(ST.J)

Divina Commedia - Paradiso - illuminated by Giovanni di Paolo, c. 1450

Cy Twombly, 14 Papers, 1983

Acrylic on canvas

Art work by German artist Jeanne Mammen, c. 1931.

Joyce Lee (South Korean, b. Seoul, South Korea) - A Woman, Paintings: Watercolor, Acrylic, Colored Pencil on Paper

Margaux Valengin (French, 1992) - Green Egg (2026)

“Zone Riflesse” (1963) ◇ Paolo Scheggi — acrylic on three layered canvases

photo: David Castenson

Courtesy Alain Truong

René Magritte, The Land of Miracles, 1964

Hilma af Klint, Tree of Knowledge, No. 7b, c. 1913-1915

Anawana Haloba’s artistic practice is based on permanent research into contemporary history, culture and ideologies. Her sound, video and installation performances often arise out of poetic texts that she has previously written. They set out to confront the viewer with subjects such as human trafficking, self-identity, or repressive systems in the neo-colonial structures that still govern most contemporary societies. In this way, Anawana Haloba plays on the positive connotation of the word “foreigner” in Swahili, where it implies, not an uncultured new arrival but a traveller – someone who has learned much, and has much to give.

Audrey Bialke (American, 1991) - Deep Murmurs Through Time (2023)

Grand peuplier bleu, 2015

Marcel Marien, Star Dancer, 1991

/ l’Altissimo /

AND LOVE IS FOREVER, SO I SAY IN MY SELF-PORTRAIT 2009 Synthetic polymer paint on canvas 162 x 162cm