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Season 1:

Flirt with Martin, Sasha, or Tim. I made a post about this, actually!

Believe Naomi in "Alone", or be skeptical of her story. This plays into how skeptical you'd want Jon's mask to be. If you believe Naomi Jon will let his mask break a bit and say strange stuff is out there, if you are skeptical of her story Jon will keep his mask and act how he does in canon. (Believing Naomi raises entity points, being skeptical of her story raises humanity points, because remember, Jon is acting so skeptical because he feels like he's being watched.)

Admit to Martin that you believe in the "paranormal", or don't admit to Martin that you believe in the "paranormal". In the safe room during the worm attack, you can either answer Martin's question about Jon's skepticism honestly or refuse. If you answer honestly the canon events of TMA will happen where Jon opens up to Martin about his paranoia, if you don't, Jon will shut Martin down and say he's just like that and there's nothing more to it. Being honest gives you a major relationship increase with Martin, shutting him down causes a major relationship decrees.

Go with Sasha, Tim, or Martin during the worm situation. If you with Martin, Jon will be there to find Gertrude's body, you will also raise relationship points with Martin. If you go with Tim you will raises your relationship with him, and Tim (High on fire extinguisher) will help Jon walk on his leg. if you go with Sasha you will raise your relationship with her, and then Sasha and Jon will be separated and Sasha will become Not! Sasha! On this route Jon will noticeably be off put by Not! Sasha's presence because he was JUST with her and now she's acting...odd.

Let Tim go home, or make him give a statement. At the end of the episode, Tim will refuse to talk about what just happened, and say that he wants to go home. If you let him go home he'll walk away, and the player never gets to learn his POV of events. However, Jon and Tim won't loose relationship. If you do make him give a statement, you will get to learn about the events through Tim's POV, however, the downside is that Tim and Jon's relationship looses points and becomes more strained. (If you make Tim stay you get entity points, if you let him leave you get humanity points.)

Season 2:

I'm imagining like a scene with a big board with a red string on it, and for a choice Jon has to pick who he finds the most suspicious: Martin, Tim, Sasha, or Elias. Depending on your choice, Jon will treat whoever you choose with more suspicion when they talk. (If you choose Martin or Tim, your entity score will go up. If you choose Not! Sasha or Elias, your humanity score will go up.)

More Under The Cut!

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This dialogue choices would all be an option when Martin is telling Jon about his run in with Jane Prentiss, and Jon is deciding what to do since Martin can't safely go back home:

Jon's Low Platonic Relationship With Martin (And canon in the series) Dialogue Choice: "Very well. In which case there’s a room in the Archives I use to sleep when working late. I suggest you stay there for now."

Martin: "Okay… thanks. To be honest I didn’t, didn’t expect you… to take it seriously."

/

Jon's High Platonic Relationship With Martin Dialogue Choice: "Um. Well, if you have concerns about going home, I do have a guest bedroom open for you, I suppose. I'm not one for roommates typically, but I'd prefer you to not be eaten by worms."

Martin: Oh!! No!!! I, that's very generous Jon, but I wouldn't want to intrude. I was actually thought I could maybe stay, uh, here. If that wouldn't be a bother."

Jon: "Right. Yes. I can help you get the cot set up, but the offer still stands if you change your mind."

/

Jon's Romance Dialogue Choice: "Martin. I'm sure you have bigger concerns at the moment, but um, are you alright?"

Martin: "Huh? Oh yes! I'm fine. I mean, I never want to eat any sort of canned food again, but I'll be alright. Thanks for....asking."

Jon: "Of course, just let me know if you need anything. I don't mind pitching in to help you get a room at a hotel or something of the like. You could also stay here of here of course, but the cots not exactly five stars.

Martin: ".....I think I'll be alright here. Thank you really, you've offered, more than enough....I didn't expect...I mean it's just, It's um, really nice of you. I'm going to go get settled in. Goodnight Jon." (That awkward moment when you and your unattainable crush have a moment of genuine connection and care.)

