I am thinking about what choices would be available if TMA was a choice based game, so here's batch from each season. (I hyperfixated on this and it got long. Whoops. I think my ending ideas are cool though.)
Season 1:
Flirt with Martin, Sasha, or Tim. I made a post about this, actually!
Believe Naomi in "Alone", or be skeptical of her story. This plays into how skeptical you'd want Jon's mask to be. If you believe Naomi Jon will let his mask break a bit and say strange stuff is out there, if you are skeptical of her story Jon will keep his mask and act how he does in canon. (Believing Naomi raises entity points, being skeptical of her story raises humanity points, because remember, Jon is acting so skeptical because he feels like he's being watched.)
Admit to Martin that you believe in the "paranormal", or don't admit to Martin that you believe in the "paranormal". In the safe room during the worm attack, you can either answer Martin's question about Jon's skepticism honestly or refuse. If you answer honestly the canon events of TMA will happen where Jon opens up to Martin about his paranoia, if you don't, Jon will shut Martin down and say he's just like that and there's nothing more to it. Being honest gives you a major relationship increase with Martin, shutting him down causes a major relationship decrees.
Go with Sasha, Tim, or Martin during the worm situation. If you with Martin, Jon will be there to find Gertrude's body, you will also raise relationship points with Martin. If you go with Tim you will raises your relationship with him, and Tim (High on fire extinguisher) will help Jon walk on his leg. if you go with Sasha you will raise your relationship with her, and then Sasha and Jon will be separated and Sasha will become Not! Sasha! On this route Jon will noticeably be off put by Not! Sasha's presence because he was JUST with her and now she's acting...odd.
Let Tim go home, or make him give a statement. At the end of the episode, Tim will refuse to talk about what just happened, and say that he wants to go home. If you let him go home he'll walk away, and the player never gets to learn his POV of events. However, Jon and Tim won't loose relationship. If you do make him give a statement, you will get to learn about the events through Tim's POV, however, the downside is that Tim and Jon's relationship looses points and becomes more strained. (If you make Tim stay you get entity points, if you let him leave you get humanity points.)
Season 2:
I'm imagining like a scene with a big board with a red string on it, and for a choice Jon has to pick who he finds the most suspicious: Martin, Tim, Sasha, or Elias. Depending on your choice, Jon will treat whoever you choose with more suspicion when they talk. (If you choose Martin or Tim, your entity score will go up. If you choose Not! Sasha or Elias, your humanity score will go up.)
More Under The Cut!
Attack the figure in the tunnel, call out to the figure in the tunnel, or hide from the figure in the Tunnel. When Jon runs into "Sasha" in the tunnels early in the season, you'll have a choice on how to handle a strange figure approaching you in the tunnel. This is really just to let the players "flavor" their Jon a bit, and play into what part of his personality they want to lean into.
Agree to let Melanie into the library or not. If you agree to let Melanie into the library you can be on better terms with Melanie when she gets back from her trip, and Georgie will thank Jon for helping. If you refuse to let Melanie into the library, she'll cuss you out and her and Jon will be on worse terms when she gets back, Georgie will also be annoyed by Jon's refusal and will make a comment about him being snooty.
Tell Tim and Martin about your suspicions about Not! Sasha, or don't. If you don't tell Tim and Martin, Jon will say that he is "sick," like in canon, and Martin and Tim will follow behind Jon later. If you do tell them, Martin will be horrified and Tim will go into denial but INSIST that they go with Jon to figure it out and "prove that nothing's wrong with Sasha." This choice will give you more Martin and Tim content, and Jon will give them a little more context about the whole situation.
Tell Leitner, or don't. I like the idea of this choice being vague, and the player is left wondering "Tell Leitner what???" If you choose to tell Leitner Jon will allude to "A Guest For Mr. Spider," and tell Leitner that his life was ruined by one of his books. But you don't actually the specifics of that until Season 3. If you don't tell Leitner than Jon will ask if he felt guilt for letting the books get into the hands of the public.
Season 3:
Tell Georgie the truth or protect her from it. When you're staying with Georgie in Season 3, you can either tell her the truth or try to protect her from it. If you tell her the truth she tells you about the dead women walking and her fear. However, she distance herself from Jon because she just can't be involved in that. If you protect her from the truth, she'll stay close with Jon but be annoyed at him for not confiding in her, and when she finds out what's happening later, she gets very upset that Jon was risking dragging her into it and not even saying anything.
