“Memento mori” burial robes (17th-19th centuries)
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“Memento mori” burial robes (17th-19th centuries)

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her nose matches the cream
I love you. Hasn't changed, never will.
His thoughts become yours. You are the Blade of Frontiers, racing through the wastes of Avernus after a diabolical figure blazing in flame. Racing after you. BALDUR'S GATE III ▴ 10/--
@bifurious-rex

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i didn't even know people shipped astarion/gale for the longest time. like genuinely what's even the appeal of that
Ship Tournament, Round 2 — Match 15 / 15
Astarion/Gale
"They’re both so performative, but in opposite directions. Astarion performs confidence and seduction because it kept him alive. Gale performs competence and charm because he is terrified of being useless, dangerous, or unwanted. They’d annoy each other SO much at first because each one can see the other doing the act and thinks, gods, is that what I look like? But underneath all the vanity and sarcasm, there’s such a good emotional match. Gale is patient and romantic and wants to give love in tangible ways - food, words, magic, comfort. Astarion is wary as hell, but he also craves luxury and safety and attention so badly. Gale would make him feel cherished. Astarion would make Gale feel desired without worship involved, which is probably exactly what Gale needs after Mystra."
"gale choosing humanity over the crown, astarion choosing freedom over ascension, both of them stepping away from the huge tempting power-up that would make them “safe” by making them worse. there’s something really lovely in them building a smaller life after all that. and it would still be funny, obviously. astarion in waterdeep being dramatic about the weather, gale trying to introduce him to respectable wizard society, astarion immediately insulting three academics and charming the fourth. gale apologises with his mouth and looks proud with his whole face"
vs. Karlach/Wyll
"I mean, those two are almost implied in the Blade of Avernus, Karlach and Wyll traversing hells together ending. Karlach's dialogue about doing this with someone she loves is both in romanced Karlach ending, and if she's just with Wyll! Karlach was my first romance, and when I saw a non-romanced Karlach and Wyll epilogue for the first time, I just felt such a "it should've been me! Not him!" feeling that it's hard to say there's nothing there. Also, Karlach has been through tough times. She deserves a fairytale prince to sweep her off her feet - what companion doesn't, really, but still. Also, Karlach will stand up for Wyll when he gets too self-sacrificing, I'm sure of that, and he deserves that, too. They're dear to each other, is all I know, and they'd be good together. After they get out of Avernus, I'm sure they could have a good, comfortable life in Baldur's Gate, adventuring, and when needing a break, having a nice house in the upper city to belong to."
Which ship do you prefer?
Astarion/Gale
Karlach/Wyll
three 1983 Chinese stamps from a series on Chinese stringed instruments
notice how everyones 30 now

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Karin Hosono - Wind
one whole year (and a lot of unfinished drawings) of my them #MyThem
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last reblog that's why i refuse to specify "cis men" when i talk about men like i actually hate when people do that and i hate how common it's becoming especially in "progressive" queer circles. cus it's just transphobic but also it blatantly ignores the systemic privilege all men have over their women counterparts and treating trans men like theyre somehow exempt from this privilege is ignorant at best and actively (and often purposefully) harmful towards trans women at worst
What you must understand is:
1. Men are systematically privileged over women.
2. Men love to take advantage of that privilege while simultaneously denying that it exists.
3. This dynamic does not change when the men and women in question are trans.
Men get very upset when confronted with this!

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& honestly there's no debate to be had the zendaya earrings are orders of magnitude worse than kim kardashian wearing that marilyn dress. yes that piece was a one of a kind unique textile made so specifically for marilyn monroe she had to be sewn into it. at the end of the day it was a ~70 year old usamerican cultural artefact being repurposed by an american for an american cultural event and everyone involved knows exactly where the dress came from + what happened to it + where it went afterwards. zendaya is wearing the looted (or forged) cultural heritage of a people her government is currently bombing & whose lives they have been deliberately making unliveable for decades to a movie premiere that has fuck all to do with iran. we don't know where those discs came from where they were found or by whom & we never will. AND the jeweller appears to have altered them substantially from their original condition. destroying a people's cultural heritage at the same time you destroy their country + their lives so you can look good on a red carpet One Time i want to fucking hurl
The earrings, worn by Zendaya at The Odyssey press tour, are believed to be 2,000-3,000 years old and come at a time when the US is bombing
An archaeologist quoted in the article says "the point of these earrings is not to showcase legitimate ancient artistry, it is to fetishize the past, to be a commodity, stolen from the elite, circulated illegally, and immorally…this is about class signalling."
agnes pelton, “heart music,” c.1932, oil on canvas