Tim and Sasha dialogue under the cut!

Jon Sims - Jon thought about getting a tattoo in college. Georgie was going to get a flower tattoo and asked if Jon wanted to go with her and get a tattoo of his own. He thought about it. Decided that he would do something since these were his "youthful years," which Georgie pointed out was grandpa reasoning. Then he decides he'll get a small cat on his arm that can be covered, goes to the appointment with Georgie to get his tattoo....then watches Georgie get hers and chickens out because just watching that was too stressful for him to handle.

Martin Blackwood - Martin with a little rain cloud tattooed behind his ear that he hides with his hair. End tweet.

Tim Stoker - Tim has a a lower back tattoo, also called a trap stamp, that he got in his early twenties. He thinks they're hot and make him look fun and approachable to anyone who sees in a crop top in the club. Sasha saw it in full detail during their hookup, he randomly lore dropped this information to Martin, and Jon spotted it once when Tim's shirt rode up and he saw a phoenix on his very lower back.

Sasha James - She has a butterfly on her ankle. As she tells Tim, it represents transformation and change. She got it in a stagnant period of her life and just needed something new. She decided to go for the symbolism route, which is why she also has a shooting star on her hand. It symbolizes making a wish on a shooting star and she considers it a lucky charm. Granted, she's not sure if she actually believes in lucky charms, but she likes the the thought of them.

Melanie King - She has a dagger tattoo on her neck because she thinks it looks cool. It symbolizes her determination and fighting spirt. (Yes, BG3 did inspire me for this one.)

Georgie Barker - Georgie has multiple tattoos! She has a ghost on her hand, an orange cat on her shoulder, and a red spider lily going up her leg. She wants more, but hasn't sketched out any new concepts yet.

Basira Hussain - She doesn't have tattoos or want them, but she and Daisy have joked before that they're going to get matching flower tattoos on their hands.

Daisy Tonner - Daisy begged Basira to get matching hand tattoos with her. She wanted Basira to get a daisy for her, then she would also get a flower of Basira's choosing. However, Basira didn't want that and Daisy didn't want a lone tattoo. She views them as a good bond thing, but not something she necessarily wants on her own.

Peter Lucas - Peter has sailor tattoos! He has an anchor on his arm, and a siren with no mouth surrounded by fog on his leg.

Elias Bouchard - The body of Elias has a stick and poke tattoo of a weed leaf on his ankle. Jonah in the body of Elias wears high socks to make sure no one sees this ever.

Gertrude Robinson - I like to think when she was in her early twenties she decided to do something fun and get a tattoo. Ironically, and clearly not chosen with hindsight, she got an eye in a sun on her back. It really is just a coincidence, but it's a bad one. She also has a tattoo of a little grey cat on her ankle, which she also got in her twenties.

Gerry Keay - Gerard got his eye tattoos to claim himself. He didn't want the other fears to get the chance since he finds them much more...distasteful. But the other element to them is that he got them after Mary died, and she HATED tattoos. She said they took up "Good ritual space," which he didn't fully understand until, well, she showed him in the worse way possible. They were an act of rebellion from him. Both towards his Mother, and the other fears that would love to get a hold of him.

Hezekiah Wakely - He doesn't have tattoo's. If he did it would probably be of a shovel. I mean. What did you expect from the dirt guy.

Jane Prentiss - She has a tattoo of the wheel of fortune tarot card on her upper arm.

Agnes Montague - Agnes has no tattoos, but in another life she might have had forest vines(Like where she was born) tattooed on her.

Jude Perry - Jude said she got her back tattoo as a tribute to The Desolation, but the irony is that getting something fun like a tattoo is indulgent and not very "embrace all consuming loss" of her, which aligns with how she reacts when Jon kills her, becoming afraid and trying to barter for her life with words instead of embracing The Desolation.