Tell Basira not to sign the form or stay silent. When Elias hands Basira the form, you can either tell her it's not worth it, or just stay silent. If you stay silent nothing will happen. If you tell Basira not to sign the form, Elias will be more attentive of you, however, you will get the option later to reconcile with Basira at the end of the game. (If you stay silent you get entity points, if you say something you get humanity points.)
Go through Michael's door or refuse. When Jon is kidnapped, Michael will offer him a way out. Jon can agree to go through the door or refuse. If you agree, Michael will tell Jon his story first like in canon, and you get learn more about Michael Shelley. If you refuse, Michael snaps and goes on a rant about Archivists thinking they're so above him. Instead of getting his human backstory, he'll tell you what the first few years of his life were like as The Distortion, and his few failed attempts to go after Gertrude Robinson.
Burn Gerry's page or refuse. If you burn Gerry's page canon will happen. If you refuse to burn Gerry's page, Jon will call upon him later and Gerry will be PISSED and refuse to tell him anymore. He'll say that Jon is just as bad as Gertrude and his Mother, and he wouldn't help him even if could save the world just out of the principal. Gerry will then get so upset that he'll accidentally reveal some lore about Gertrude, or Mary, or the fears, or just something that makes his knowledge real. So Jon will learn something new, but the very real of cost of that is loosing his newfound friendship with Gerry. (If you burn the page you get multiple humanity points, you don't burn the page you get multiple entity points.)
Take Tim to The Unknowing, or don't. Before The Unknowing, Tim insists that he's going to go, and as Jon you can either accept or refuse. If you accept canon will play out and Tim will die thanking Jon for this. However, if you refuse Tim will follow you to The Unknowing instead, and be significantly more hostile when he reveals himself in the theater. This will have ruined their relationship for good, and Tim will die telling Jon to go fuck himself.
Season 4:
After waking up in the hospitalyou can tell Georgie that you're still the same or tell Georgie you've changed. If you tell Georgie you've changed she'll gently say she knows, and give Jon a quick pat on the back before leaving. If you tell Georgie you haven't changed, she and Jon will get into an argument about whether that's true or not, then Georgie will angrily storm out. (Saying you haven't changed is plus one to the humanity counter, saying you have changed is plus one to the entity counter.)
In regards to Melanie's bullet you'll have two choices. You can either tell Melanie about the bullet, or do surgery on Melanie when she's unconscious. (Like canon) If you do the surgery canon happens and Melanie will become more distrustful of Jon. If you tell Melanie about the bullet she'll argue and try to fight Jon (Because of the bullets effects) which will leave Jon's character model with a new scar. Basira and Jon will end up having to force it out anyways. However, Melanie will trust Jon a bit more on this route.
Go into the coffin or don't go into the coffin. Since choice based games are notorious for having choices that change the flavor of the story but don't change the actual story, Daisy will be spit out of the coffin if Jon chooses not to rescue her. Since she'd give up in this route, she wouldn't be feeding The Buried fear anymore so it would release her. If you don't rescue Daisy she'll distance herself from everyone and you'll be locked out of seeing how her relationship with Jon could have developed. if you go into the coffin to save Daisy, you'll get Jon and Daisy's canon mutual understanding after The Buried, and they'll get closer. (Not going in the coffin raises your entity score, going into the coffin raises your humanity score.)
Hug or kiss Martin in the lonely. In true choice based game fashion, you get a friendzone or romance option with Martin.
Keep reading or stop reading during the final statement of Season 4. This choice changes nothing in the main plot, I am just mean. (Keep reading raises your entity score, stop reading raises your humanity score.)
Season 5:
Use Martin as bait or don't. During the Trever Herbert confrontation, you can either use Martin as bait, or tell Martin to stay close. If you use Martin as bait canon will play out. If you tell Martin to stay close Jon will be the one who gets grabbed. This is another humanity vs entity choice. You get humanity points for telling Martin to stay close, and you get entity points for using Martin as bait.
Make Jordan an avatar or leave him to his suffering. When you run into Jordan in "Like Ants," you can decide to free him from the domain through avatarism, or decide that's a fate worth than bug suffering. If you leave him Jordan will call out in agony and Jon will be upset about his choice despite knowing why he made it. If you turn Jordan, Jordan will be distraught to be an avatar, and Jon will feel less guilt about the choice because he "saved" him the best he could. (Turning Joran into an avatar makes your entity points higher, leaving Jordan makes your humanity points higher.)
