Perfect Blue (1997), directed by Satoshi Kon
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Perfect Blue (1997), directed by Satoshi Kon

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Yoshitomo Nara
'You Never Did Anything Wrong' (2024)
© Nan Goldin
Tracey Emin (British, 1963), Mad Tracey from Margate. Everyone's been there, 1997. Appliquéd blanket, fabric from clothing provided by friends, 215 × 267 cm.
Edward Hopper, Summer in the City, 1949. Oil on canvas.
"Part of why I like this is the title; you can feel the heat. You can imagine being somewhere like New York when it's 100 degrees. This couple look as though they've just had really bad sex, again. She wants to leave him and he doesn't want to carry on like this. He looks dead, like a corpse. She just looks terribly sad. There's nothing there any more. 'I don't like fucking my husband any more,' is not a subject people talk about at dinner parties and Edward Hopper is making a painting about it. At the time that was really radical. The yellow light coming in is depressing, there's nothing happy about this picture. It's more like a play."
—Tracey Emin in The Times of London, 2015
Photo: Architecturous

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Sofia Coppola, 1994 | © Derek Ridgers
'Shy People' (dir. by Andrei Konchalovsky) [1987]
Finally, a film about my people.
Susan Sontag, from an interview conducted c. October 1979
Marina Abramović & Ulay, Rest Energy, 1980
performance for video, 4 minutes, ROSC’ 80, Dublin 1980 Photo: Marina Abramović and Ulay. Courtesy of Marina Abramović and Sean Kelly Gallery, New York. DACS 2016
Nils Dardel, The Dying Dandy, 1918 Photo: Prallan Allsten

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The Dawn Patrol, Kevin Cooley
Murat Yazar
LITTLE MISS SUNSHINE (2006) dir. valerie faris + jonathan dayton
The hotel room, 2018 - by Esperanza Velmock, Spanish
Kinga Rajzak Vogue UK (2009) ph. Tim Walker

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Arthur Dove, Sunrise
Memory of a landscape, Tornike Robakidze