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haymitch seeing a bunny: "how could I possibly kill a creature that brings to mind my girl?" đĽş
snow seeing mockingjays:

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"Katniss is Haymitch, just luckier"
Katniss gets reaped by Effie, Haymitch gets Drusilla
Katniss gets Cinna and the most iconic outfit in recent history, Haymitch got Magno
Katniss's chariot draws all eyes and sponsors, Haymitch's chariot kills his sweetheart
Katniss's rebellion scores her an 11, Haymitch's rebellion scores him a 1
Prim is loved by the capitol so Snow can't touch her, Sid's death is Haymitch's homecoming
And of course,
Katniss realizes the berries are poisoned before Peeta eats them
Haymitch feeds Lenore Dove the gumballs
sunrise on the reaping raises an incredibly important ethical question: how many generations does it take to erase history, to the point of blind, unquestioning acceptance?
i fear the answer is far fewer than any of us are comfortable with.
Thinking about Maysilee Donner. A girl who refused to let the Capitol dehumanize her. A girl who wanted to die with dignity, without begging for her life, because that mattered to her. Who set up a place setting with napkins and forks in the middle of the arena because she is a human being. Who loved jewelry and fashion and believed that her appearance sends a message about who she is, and who wanted that message to be respectable, dignified, worth something.
Thinking about Maysilee Donner who was unafraid to slap the woman who pulled her name in the reaping and who threw clever insults towards anyone who provoked her, no matter who they were. Maysilee Donner who believed human dignity is inherent but respect is earned and who refused to give respect to those who did not deserve it.
Maysilee Donner whose father threw money at the reaping stage as if that could save her, and the money floated to the ground just like the confetti, meaningless paper that signified nothing when placed against the power of the Capitol. Whose privilege could not save her. Who recognized that reality and faced it with more fortitude than any person should ever have to display. Maysilee Donner.
Okay but itâs fucking brilliant that one of the themes of the book was about the distortion of history.
Usually prequels are a dangerous thing to write because unless theyâre planned out well in advance, they risk contradicting lore in the main series. Even still, we knew barely anything about Haymitchâs games. They were the perfect stomping ground for new information, with a rough series of events but without a close temporal connection to the main books.
But though she had this freedom and safety net, while she could have just written a story that aligned with what we knew, Collins leaned into the idea of contradicting past lore head on and made it the damn thesis of the book; that yeah, actually, it did play out entirely differently from how the characters saw it, and yes that contradicts what you were told, thatâs the point.
We didnât really know what happened in the 50th games until we read it from Haymitchâs perspective, because what little information we did have was spliced up and edited. The video evidence was processed through the Capital, and twisted to serve their purposes.
Tackling that idea of history being written by those in power with a notoriously inconsistent medium? Goddamn, writer that you are, Suzanne Collins.

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i like that the hunger games are filled with angry women. we should all be more angry abt whatâs happening in the world rn.
the difference in hunger games narrators is so funny to me like this is our starting lineup
katniss: i go to a place and do a thing using a skill. also everyone hates me. oh you want to know more about myself? here are four straight paragraphs just describing food instead.
haymitch: so the bakerâs in love with my best friends girl and my girlfriendâs uncle is gay and secretly dating the town window-fixer and sheâs actually related to lucy gray and has beef with the mayors daughter who bullied me and her social security number isâ
snow: everyone here is UGLY and OBNOXIOUS and TACKY and I Am God.
Forever grateful that Suzanne Collins wrote TBOSAS in third person because 99% percent of Coriolanus' inner monologue is some variation of "Kicking puppies seems to be disliked by the districts, which is weird because it's second nature to everyone here in the Capitol. I am not like other Capitol boys, but I also refuse to expand my perspective, which limits my empathy, enclosing me into a vicious cycle of ignorance which will turn violent once mixed in with my ambitious nature. I love (dehumanizing and objectifying) my girlfriend. "
In Catching Fire Katniss mentions that Victors are meant to have a âspecial talentâ and that hers was fashion design.
She says she refuses to sing for the Capitol, implying it is her choice.
Which just seems improbable to me, the Capitol is not above forcing Victors to perform.
In reality Snow was probably the one to refuse to let her sing. He was not going to let a Covey girl from District 12 sing in the Capitol ever again.
What i love about the hunger games is that even though most of the covey died out and hell they bombed district 12 to the ground. And yet the covey traditions are still alive. Thatâs truly the last word to snow no matter how hard he tried to erase the covey their songs and their culture is still alive.