Kill Simon Fairchild and continue the vengeance streak, or stop. If you kill Simon, Martin will happy with you and Jon will feel more affirmed that his vengeance spree has been well-deserved. This choice makes him very self-righteous. If you don't kill Simon, Martin will be disappointed like in canon, and like canon Jon will admit that the vengeance spree hasn't been all that it lived up to be, and he's uncomfortable with some of the choices he's made. (If you kill Simon, you get entity points, if you let him go, you get humanity points.)
Stay with Salesa or leave. When you get to Salesa's house, you can either agree to stay the night or confess to not feeling well and you and Martin will leave. If you stay you get two different scenes depending on if you romanced Martin. if you romanced you get a cuddling scene, and if you friend zoned him you get a scene where him a Jon sit and drink tea together. If you don't stay you get a scene where Jon and Martin talk about just how bad Jon's eye dependence has become. (Staying raises humanity points, leaving raises entity points.)
End the world or end yourself. This is the ending choice, and I think you could get four endings depending on whether you have more humanity or entity points. If you have mostly humanity points and decide to end yourself, Jon will be able to lapse free of The Eye's power and stab himself to try and doom himself alone. Martin will find him before that happens and Jon will encourage him to just go back and live his life. Maybe whether Martin agrees or decides to die with Jon would depend on how high your relationship points with him were. With a high relationship Martin will choose to die with Jon, while with a lower relationship, Martin will very hesitantly agree to Jon's wishes and say goodbye before going back downstairs.
If you have mostly entity points and decide to end yourself, The Eye will have enough power to revolt against Jon's choice. Martin will be struck down by The Eye's power, and Jon will be forced against his will to be the king of a doomed world.
If you have mostly entity points and decide to end the world, Jon will decide to let the world die out to keep the fears contained to his universe. Martin will be angry with him, but Jon will be resigned and promise to keep him and their friends safe and as happy as he can until the end. The status of their relationship is left ambiguous.
If you have more humanity points and decide to end the world, then the episode 200 ending will happen where Jon will try to keep the fears contained, but be swayed by Martin's emotions to send them away and stay together with the hopes that they can be sent somewhere better.
I'd also think it would be cool if there was a relationship sheet at the end, that showed if you managed to reconcile with the main cast. I think Jon could reconcile with: Georgie, Melanie, and Basira if you picked enough correct choices, dialogue options, and had more humanity points than entity points. If you managed to reconcile with them, they'd have kinder and more affectionate things to say about Jon in the epilogue.
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I honestly think it's funny that the statement that made me hyperfixation on TMA wasn't even on of the plot relevant ones. My power went out when I was reading "First Hunt" and my brain did this exactly:
My headcanons on whether the TMA characters would want kids or not:
Jon Sims - Jon's never quite known the answer to this question. He likes kids well enough and doesn't think being a Father would be the worse thing in the world, but he also carries deeply about his career, and would rather stay late to climb the ladder than come home to kids everyday and he knows that too. Maybe one day when he's older and in a more prestigious position he wouldn't mind having one or two, maybe, but the answer in the current day was "Not right know." Then all The Eye stuff happened and it becomes really hard to think of the future when your present is such a mess and you don't even know if you'll have your humanity at the end of it all. So Season 5 Jon would say he didn't think he could ever have kids. Both because of not wanting to drag his kids into his mess, and because of his self-loathing and not really trusting himself anymore after he accidentally ended the world
Martin Blackwood - This is a very complicated question for Martin. Because on one hand: Yes, he wants kids. The idea of being able to have a family with someone who loves him and having this tight knit family is....wonderful, far more than he'd ever ask for. However, on the other hand, the idea of having kids terrifies him. After being raised by his Mother, he's scared he won't know how to do it right and make his kids feel as unwanted as his Mother made him feel. Plus, he's so comfortable with being alone. Not having kids is....easier in that way. It let's him have the choice to stay distant from people, which he wouldn't feel like he had if he had kids. Also, he'd be a little worried about his partner and kids getting sick of him one day and moving on, which would destroy him. He does want kids.....but it's weird and I don't know if he'd ever actually have one.
Tim Stoker - Yes! He's always wanted kids. Family means a lot to him, and he simply never imagined a future where he remains childless forever. He always wanted a few, maybe two or three, but it just depends on how many his future partner would want. He does want kids NOW, he wants to have his fun first and get his life a little more sorted out first, but he for sure wants them one day. (And let's be honest, he'd love Dad jokes.)
Sasha James - Not really. She always wanted to be a career women who really valued her education, and she thought having kids would make those ambitions more complicated. Plus, she just never really had that maternal instincts. She likes kids, she has a niece she thinks is super fun to be around, but babysitting is as close as she wants to get to having a kid of her own.