Oliver Banks - He has an evil eye tattoo on his wrist. He got it as a symbol of protection when he still worked at the gem store and the dreams had just started. It was a comfort to him at the time, but unfortunately didn't stop his nightmares. However, he still likes it.

Jared Hopworth - He got a tattoo on his arm of a barking German Shepard once because he thought that would look scary. Then he decided he was bored with it and tore it off and remade the flesh. The joy and horrors of being a flesh avatar.

Michael Shelley - He has a stick and poke of a smiley face on his thigh. It was a spontaneous thing he did when he was 18, and when he's older he's deeply embarrassed about it because his art skills at 18 were...not great. The tattoo currently looks less like a smiley face and more of a weird smudge, which he does keep as The Distortion. He switches from a weird smudge to a visible smiley face.

Helen Richardson - She never had tattoos. She didn't like how they looked, which is very ironic considering the occasional spirals that happen under her skin as The Distortion.

Nikola Orsinov - Nikola has had tattoos here and there, they come with skin sometimes after all. However, she doesn't have any tattoos at the moment.

Michael Crew - Mike doesn't have a tattoo. He did kind of think about getting a tiny book based on Ex Altiora on his finger, but then decided that he just wasn't feeling it that hard.

Simon Fairchild - He has a sailboat on the back of his neck.

I think it's a skill to write a character who's writing I love, yet totally agreed with her that she needed to die narratively.

I think Daisy is one of the worst avatars. She's not like Mike and just randomly finding people to get fear from, she's using a system to hurt people she decides deserves it and perpetuating police brutally and corruption. While Mike, and Jude, and sometimes even Jon aren't stellar people, none of them use such a systematic issue to get away with their violence. In that way Daisy is uniquely awful because she's taking advantage of a broken system to hurt people.

In that way I think she's irredeemable. I don't think the story could have, or should have, ended with Daisy skipping off into the sunset. What she did isn't a "Oops, my bad," level of mistake, and I really think the only way her story could end was with death, because it's not like the jail system could be trusted to hold her accountable.

However, what I find REALLY good about Daisy's writing, is that when she ends up free from The Hunt, she realizes everything I said above, and she tries to do something we don't really see avatars do, and that's change.

Changing as an avatar isn't simple. As we see with Jon in Season 5, you can't just cut your supply once you're a certain amount of entangled. You'll die by refusing to indulge the fears anymore. So with that in mind we don't really see avatars change (or even want to in some ways) to reject their fear. They go towards it, get more pulled into, and get more dependent which will stop them from ever being able to change without killing themselves to do it.

But Daisy knows she's done things that can't be taken back. And unlike Mike, or Jude, or even Jon up until the end of Season 5, she decides to take true accountability over her actions and her life, no matter what that means. She knows she's going to die eventually, but she would rather do that then go back to her immoral actions, and really that's the closest thing to redemption a character like Daisy is ever going to get.

Then in the end, she DOES give up The Hunt, but not because she hates monsters. Before that's why she would have sacrificed herself, because she would hate Trever and Juliet for being something like Jon. However, this time when she sacrifices herself, she sacrifices herself for the people she cares about. She's lost her fight, but she gain some integrity on WHAT she was fighting for right at the end.

Weighing in on the "How did the statement giver from Lost John's Cave manage to lie about what happened when under Jon's compulsion" thing, I think my simple and honestly boring headcanon is that Laura had repressed her part in her sisters death so bad she had managed to even lie to herself. I think she created this false memory of escaping the cave on her own because that was easier to sit with than the idea that she escaped because she sacrificed her sister to save herself. Trauma does crazy things to people and can absolutely alter how they perceive reality.

Though this would have interesting implications that compulsion doesn't force a 100% true recollection of events, it just forces someone's perceived recollection of events.