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"Suzanne Collins gave Coriolanus Snow a tragic backstory and made him sympathetic!" So close. Actually, she put the reader in the POV of an extremely privileged character whose thoughts and views and morals still ultimately aligned with fascism, who constantly fell back on those philosophies no matter how many brief moments of humanity he felt for the Districts. She wrote a realistic human being who aligned himself with the status quo and benefited from it. She demonstrated a character who did not become kinder or more empathetic through his suffering, but instead became angrier at the indignity of it, and punished the ones he saw as "deserving" it sevenfold. She showed you, the reader, that those in power know exactly how much the oppressed suffer, and do it anyway, even if they briefly suffer the same.
Listen I understand why many people find Jon's paranoia thoughtless or even stupid. And I also get the people defending and justifying it (me included I'm a full time Jon defender). But in all the discussions about Jon's behaviour everyone seems to forget that no matter how irrational his actions may have seemed at the time, in the end he was literally right. One of his coworkers WAS an imposter. Someone in his close environment DID kill Gertrude. The world WAS out to get him specifically. Calm and rational reasoning be damned my man was spot on
listen i love lexi being a voluntary virgin because #metoo #representationmatters
but i do think itâs interesting that every other main girl character is involved in sex work of some kind and then sheâs a virgin. like those are the only two choices: youre either a slut or a prude. lexi is smart and an introvert and is the only one with a ânormalâ life and who isnât over sexualized so that means she must be a virgin?? also her response of âitâs better than getting herpesâ perpetuates the idea that having sex makes you dirty. ALSO herpes isnt just spread through sexual activities!!! signed, a girl who has gotten cold sores (aka a form of herpes) since i was a toddler!!!!
like i do think itâs an interesting contrast to Cassieâhow she is doing OF and has been over sexualized her whole life and used sex and male attention as a means to feel loved. and then thereâs Lexi who is choosing to not have sex. it shows how people react differently to the same traumas/childhoods, but i donât think thatâs why Sam Levinson wrote it that way. especially because itâs not as if Lexi doesnât want to be desired, we saw from her play that she WANTS to be wanted and seen as a sexual being.
like why does sex have to be some crazy big thing that like owns women and controls their life. why must it be something that is a indicator of who they are or a reflection/result of trauma, why can it not just be something we do or donât do. none of the characters have a healthy, normal relationship with sexâthatâs not me saying you canât participate in like crazy sex or something, i just mean, they are all interacting with sex as if itâs something that owns them or rules their lives. the idea that by taking power over their sexuality (Jules being a sugar baby, Cassie doing OF, maddy managing OF models) they can take power over their trauma or something. even Lexi not having sex is like not necessarily a personal choice, but a result of her watching the people around her (cassie, jules, kat, Maddy) be negatively affected by sex & relationships. idk im bad at explaining things.
just the show doesnât treat sex as something people just do for funsies. which it is.
i love this new gen of pop stars so much
Okay but.
Youâre Ryland Graceâs students.
Your teacher is the first one to explain the Petrova line to you. Next thing you know, heâs gone.
He never comes back to teach your class. His things are moved out. The new teacher isnât as cool.
You hear the name of the astronauts on the Hail Mary. Humanityâs last chance. Thatâs your teacher. You know him. And suddenly you realize that last day in the classroom was the last time youâll ever see him.
The world gets worse. Colder. People die. Everything goes crazy. Somehow youâve still got your hope set on your middle school science teacher. The one that threw hackysacks at you and was your favorite teacher and who explained things until they made sense.
Everything but this.
Youâre an adult now, in a terrifying world, and you donât know whatâs going to happen next.
And then the beetles come.
And your teacher came through. He saved the world. They release the videos, you see his face again.
And youâve gotten used to the idea, that youâre never going to see certain people again. Teachers, friends, family.
But you thought you were never going to see Mr. Grace, who taught middle school science, ever again. And you had a chance to. But he chose to go save his friend.
And you wonder when he taught you that. You donât think he did. But it makes sense, all the same.
He left to save you, after all.

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one thing from project hail mary the book that i really wish theyd made clear in the movie is that when grace makes the decision to save rocky instead of go back to earth, he is prepared to die. like i understand why the movie had to cut a lot from the book for pacing and it wasnt exactly necessary to include the whole sub-subplot where rocky and grace figure out that there is nothing on erid that is safe for humans to consume, but it would have been worth a passing mention at some point, because grace goes back for rocky knowing that even if rocky takes him to erid, he will still die there, because there is nothing he can eat. the only reason he survives is by eating taumoeba, which is a solution rocky comes up with only after grace saves him and admits to him that he came to his rescue fully prepared to die.
the movie really breezes past rocky's rescue and the time skip, and it never explains why choosing to save rocky is so monumental in the first place: it answers the central question grace is grappling with for the whole movie. "who would i die for?" he doesn't just go back for rocky because it's the right thing to do. he sacrifices himself to save rocky. he is ready to die if it means rocky will live.
Eva Stratt they could NEVER make me hate you. Project Hail Mary is such a good story because it is a story about HUMANITY. about BEING HUMAN. we see that and we praise the humanness in Ryland Grace, in the stark humanness of running from the call and his duty, because he's so very afraid and he just wants to live damnit. he's a selfish coward unwilling to sacrifice himself for humanity, but that is being human. that's the charm of PHM, Grace starts a regular guy, a teacher, and stays that way the entire story (it also doesn't hurt that he's quite charming in his own awkward way).
now, to Stratt, who is also painfully human despite having to carry the weight of the whole world, the whole species. she has this terrible weight and responsibility to be more than just a human and give up herself for the greater good (just like Grace is asked, in being asked to go on the mission) and she doesâshe gives up her morals for one goal: survival. she says in the book she's almost definitely going to prison after the project is done, that they will disgrace her in doing their dirty work and giving up her humanity and sympathies for ruthless pragmatism. she's accepted that.
but despite all this, at the end of the day, she is still only human. and she acts like one, in the terrible, convoluted, loving way that we do. she makes unilateral decisions not taking others' inputs, maybe the wrong ones, maybe the right ones. she finds beliefs and clings to them, believing in the Hail Mary, in Grace, in her decisions leading them here despite anything else. she wrongs people, she wrongs Grace. but she is not necessarily wrong, and she's definitely not evil. Grace and anyone else can hate her all they want for sending him up there, but at the end of the day, her decision was much like Grace's, to be selfish and not condemn him to die, or to potentially save the world. she is a display of raw humanity just as Grace is (they're yin and yang. Grace in the humanness of personal selfishness and preservation, Stratt in the chronic human condition of fallacy and indomitable spirit).
we're all just trying to make the best decisions that we can with the knowledge and emotion we feel.
AND THIS IS WHY PHM IS SOOOOOO GOOD. THEY ARE SO HUMAN. im going to throw up all over them.