Melanie King - She's never really minded kids, but she doesn't really want them either. She's never thought a ton about it really, she's just at peace with the fact that she's never going to have them.
Georgie Barker - She wants animal children, but she's good with not having children, children. She's just never really wanted them.
Basira Hussain - Not really. She's always been very neutral about children. She doesn't hate them, but she doesn't have a ton of fun around them either. She doesn't really see herself as a Mother, so that's not the route she's going down. It's very simple to her and that's fine.
Daisy Tonner - Daisy loves the idea of having kids. Having someone who's a mix of her, and her partner who she loves more than anyone in the world, doesn't sound bad at all. She'd love a pack.
Peter Lukas - No. He values his family legacy a lot, but he thinks his other family should be the one to carry on their name. He himself wants to stay connectionless and thinks other family members will do a better job of continuing things on.
Elias Bouchard - Let's be honest, Elias is probably already a Father to someone, somewhere out there.
Gertrude Robinson - No. She would never have kids thinking that their world is always on the brink of a fear apocalypse. She couldn't imagine making that one choice, one because she would never want to bring a child into what she sees as a very possibly doomed world, two because she can't even think about the logistical nightmare of trying to stop an apocalypse and raise a child, three because she knows she would always have to put saving the world above her child. And granted, even if none of the fears happened she wouldn't want kids anyways. In an everything's fine AU I could maybe see her fostering teens or something or just taking older teens under her wing (Since she gets close to Gerry and seems to enjoy their complicated Mother/Son thing going on) but no babies for her.
Gerry Keay - Absolutely not. Maybe some other version of Gerard Keay would want kids, but this Gerry is very stressed out by even the concept. After being raised by his Mother he has NO IDEA how to parent a child correctly, and the stress of whether to raise them in his world or the normal world would be to much for him to take. Raising him in his world would mean doing what his Mother did to him, at least to an extent. Raising them in the normal world would mean that he could never understand them, and they could never understand him. Either way it would be a mess, and more of one than he wants to deal with.
Hezekiah Wakely - Sure??? I'm going to be real with you, this guy has one statement and he doesn't mention kids once. This is just based off vibes. But based off vibes I'm going: Yes, he likes kids and being around them. He'd probably want them to share his love of dirt eventually which would be problematic to say the least, but I'm going with a strong "Yeah, why not?"
Jane Prentiss - Jane wanted kids once, but not really for the right reasons. She wanted kids because in her eyes that would be a connection that would never leave her. As their Mother her and the baby would just have this bond, and despite anything they went through and even if the kid called her "toxic" just like her old friends did, she would still be their Mom. So yeah she wanted kids, but NOT for healthy or good reasons.
Agnes Montague - She's never allowed herself to really think about. She knows she has a duty to fulfill within her cult, and any life outside of that is just a daydream. Maybe there's a part of her that finds comfort in getting to experience something as "normal" as Motherhood, but that's more about Agnes craving a more average l life. She isn't actually sure if she wants kids or not, but there's a sadness in her that she doesn't really get to choose.
Jude Perry - Not really. She hates kids and has always hated kids. The only way she'd have them is if it were with Agnes and she was raising The Desolation's newest messiah baby. She'd like having that much importance in The Desolation's eyes, but she doesn't actually want a baby if it's not important in the ways she wants it to be.
Oliver Banks - He was one of those "I would like to have them when I'm 30 and more stable," people, but then the fears happened and he's unable to see himself having kids anymore. He couldn't deal with the constant anxiety of the thought of seeing a tendril on them.
Jared Hopworth - For some reason I could see him having a kid, but he should not have kids.
Distortion Michael - Michael Shelley wanted kids once. He wanted them a lot actually. Growing up he imagined (hoped) a lot that he would have this big happy family fully of loving people one day, but that never worked out for him before The Distortion stuff happened. After that, he couldn't imagine having kids. That would be a piece of this unimageable existence, and it would be a real tangible piece that was proof that they were alive. That would make their existences even more painful.
Distortion Helen - Her life never seemed to be in a place to ever really think about kids. She moved out of her parents place, then she got her job as retailor which kept her busy, then it seemed like something was always happening in the background to keep her mind occupied from thoughts like that. So she never really considered it other than as "I don't know," but she WAS very judgmental to parents of children who acted out in public. As The Distortion, she really doesn't consider children anymore. Her existence is to...well, complicated these days.