Then as for the vampires and if they belong to the fears: I actually think it's more fun if they aren't. I think it would be cool if the fears existed AND supernatural beings existed, and it's actually pretty easy to mix the two up if you're new in the paranormal field. So my personal headcanon is that supernatural beings are just real, especially since we knows changelings are real lore in the universe.

But if you wanted me to make an excuse for their existence that aligned with the fears: I would say they're beings aligned with the hunt. They're compelled to hunt for victims all their life, and I actually think their existence gives hunters a more wide variety of prey. They could have even been created by The Hunt itself to give hunters something to do, since "monster hunter" is a well known concept and one of the only jobs that lets you kill people without technically killing people. That could easily be compelling to a hunter, like how we see with Trever and Julia who are trying to do a noble thing with their work...at least in their own heads.

Tim Not Romanced, Let Him Go To The Unknowing - "Jon, if you can hear me, I don't forgive you. But thank you for this."

Tim Romanced, Let Him Go To The Unknowing - "Jon, I need to tell you. God I hate you for making me want to forgive you. But I guess you always did a great job playing with my feelings. In that regard you were consistent right until the end....Just try not to die, alright? Thank you for this."

Tim Not Romanced, Try And Stop Him From Going To The Unknowing - Jon, if you can hear me, I don't forgive you. All you have ever done is make things worse, and nothing about what's about to happen is going to stop that. Fuck you.

No, but this is very based on my interpretation of what would have happened if Sasha lived.

I feel like if Sasha lived, their friendship was likely doomed. Sasha was very eye-aligned and wanted to solve the mystery of what was going on around her, while Tim quickly grows to hate the situation he's involved in. I think Sasha would get further involved in the mystery and fall more towards The Eye, and Tim would not.

I almost think he grow to be resentful of Sasha, especially because he seems to be closer to her than Jon or Martin. I could see Sasha going full detective mode, and Tim just, not being able to fully forgive her for that because from his perspective she's doing kind of what Jon did and standing beside the mystery even at the cost of their friendship.

Jon would likely be less paranoid if Sasha lived because the Not! Sasha wouldn't be under nose, so I think Tim might be less mad at him at first. However, I still feel with Jon's character he'd almost inevitably end up crossing some sort of line of Tim's, because Tim's thing wasn't entirely about Jon's paranoia (Though that was a lot of it.) It was also about his dislike for the fears in general, and being trapped as a servant to an evil entity. I don't think Tim would see Jon fall to the eye and not pissed, and I don't think Jon would or maybe even could change from who he is, which is someone who will go to any lengths to find out forbidden knowledge.

So I feel like Tim and Jon would still have a falling out, Martin would still side with Jon, and Sasha would likely be less close with him which I think could cause Tim to be resentful of the circus almost in the same way if she had she died. And regardless of what happened with Sasha or Jon, I still think he'd want to avenge Danny and free himself from the fears push come to shove.

The Buried - "Bury The Bully." (Strictly because the word bury is in the title.)

The Corruption - "Honey Queen."

The Dark - Literal Monster (So here's the deal, I was stuck on this one, and this is actually the last one I'm writing because I never write in these in order, so my thought process is "Literal Monster" because a lot of people fear the dark because they're scared a literal monster is under their bed!....Yeah I was stuck bad.)

The Desolation - "Killer Track."

The End - "Black Friday."

The Extinction - "What If Tomorrow Comes."

The Eye - "One Thousand Eyes."

The Flesh - "The Nibbly Ditty"

The Hunt - "Feast Or Famine"

The Lonely - "Just For Once."

The Slaughter - "Hatchet Town."

The Spiral - "The Summing"

The Stranger - "Not Your Seed."

The Vast - "Inevitable" (Playing with the fact that The Vast is also the fear of insignificance before the universe, and inevitable is about how Emma's struggles were insignificant in the grand scheme of things because she's already in a musical, the ending was inevitable.)

I assume his breakdown about his powers probably made him lose the last few friends he had, either because he pushed them away in fear of seeing a tendril, or because he was starting to act erratic in a way that hard to understand/handle.

