Shadow Hide 3 - Line Holtegaard
Danish , b, 1980 -
Oil and acrylic on canvas , 100 x 150 cm.
Alisa U Zemlji Chuda

Janaina Medeiros

Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

blake kathryn
let's talk about Bridgerton tea, my ask is open

â

Kaledo Art
2025 on Tumblr: Trends That Defined the Year
taylor price

Product Placement

Kiana Khansmith
i don't do bad sauce passes
Show & Tell
Jules of Nature
"I'm Dorothy Gale from Kansas"
Sade Olutola

JBB: An Artblog!
h

⣠Chile in a Photography âŁ
seen from United States
seen from Malaysia

seen from United Kingdom

seen from United States
seen from Indonesia
seen from Poland

seen from Germany
seen from United States
seen from Germany

seen from United States

seen from United States

seen from United Kingdom

seen from Singapore

seen from Germany

seen from Russia
seen from United States

seen from United States

seen from Spain
seen from United States

seen from United States
@azaneti
Shadow Hide 3 - Line Holtegaard
Danish , b, 1980 -
Oil and acrylic on canvas , 100 x 150 cm.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Happy pride to those 5 seconds where Charlie Swan thought Jacob was coming out to him in the most insane way possible
Wherever you are
RIP to the absolutely incredible, gorgeously kind and enthralling Anthony Head. I hope wherever he is, he's playing his pink Nintendo DS.
rip king, truly nobody was doing it for weird sci-fi and fantasy obsessed nerds like you đ
https://www.bbc.co.uk/news/articles/cd0p0rz4n0mo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
This is a perfect time to read the brilliant and unforgettable graphic novel(s) Persepolis by Marjane Satrapi, about growing up in Iran during and after the Iranian Revolution, and the rise of the oppressive theocracy that persists to this day.
Both graphic novels are available free online (Persepolis vol. 1, Persepolis vol. 2)
It also was adapted to a wonderful film (co-directed and co-written by the author) which is available to watch for free on Sundance Now (sign up for the free trial)
may the fourth be with you đ
Aragorn
"Use your Google account to logâ"
just let me use your website you insufferable rat