Nikola Orsinov - This is to horrifying to actually think about, so let's just say no. :)
Michael Crew - Mike is easily irritated by children. He hates the screaming, and the stickiness, and the noise. A child crying in a public place long enough can irritate him bad enough to leave. He's not the type of person who should be a parent, and thankfully he doesn't want to be a parent either. (Bonus headcanon that he's really judgmental towards parents in general. God forbid your child do anything even slightly wrong in front of him, he's going to assume you're the worst parents ever and has never tried to teach your children to behave in public a day in your life.)
Simon Fairchild - Simon would totally be a deadbeat Dad. He probably has kids out there right now that he doesn't remember the name of.
Anabelle Cane - She's not fond of children. She briefly considered having them simply because a family dynamic is where the strongest strings of a web can be woven, but yeah, no, at the end of the day she doesn't like kids more than she's devoted to The Web.
I think Timsasha being hard canon instead of just "A hookup situation that gets mentioned only after they're both dead" the ship would have had way less spice.
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I think I might be becoming an Eye avatar because last night I had a dream that every time I went into a room with people in it, everyone would turn to stare at me. And you'd think this would freak me out but not really. It felt almost comforting that so many people had their eyes on me.
So basically I dreamed up a TMA statement. TMA writers hire me, my weird ass dreams give me plenty of potential statement content.
Gerrymichael but Michael listens to any band of any genre, while Gerry is super picky about his music taste and insists that he can only listen to a few genres by a few bands.
The main point of this headcanon is that Michael likes country and it makes Gerry want to explode.
Which Expedition 33 ending ending I think each TMA character would pick:
SPOILERS FOR EXPEDITION 33 BELOW
Fight As Maelle - Jon Sims, Tim Stoker, Daisy Tonner, Elias Bouchard, Gertrude Robinson, Hezekiah Wakely, Oliver Banks, Jane Prentiss, Distortion Michael and Helen, Simon Fairchild, Jude Perry, Nikola Orsinov.
Fight As Verso - Martin Blackwood, Sasha James, Georgie Barker, Melanie King, Basira Hussain, Peter Lukas, Gerry Keay, Agnes Montague, Mike Crew, Anabelle Cane.
Explanations:
Jon Sims - I think Jon would be won over by Maelle's blight, and maybe not be able to fully sympathize to Verso wanting death. I think after being dehumanized so much himself he'd be willing to see the world and the people within it as real, and not want to sacrifice that for reality.
Martin Blackwood - I think Martin would see ejecting Alicia from the canvas as something that needs to be done even if it sucks, and if anything I think he'd be won over from Renoir's grief about loosing his whole family to the canvas. But I am actually really torn on this one, because I think he would see that Maelle's painted family took away her loneliness and gave her a purpose, but I also lean towards the idea of he'd lean towards the harder choice since he kind of ejects Jon from the canvas in a metaphorical way in the end of Season 5.
Tim Stoker - I think after loosing Danny, he would resonate with Alicia's desperation to save her brother no matter what that means, more than he'd resonate with Verso's desperation to free himself from the canvas and the idea of letting go. He's never truly let go of anything. That's why Season 3 ends the way it does.
Sasha James - I think she'd be kind of pragmatic about the whole situation, and see the painted world as fake, while Alicia and her world are real and need to be prioritized.
Melanie King - I think she'd feel pretty bad for Maelle, but I also think she'd have a "you have to face reality sometime," feeling about everything.
Georgie Barker - After the dead women walking, Georgie had to come to more terms about death more than the average person. I feel like that would push her to fight as Verso.
Basira Hussain - I think she'd be strictly "logical" about it and choose Verso. I think she'd undervalue Alicia's emotions a lot TBH.
Daisy Tonner - I think she'd feel immense loyalty to Alicia, Sciel, Lune, and all the other painted creatures she met along the way and want to protect their wishes.
Peter Lucas - I think he'd choose Verso out of cruelty, and try to force Alicia away from her painted family to be with her real family that's more distant. I don't think he'd resonate with the point the Verso ending is actually trying to make.
Elias Bouchard - I'm going to be so honest, this one was just vibes.
Gertrude Robinson - I feel like Gertrude would get connected to the idea of stopping The Paintress at the start of the game, and in the end, decide that saving a world is worth the eventual sacrifice of Alicia. I'm kins of torn on this one since she's so practical she might see the world as not real, but my gut feeling is that she would connect to the themes of saving a world you care for at great cost more than she'd connect with themes of grief.
Gerry Keay - I think he'd really resonate with Maelle and her feelings of not being able to fully overcome her grief and how alienated she felt from her world after the trauma of loosing Verso, but I still think he'd choose to fight as Verso. I think he'd view it as saving her from slowly withering away in the painting.
