily read fanfiction?

7. Do you prefer to read short fics or long fics?

8. How often do you reblog/comment on fics that you like?

9. Tag 3 fic writers you think are underrated/unknown in the fandom/fanfiction community.

10. What’s your favorite fandom, pairing, or character to read fic for?

Fanfiction Writing Asks:

11. How do you come up with your fic titles?

12. Tell the author your favorite fic title of theirs (not the fic, strictly title). Author: what’s your favorite title you’ve come up with and why?

13. Do you outline your fics? How much of a headache would someone get if they just looked at an outline of yours without reading the fic?

14. Do you have a personal word minimum that you hold yourself too? Why or why not?

15. Tell the author your favorite fic of theirs. What’s your (the author’s) favorite fic you’ve written?

16. Do you research for your fics? If so, how deep of a rabbit hole have you gone down by accident when researching?

17. How obsessively do you sit and stare at your fic after you’ve just posted and wait for feedback?

18. Do you have a WIP that you keep telling yourself you’ll eventually get back to, but deep down you know that’s probably a lie?

19. Do you edit your fics after you write them, or do you prefer to just hit post and run (because it’s someone else’s problem now)?

20. What’s your favorite part about the fanfiction writing process?

21. What’s your least favorite part about the fanfiction writing process?

22. Do take fic requests? If so, for what characters and why?

23. What’s your absolute favorite trope to write?

24. What’s a trope that you’d like to never hear about as long as you live, let alone write?

25. Do you listen to music as you write? If possible, link your writing playlist.

26. What’s your biggest distraction when writing?

27. Do you like to give your readers some warning of what might be coming or just slap them in the face with content at random?

28. How do you deal with writing pressure (ie: pressure to update, negative comments, deadlines, etc)?

29. Have you ever written for an exchange or event of some kind? Which one(s)? Did you enjoy it?

30. Post a snippet from your current WIP without context - no more than 300 words.

31. Of the characters you write for, which is your favorite? Has that choice been swayed at all by your followers/readers’ reactions to certain ones?

32. Copy and paste your top three favorite lines/jokes/sentences you’ve ever written. What fics do they come from?

33. What do you like writing better: one shots or multi-chapter stuff?

34. How much of yourself and your life experiences do you put into your writing? What do you think your readers’ image of you is?

35. How much has writing fic changed your life?

36. Are there any fics or fandoms you’re embarrassed to have written or been part of?

37. Give an update on your current WIP - if you don’t have one, give a sneak peek to a title or idea that you have and would like to write.

38. What does your writing process look like? How chaotic is it on a scale of 1 (very tame) to 10 (you can’t handle this kind of chaos)?

39. What’s something about your writing that you pride yourself on?

40. How did you come up with the idea for [x fic]?

41. What’s your most popular fic (with the most notes on tumblr, most hits/kudos on ao3)?

42. Asker: pick three of the author’s works. Author: rank them 1 (the best) - 3 (the worst) based on whatever criteria you want - this could be something totally random that isn’t quality related (like simply ranking fics based on how many trains appear in them) - have fun!

43. Talk about a positive experience with fanfiction or the fanfiction community that you will always remember.

44. Rant about something writing related.

Hello everyone. It is my pleasure to bring you the greatest house I have ever seen. The house of a true visionary. A real ad-hocist. A genuine pioneer of fenestration. This house is in Alabama. It was built in 1980 and costs around $5 million. It is worth every penny. Perhaps more.

Now, I know what you're thinking: "Come on, Kate, that's a little kooky, but certainly it's not McMansion Heaven. This is very much a house in the earthly realm. Purgatory. McMansion Purgatory." Well, let me now play Beatrice to your Dante, young Pilgrim. Welcome. Welcome, welcome, welcome.

It is rare to find a house that has everything. A house that wills itself into Postmodernism yet remains unable to let go of the kookiest moments of the prior zeitgeist, the Bruce Goffs and Earthships, the commune houses built from car windshields, the seventies moments of psychedelic hippie fracture. It is everything. It has everything. It is theme park, it is High Tech. It is Renaissance (in the San Antonio Riverwalk sense of the word.) It is medieval. It is maybe the greatest pastiche to sucker itself to the side of a mountain, perilously overlooking a large body of water. Look at it. Just look.

The inside is white. This makes it dreamlike, almost benevolent. It is bright because this is McMansion Heaven and Gray is for McMansion Hell. There is an overbearing sheen of 80s optimism. In this house, the credit default swap has not yet been invented, but could be.

It takes a lot for me to drop the cocaine word because I think it's a cheap joke. But there's something about this example that makes it plausible, not in a derogatory way, but in a liberatory one, a sensuous one. Someone created this house to have a particular experience, a particular feeling. It possesses an element of true fantasy, the thematic. Its rooms are not meant to be one cohesive composition, but rather a series of scenes, of vastly different spatial moments, compressed, expanded, bright, close.

And then there's this kitchen for some reason. Yet all fits with what the interior design tries to hide, namely how unerringly peculiar the house is, yet it is not entirely able to do so because the choices made here remain decadent, indulgent, albeit in a more familiar way.

Rare is it to discover an interior wherein one truly must wear sunglasses. The environment created in service to transparency has to somewhat prevent the elements from penetrating too deep while retaining their desirable qualities. I don't think an architect designed this house. An architect would have had access to specifically engineered products for this purpose. Whoever built this house had certain access to architectural catalogues but not those used in the highest end or most structurally complex projects. The customization here lies in the assemblage of materials and in doing so stretches them to the height of their imaginative capacity. To borrow from Charles Jencks, ad-hoc is a perfect description. It is an architecture of availability and of adventure.

A small interlude. We are outside. There is no rear exterior view of this house because it would be impossible to get one from the scrawny lawn that lies at its depths. This space is intended to serve the same purpose, which is to look upon the house itself as much as gaze from the house to the world beyond.

Living in a city, I often think about exhibitionism. Living in a city is inherently exhibitionist. A house is a permeable visible surface; it is entirely possible that someone will catch a glimpse of me they're not supposed to when I rush to the living room in only a t-shirt to turn out the light before bed. But this is a space that is only exhibitionist in the sense that it is an architecture of exposure, and yet this exposure would not be possible without the protection of the site, of the distance from every other pair of eyes. In this respect, a double freedom is secured. The window intimates the potential of seeing. But no one sees.

At the heart of this house lies a strange mix of concepts. Postmodern classicist columns of the Disney World set. The unpolished edge of the vernacular. There is also an organicist bent to the whole thing, something more Goff than Gaudí, and here we see some of the house's most organic forms, the monolith- or shell-like vanity mixed with the luminous artifice of mirrors and white. A backlit cave, primitive and performative at the same time, which is, in essence, the dialectic of the luxury bathroom.

And yet our McMansion Heaven is still a McMansion. It is still an accumulation of deliberate signifiers of wealth, very much a construction with the secondary purpose of invoking envy, a palatial residence designed without much cohesion. The presence of golf, of wood, of masculine and patriarchal symbolism with an undercurrent of luxury drives that point home. The McMansion can aspire to an art form, but there are still many levels to ascend before one gets to where God's sitting.

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