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Here's the Princess Mononoke comic I made for the @ghiblifanzine :) Been thinking a lot about how San found her place in the pack as a young half-human, half-wolf child and how her family loved her from the very beginning!
Aftersales are open now until July 1st!!
And so, when the hundred and twenty stone beasts required to seal a mountain were set down at the peak of the Burial Mound, every major clan began conducting frequent soul-summoning rituals. They also strictly monitored for cases of possession, sought far and wide for abnormal occurrences, and heightened their security to the max. In the first year, all was peaceful. In the second year, all was peaceful. In the third year, all was peaceful. âŚâŚ In the thirteenth year, all was still peaceful.
- MDZS Vol. 1, Prologue
One of the great ironies of the prologue. In the three years mentioned, we have Jiang Cheng who is still clearly not at peace and obsessed with hunting Wei Wuxian down, one clan exterminated by Xue Yang, at least one clan but probably more exterminated by Jin Guangshan and Jin Guangyao as fuel for Xue Yang's research and the elimination of political opposition for the position of Chief Cultivator, the downfall of two famous folk heroes, Song Lan and Xiao Xingchen, the murder of Nie Mingjue and the beginning of the Nie clan's decline.
Past that point in the timeline, we also have an entire city being decimated for the restoration of the Yin Hufu and yet another clan being exterminated for the death of Jin Rusong.
In some ways, it feels like there was more disruption in the postwar years than the years leading to the Sunshot Campaign. The first siege of the Burial Mounds really was a turning point for the cultivation world. In particular, the increasing normalization of family extermination reveals a lot of unflattering truths about the people who sought power in the postwar era. Not even Wen Ruohan used family extermination as a first strike, and he was a warmonger who enjoyed torture. The Wen remnants were isolated and imprisoned in camps to be abused, but I think it is important to note that even they did not face family extermination from a cultivation world that had justifiable reasons to hate the Wen clan.
As the Jin clan's power increased, so too did the acceptance of disproportionate violence. Jin Guangshan, Jin Guangyao, and all others like Jiang Cheng who were complicit or turned a blind eye to the Jin clan's actions made a peace that left more room for abuse against the innocent, the weak and those who opposed them. It was simply easier to turn a blind eye to what was going on because the danger, unlike the threat of invasion from Qishan Wen, did not apply equally to all.
the more I think about, the more i realize that maybe the problem all along was not that some reader don't understand the conflicts in mdzs (sometimes, that too) but that they don't understand the sheer scope of conflict
it is easier for readers to comprehend internal conflicts and while there are internal conflicts in the story they are ultimately not the reason behind the tragedy of wei wuxian's first life and the wen remnants' fate and consequent slaughter. to put it in other words: the first siege was not the result of wei wuxian's direct action or inaction, it was a part of systematic issue of the jianghu and their ostracization of wei wuxian and the wen remnants
and i also know that many ppl want wei wuxian to have a happier ending in his first life. wouldn't it be better if he and everyone who he loved were alive and safe and unharmed? and it is far easier to imagine a fix-it plot when the problem is on the actions of the individual. wouldn't the situation change if only character A did this? won't there be a happy ending if only the villain died earlier?
and don't get me wrong: i love myself a fix-it fic and i like a lot of them for mdzs. but this post isn't about fics
so, returning to the previous point: it is far easier to blame the individual. but the main conflict in mdzs is not an internal one, it's an external conflict: a man vs the world, a man vs society. and mxtx shows us that in this kind of conflict, the man and his ambitions will always perish: whether it be wei wuxian or xiao xingchen or even mianmian and lan wangji who tried to defend wei wuxian (lan wangji spoke in wei wuxian's defence several times, but did anyone listen? no). she is very realistic in this, actually, and i love her messages and ideas specifically in mdzs as they are the closest to my own
mdzs is a very realistic novel in general: even though headcanons and fanons about "modao" and how it was corrupting wei wuxian and the yin hufu being a cursed artifact with its own mind are very prevalent in the fandom, it's not like that at all in the novel. there are no voices coming from the yin hufu which want wei wuxian to kill anyone and everyone and drive him mad. wei wuxian doesn't even use modao and guidao isn't the reason for his unstable mental state but rather all the truly horrific and terrible situations that he was faced with in such a short term i'm left wondering if there is anyone else who could have lived through all of this like he did
but i digress. my main point: i don't deny that there are internal conflicts in mdzs, but the reason behind the tragedy of the first siege, the slaughter of the wen remnants, wei wuxian's death â the reason for all of this is a systematic issue born from the privilege and hypocrisy of the jianghu and its ruling class, not a consequence of an individual's action or inaction. the system put in place will always be much more sturdier than one person's claims
wei wuxian in front of all the clans accuses the jin clan and specifically jin zixun of kidnapping and using violence against the wen clan remnants, and no one bats an eye. mianmian speaks for wei wuxian, saying that killing four guards who were abusing the prisoners is not senseless slaughter, and she is put down and her words are dismissed as she is just "a maiden madly in love". lan wangji also speaks for wei wuxian, and without anyone's support, not even his clan's or brother's, his words are silenced and spoken over and dismissed without further notice
hell, even wen ning: jin guangshan organised a public execution and no one questioned jin guangyao why wen ning was alive and well and summoned on dafan mountain!
the main external conflict is the jianghu's hypocrisy and blindness and prejudice and "at least it doesn't happen to me so it doesn't matter" mentality and how the characters choose to conduct themselves and what choices they make in this kind of society and how it reacts back on these choices
something about wei wuxian and wen qingâs relationship is so profoundly heartening and i think itâs because, in that first life, they were each otherâs confidants in the sense that they voluntarily allowed the other person to see them at their most vulnerable and trust the other to take care of them. wei wuxian trusted wen qing to carry out the golden core transfer and trusted her when he was helpless on that bed, his core cut out from him. and wen qing could think of no one else but wei wuxian to help her when she was in her most dire circumstances, trusting him to help her and her family out when no one else would.
âall that prideâall gone.â
at her lowest, wen qing went to wei wuxian and allowed him to see her that way. partly because her family was so much more important than a game of saving face and partly because if there was someone who would see her in such a state and not think ill of her and continue to respect her, it was wei wuxian. because heâs also been at his worst, circumstantially, and it was exactly in those days that their initial bond/friendship was forged.
there is alot of talk about debts when wwx and the wens are concerned but i think the way they helped each other transcends the obligation of debts. of course, you simply cannot overlook who was owed what, given the setting but itâs interesting that we have this passage to make us reflect on the true nature of wei wuxian and wen qing helping each other:
when wei wuxian had bid her farewell, carrying jiang cheng on his back, wen qing had told him this: âno matter how this war ends, we do not owe each other anything from now on. our debts are cleared.â her haughtiness was clear as day in his memory. but last night, she had clutched his hand in a death grip and almost dropped to her knees as she pleaded.
âwei wuxianâŚwei wuxianâŚwei-gongzi. please help me. i have no one else to turn to. you have to help me save a-ning! i really have no one else, i can only come to you!â
itâs the way that following wen qingâs refuge of wei wuxian and jiang cheng, there was a sentiment of: oh the wens did this to you and now we, also wens, have helped you just to compensate a little. letâs settle these debts and leave them behind. and this is despite wen qing clearly stating that the wen clanâs actions do NOT reflect her own and that sheâs only ever saved lives, not taken any. and yet she declares âourâ debts as cleared as if she had taken some accountability anyway. itâs part that and part her attempt to obscure what her actions towards wwx and jc truly were: an unconditional show of support and help. and wei wuxian knows this and it is only reasonable and honorable to still see the help as a debt owed later down the line.
and the same thing repeats itself when wen qing comes to wei wuxian and explicitly asks for help. there is a sense that this isnât about some give-and-take or reciprocation of prior debts. it is simply a person reaching out to someone in their most desparate times, hoping their hand will be held. and wei wuxian does hold her hand and they remain each otherâs staunch supporters through the rescue and the hellish survival in the burial mounds that follows.
wei wuxian trusts wen qing with his wounds and wen qing opens up her most loved ones to wei wuxianâs care. for two people who spent their lives looking after their loved ones, shouldering massive burdens and going through the destruction of their respective clans, their intrinsic understanding of each other makes their bond so special, so grounded. they both took massive risks to help each other out and they both did what was right over what was easy to extend that help to each other.
despite my fair share of problems with the cql, i appreciated that scene with wq and jc where wen qing made it clear that she couldnât pursue anything with jiang cheng because he wouldnât stand by her. he simply didnât have the guts. and this is reflected in the novel canon, in the sense, that if debts owed are the metric to measure who could have helped wen qing, jiang cheng was also on the list and he was obligated to aid her as much as, if not more than wei wuxian (and i say this because the whole reason wwx ended up staying under wen qingâs extended care was because jc was injured. he wouldâve left as soon as he was discovered had he been alone). and yet wen qing doesnât ever approach jiang cheng. her only option is wei wuxian because she knows, deep down, that he would truly help her and go to greater lengths for her than any debts would warrant. that he would understand.
and thing is, despite being the outliers of their clans, they both (+wen ning) embodied their mottos. âattempt the impossibleâ/âknowingly do what you know you cannot doâ for the jiangs and âevery kindness should be returnedâ for the wens (very hilarious ik) and that is just one amongst the hundreds of commonalities they shared.
and all of this doesnât even account for the fact that they basically died for each other. if this isnât platonic love at its best, most brutal, most beautiful, then what is?
i think one of the most wonderful traits of wei wuxian is how socially competent he is, which is why it always annoys me if he is mischaracterized as someone who is unaware about how those around him feel, just because of the way his relationship with lan wangji pans out in the books. the dynamic between them was extremely multifaceted and what seemed obvious to us was very rightfully NOT obvious to wei wuxian and he hardly had time to sort those feelings out, given the kind of harrowing ordeals he was going through. but that asideâthe way wei wuxianâs âsocial competenceâ manifests isnât just social courageâin that, the risk of embarassment or self-consciousness doesnât stop his self expressionâor just his general forwardness and social butterfly tendencies but alsoâand imo, most importantlyâhis perceptiveness and astute reading of people around him which comes from a deep understanding of the human social element, at the individual and the societal level.
he has full awareness of how his station is looked down upon in the cultivation world and so while others in his situation may bend or breakâwei wuxian cleverly toes the line between the two until taking a stance becomes necessary. he deeply understands the ugly dynamics running within the jiang family and clan and acts accordinglyâbe it his prompt efforts to placate jiang cheng or his conscious silence when madame yu is in a mood or even his acceptance of the whipping in lieu of restoring stability for the clan. despite his personal biases against jin zixuan, he can recognise his bravery. even his scandalous move to begin undressing in the cave shows that he knows exactly what would make lan wangji tick.
hell, iâd say even his initial thought about how the resentment of the dead can be redirected towards a target shows his striking comprehension of how emotions work in general. whatâs more, heâs able to recognise the machinations nie huaisang had employed and he was also aware of the bigger picture associated with how fickle and easily swayed mob mentality was when everyone took part in bashing jin guangyao when certain truths came to light. when he was first brought back to life, he quickly and correctly deduced what kind of life mo xuanyu must have led and how he could act in order to easily humiliate the mo family. he empathised with jin ling and yet realised how he was brought up left something to be desired and so, tried to inculcate some of his own highly regarded values to him.
the deft manner in which he handled the juniors speaks for itselfâa good teacher will always have good communication skills and wei wuxian went above and beyond just âgoodâ. his people skills on nighthunts are extremely helpfulâhis ability to make tongues loose simply by charming people is highlighted more than once. just off the top of my headâhim politely appealing to jin guangshan about the wen remnants and apologising for âintrudingâ, him readily handing in his sword at the indoctrination camps, him suggesting to jiang cheng that he should leave the clan once he was at the burial moundsâall of this (and much much more) demonstrates wei wuxianâs competence at guaging complex social dynamics, which is why, when he goes against the current and stands firm, it is a deliberate, well thought out decision, one made after considering the risks and repercussions, and that makes wei wuxianâs stance at the end that much more powerful. he is not stumbling his way through life, is not unheeding of his social status, is not a âmad genius with poor social skillsâ. hell, i would say wei wuxianâs ability to see straight through people is more impressive than even his insane intellect and to reduce that aspect of him feels like a disservice to his character. because when it comes down to it, the fact of the matter is that the murky social world through wei wuxianâs lens is actually astonishingly clear.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
@giftober 2024| Day 8: "home"
"I want to go home. Maybe home is nothing but two arms holding you tight when you are at your worst. Home is a person. Home is people. If you go back there after the people are gone, then all you can see if what is not there anymore. The ache for home lives in all of us." (x)
The Yiling Band Tour!