Hezekiah Wakely - Man would love some good escapism.
Jane Prentiss - This is very based on vibes. We know so little about who she was pre-wasp's nest in her attic.
Agnes Montague - I think she'd see the situation as "It's hard, but it's Alicia's duty to return to the real world." I think she'd be projecting her own sense of duty a bit,
Jude Perry - Jude knows what it's like to struggle for purpose, she did until she met Agnes. I feel like she'd resonate with Maelle WAY more than Verso.
I feel somewhat torn about this, but since Oliver's coping mechanism for dealing with the fears is escapism (Stealing a dead guys identity to get on a boat,) I kind of feel like he'd relate to Maelle more and feel like he's giving her peace even when he can't give himself peace. My more complex headcaon is that pre-fear Oliver would choose to fight as Verso, post-fear Oliver would choose to fight as Maelle.
Jared Hopworth - He'd probably just pick one at random.
Distortion Michael - I feel like he wouldn't like the way Alina's family treated her, (Gertrude flashbacks) and he'd see Maelle's new life as freedom. Not to mention he understands getting a new identify well, and I think he'd resonate more with Maelle embracing it, then "getting" to be free from it.
Distortion Helen - I just think she'd prefer the fantastical painted world to the real world.
Michael Crew - I feel like he'd be like "Well the painted worlds not real ¯\_(ツ)_/¯" and that would be that. I think he'd be kind of cold about the choice.
Simon Fairchild/Nikola Orsinov - They'd love the whimsy of the painted world. No way they'd want Maelle to go back either.
Anabelle Cane - I feel like she'd sympathize with Cleo a lot, and be like "Okay, getting the family out of the painting is our main goal now. Why not?"
Some headcanon's about Gertrude's assistants because I think about them a lot.
Michael Shelley -
A: He has a camcorder and loves to film in his off time from The Institute. Capturing the world already him has always made him feel more grounded, but even more than that it's just simply something he enjoys. He often walks to the local park and just films the going on around him for a little bit. He would maybe make a movie or something if the chance just fell into his lap, but storytelling isn't his real passion. He just wants to show what the world looks like through his eyes, which is why he doesn't tell anyone about this hobby because he'd be embarrassed if they wanted to see.
B: He really likes cat memes. RIP Michael Shelley, you would love Grumpy Cat.
C: Despite working at The Institute, he doesn't actually like certain types of horror. Psychological horror is something he finds really upsetting because of what happened with Ryan. He actually does like slasher movies, and some paranormal movies, but a lot of paranormal movies are a miss because he can't stand the common trope of people not believing the person seeing the ghost. It hits to close to home.
D: He wears glasses, and without them, easily has the worst eye sight in the entire institute. He can run into a desk right in front of him if he doesn't have his glasses because everything is just a blur.
E: He has OCD and a lot of his compulsions are around his door trauma. When he opens a door he has to open it three times to make sure it leads to the same place each time, and he needs to knock on a door before he opens it because it makes him feel better.
Eric Delano -
A: He often brought in a portable radio to work and listened to it while he did busywork. He was the type of person who just couldn't stand silence.
B: He stole a ring from artifact storage once. It's a ring from The Lonely that blocks out nightmares and makes sleep a cold oblivion instead. As it turns out, he prefers waking up cold from a dreamless sleep than having nightmares of giant eyes watching him.
C: He used to buy weed from the real Elias. He was really surprised to hear that he was the head of The Institute now.
D: He also really had a fondness for more "dangerous" animals. Poisonous spiders, poisonous snakes, alligators, sharks, something about them being labeled as dangerous just makes him want to learn about them. He believes most of them are understood on some level, and even if they aren't humans are still at fault for most bad interactions because animals are just animals. They can't help but be that way. This mindset did not help in his relationship with Mary.
E: He's a huge "Adams Family" stan.
Sarah Carpenter -
A: She loved campy horror movies. Horror that took it itself seriously was fine, but she always had a special enjoyment for movies with terrible effects and even worse acting.
B: She was the most eye aligned of Gertrude's assistants. She always wanted to explore and know more, and was never satisfied with the answers she found because she knew more was out there.
C: She has bright red dyed streaks in her blonde hair. Her hair looks like a flame.
D: She loves roller coasters and amusement park rides. (Also: Her and Jon rode on the same carousel.)
E: She really loves arcade games. If she's on a job and she see's an arcade next door, she's totally begging Emma to take a five minute detour.
