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@bactas
Art by John Park

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Titane (2021, dir. Julia Ducournau)
MON "CRASH OUT" MOTHMA in ANDOR | S02E03
Claymores
3D asset for The Elder Scrolls IV: Oblivion
Design by R. Todd Broadwater and Matt Carofano
『マヌルネコ』
20250509

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salvador, bahia, brasil, 1998: photography by wolfgang kaehler
fred moten on mayonnaise is important discourse
“When I met the poet, critic, and theorist Fred Moten for lunch near Washington Square Park recently, he ordered a hamburger, and asked the waiter to hold the aioli. When the food arrived, it was clear that his request had not been followed. After a brief, disappointed examination of the bun, Moten, who recently became a professor at N.Y.U. after a few years at the University of California, Riverside, found an idea.
“I think mayonnaise—actually, sorry, this is stupid, this is crazy,” he said.
“Not at all,” I said.
“I think mayonnaise has a complex kind of relation to the sublime,” he said. “And I think emulsion does generally. It’s something about that intermediary—I don’t know—place, between being solid and being a liquid, that has a weird relation to the sublime, in the sense that the sublimity of it is in the indefinable nature of it.”
“It’s liminal also,” I offered.
“It’s liminal, and it connects to the body in a certain way.”
“You have to shake it up,” I said. “You have to put the energy into it to get it into that state.”
“Anyway,” Moten said, “mostly I just don’t fucking like it.”
どうぶつの森 Dōbutsu no Mori Animal Forest (Nintendo EAD, 2001) Japanese instruction booklet.
Bela Lugosi having a break during the filming of Dracula (1931).

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eye test
"Robot Dreams" by Ralph McQuarrie
A short hike in the hills of the Gareja desert, Kvemo Kartli, Georgia
Taken March 2025
The electric works of Los Angeles based artist John Espinosa

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Sophie Okonedo and Ralph Fiennes in National Theatre’s Antony and Cleopatra
Photos by Johan Persson and Matt Humphrey (x)
off 2 sleep