Fiona Law -
A: She really loves sweaters. She's always wearing one, and she spends a lot of the summer lamenting that she misses her favorite glittery cat sweater and she can't wait for the weather to get colder.
B: She loves a good pun. Especially animal puns or fear related puns. Michael does not understand why she find eye puns so funny, but he's to awkward to not roll with it.
C: Her favorite fear to investigate was The Lonely. She always thought it was a bit romantic with all the fog, and the nice cold weather and sea captains. Her least favorite was The Slaughter. She never liked gore.
D: She snorts and starts tearing up whenever she laughs.
E: She's diabetic, and uses a walking cane.
Emma Harvey -
A: She has the hobby of repairing old dolls. She actually does that occasionally on the side for extra money. Gertrude was worried she was with The Stranger when she mentioned this, but she was able to calm her down by telling a mostly real story about her childhood doll collection.
B: She was always a bit fond of The Stranger. The thought of having a lack of face that can help keep you under the radar is....well, a good one. Ironically, this thought process pushed her closer to The Web.
C: She often teased Gertrude about going grey a little earlier than her, she joked that she was officially an old women now and made many age related jabs. When she started getting spider webs in her hair, she stopped, scared that she would start paying closer attention to hers. Gertrude noticed she stopped, but she got sidetracked by her mission whenever she thought about asking why.
D: She's allergic to birds because of their dandruff. (This is a meta joke because Emma is an avatar of The Web, which is aligned with spiders, and birds eat spiders. I find this hilarious.)
E: She wears cat eye glasses, and they're always a fun, bright, color. it's one of the little bits of color in her otherwise pretty cold life.
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A fun fact for you based on your favorite TMA character:
Jon Sims - Eyes heal quickly, it only takes about 48 hours for a cornea scratch to heal. (New headcanon about why Jon couldn't cut his finger off just dropped.)
Martin Blackwood - One of the most expensive teas in the world is fertilized with panda poop. It costs about 200 dollars per cup. Early harvests costed about 3'500 dollars for a batch.
Tim Stoker - Architecture used to be an Olympic sport between 1912-1948.
Sasha James - The official name for the phobia of long words is Hippopotomonstrosesquippedaliophobia.
Melanie King - The first ghost reference dates back to 1500 B.C.E. It was an exorcist tablet and "the tablet’s tale still tells of the ancient instructions on getting rid of unwanted ghostly guests in your home. The directions state that the exorcist must make figurines of a man and woman, prepare two cups of beer, and, at sunrise, speak a ritual that calls upon the Mesopotamian god Shamash, who was thought to be responsible for bringing the dead to the underworld. The idea was that the unwanted spirit would be transferred into one of the figurines."
Georgie Barker - The oldest cat ever recorded was named Creme Puff, and she lived to be 38 years.
Basira Hussain - When you're reading silently in your head, the muscles of your mouth, tongue and larynx are activate as if you were reading out loud.
Daisy Tonner - The earliest werewolf story is the Mesopotamian Epic of Gilgamesh. In the story, the goddess Ishtar turns a former lover into a wolf
Peter Lucas - "Mermaid sightings," were likely just manatees.
Elias Bouchard - Only 1/6 of your eyeball is visible.
Gertrude Robinson - A cat purring can be therapeutic! A cat's purr ranges from 25 to 150 Hertz, a frequency that can help bone density, tendon repair, and helping with breathing!
Gerry Keay - Tetrachromat is a genetic mutation that causes people to be able to see about 100 million colors. The average person can only see about a million.
Hezekiah Wakely -it can take anywhere from 100 to 1000 years to form one inch of topsoil,.
Jane Prentiss - Ophiocordyceps is a fungus that hijacks the nervous system and bodies of insects. It forces the insect to wonder around widely before they die. Then when they die, the fungus eats the body of it's host.
Agnes Montague - Throwing colored chalk in fire can change the color of the flames!
Jude Perry - The longest tattoo session ever recorded was 61 hours and 37 minutes.
Oliver Banks - Before color tv about 15% of people dreamed in color, today, about 75% do
Jared Hopworth - Adults have 206 bones. However, kids have 300 bones. This is because bones fuse together as you age!
Distortion Michael - The average person opens and closes a door 70 times a day.
Distortion Helen - About a third of people who get migraine headaches experience visual hallucinations. Flickering, tunnel vision, and seeing spots is all common.
Nikola Orsinov - Clowns are traditionally nicknamed "Joeys" after Joseph Grimaldi.
Michael Crew - In Tennessee, the landlock state, it is illegal to shoot animals from a car window. Expect whales. You are legally allowed to shoot whales from a car window. In a landlocked state.
Simon Fairchild - Flamingos aren't actually pink! They're white or grey when they hatch, but then their diet consistent of a lot of animals (especially brine shrimp.) that have a lot of carotenoids. These carotenoids are what make flamingos pink!
Anabelle Cane - A study found that 60% of adults can't have a 10-minute conversation without lying at least once. Most lies were lies to seem more likeable or competent. Many people reported not even realizing they were doing it until after watching back a recording of their conversation.
The Buried - You're a psychological study because this links back to childhood somehow. You either ate dirt or had to dig somewhere every time you went outside.
The Corruption - You're always vaguely sick (Coughing, sneezing, randomly dizzy.), yet despite this you are probably prefer The Corruption as a toxicity metaphor instead of just a blatant fear of illness.
The Dark - For claiming the dark is your favorite, you sure would love a star projector. The dark to astronomy pipeline is real.
The Desolation - This is not your favorite, Agnes Montague is your favorite.
The End - Your favorite season is winter, no I'm not elaborating.
The Extinction - You like making fan content after watching something more than actually watching something.
The Eye - You really resonate with Jonathan Sims.
The Flesh - 🏳️⚧️.
The Hunt - All your hobbies become personality traits and you're so real for that.
The Lonely - Go straight to therapy. Do not pass go. Do not get 200 dollars. Get off AO3. You know you shouldn't be reading those fics at 2AM. Yes. Those.
The Slaughter - Okay, "knows a lot about medieval torture devices and the paranormal," I see you.
The Spiral - You think spoilers make stories better.
The Stranger - You either don't like for people to know you, or your childhood was full of the fear of Ronald McDonald. Either way, there's a nonzero chance you are/were a theater kid.
The Vast - You want to be full of whimsy, but you're full of exhaustion and burnout instead.
The Web - You probably disagree with Jon's choice at the end of TMA, you probably like the directors cut of movies, and you probably tend to make the least popular choices in choice based video games because you trust your opinions even when others see something differently.
Considering how much Elias body swaps, I'm shocked there's not more content of him body snatching Jon/Martin/Sasha/Tim during the events of TMA.
But having said that, it's hard to imagine a man like Elias had no plans on what to do if he needed to change bodies fast. Which means:
A: He was so certain that Jon was going to cause the apocalypse he didn't truly think about.
B: He did have some sort of body swapping plans, and they didn't come to fruition but likely someone around The Institute was in even more danger than they thought they were.
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A: Melanie King/Sasha James. This one is criminally underrated. It's one of my favorite TMA ships and I need more content of them immediately.
B: Jonsasha is heavily underrated for how much drama and angst it could have if it stayed (mostly) canon compliant.
C: Michael Shelley (Human)/Jon. Someone who knows nothing X someone who needs to know everything.
D: Gertrude/Emma. It shocks me that Emma is said to be Gertrude's closest confidant in "Curiosity," yet no one ships them. Everyone says they want toxic older women yuri, but when it's on a silver platter there's no takers.
E: Agnes/Jon. This one could go crazy in the angst department. They're two people who feel doomed to their fate, and while Jon wants to fight it, Agnes has submitted. Honestly I think this one could be devastating.
F: Not Them/Nikoli. Nikoli is so cursed, this is the only ship I can imagine with her.
G: Julia Montauk/Daisy Tonner. This one would be crazy, but I also think it could be really compelling if after the coffin Daisy got to actually TALK to Julia and maybe that part of Julia that grew up known as the daughter of a serial killer could empathize with the more human parts of Daisy that knows she went to far.
H: Tim/Gerard. I don't know how this would happen, and a part of me thinks they would dislike each other (I don't know if Tim could get past the eye tattoo thing if he knew what the eye was, or the fact that Gerry was so involved with fears, and I think Gerard would struggle with Tim's preference for the naive world) but they're such snarky and fun characters I'd love to see them together. They have some really good fics on AO3 too!
I: Anabelle Cane/Agnes. The web spinner and someone caught in the webs of fate.
J: Salesa/Gerard Keay. Guy who sells cursed objects X guy who hunts them.
Expedition 33 characters as TMA fears because guess what I'm playing.
The Buried - I hate assigning the buried to characters. It's such a stupid specific criteria, oh yeah, sorry guys, no characters in this media want to be buried in dirt. So that's all to say, IDK.
The Corruption - The Paintress. (I feel like this placement might be controversial, but I stand by it.)
The Dark - Jar (Not being able to find your mistress because you can't hold light anymore, is very psychologically devastating.)