But what if it didn't, and he still had some friends when the boat incident happened? Then one day he came back wrong and they weren't able to reconcile with it.

Or worse, he still had friends with the apocalypse happened, and ironically, becoming the ultimate avatar of death also meant him loosing the people he cared for to the chaos.

I wouldn't think that concept was that crazy. If they stuck by Oliver at such a bad time at his life, then they were real friends who cared about him a ton. They might have stuck around all the way to the end, which makes Oliver getting so entwinned he's not even able to care anymore even more tragic.

Jon Sims - French Silk Pie.

Martin Blackwood - RIP Martin Blackwood for being British. He would love southern teacakes. (I know Britain has teacakes, but they're different things and according to Google not technically a dessert.)

Tim Stoker - Molten Lava Cake With Strawberries On The Side.

Sasha James - Cherry Pie.

Melanie King - Lemon Bars.

Georgie Barker - Mango And Chili Sorbet.

Basira Hussain - Rice Pudding.

Daisy Tonner - Carrot Cake.

Peter Lucas - Vanilla Milkshake.

Elias Bouchard - Peanut Butter Cookies.

Gertrude Robinson - Peach Cobbler.

Gerry Keay - Literally any flavor of gelato.

Hezekiah Wakely - Dirt Cake.

Jane Prentiss - Before the worms she liked angel food cake,

Agnes Montague - Red Velvet Cake.

Jude Perry - Cinnamon Cayenne Cookies.

Oliver Banks - Chocolate Lava Cake.

Jared Hopworth - Sanguinaccio Dolce. (Chocolate pudding made with pigs blood, and flavored with cinnamons and cloves.)

Michael Shelley - Vanilla Pudding. (He likes banana pudding too, but he slightly prefers vanilla.)

Helen Richardson - Tiramisu.

Nikola Orsinov - Caramel Apples.

Michael Crew - Blueberry Delight.

Simon Fairchild - RIP Simon Fairchild for being British. He would love deep-fried Oreos.

People don't actually crush on Jon a lot, so a lot of time Martin knows he's being kind of silly and Jon is playful about it because he's not going anywhere.

But then every once and while Jon meets someone he just connects with, because that's just the type of person he is. You either love him or hate him, and when someone loves being around him, they really love being around him.

And that makes Martin's jealously from "kind of silly," to something more serious that Jon is probably going to have to be really reassuring about, and even that likely isn't going to solve the whole problem, because Martin's jealously isn't really about someone liking Jon in general, it's more about the fear of abandonment. He worries that Jon will like someone more than him, or be happier in someone else's presence, or even leave him for someone else. And Jon does make genuine attempts to reassure him, but the doubt is something Martin really struggles with, so sometimes he has bad days where he can get caught up in his feelings about Jon seemingly connecting with someone else in an area which he "failed" at. So jealously is a struggle for Martin.

Then I think Jon is on the total opposite end of the spectrum, where if someone hit on Martin he would be more likely to just raise his eyebrow a bit, maybe have some light banter, then move on with his day. I don't think he would really read into Martin's innocent interactions with other people, or even have big reactions to Martin being flat out flirted with. Which I think could cause an issue in itself, where Martin see's Jon as "not caring," because he doesn't get jealous in the same way, but Jon's had more relationship experience and therefore he's just more settle into the dynamic of a relationship in general.

Plus, unlike Martin, I think Jon's self worth issues are more the loathing sort. Where Martin worries that he's not enough, I think Jon's self worth issues are more so along the lines of letting other peoples opinions of him having a large power over how he see's himself, guilt for things he limited control over, and unease about his wanning humanity. I don't think of any of THOSE issues would turn into jealousy. I think he's more likely to have "What do you see in a monster like me?" moment then a "Did you enjoy talking to that man more than you enjoy talking to me?" moment, where I think Martin is vice versa because his trauma presents very differently from Jon's despite being similar on paper.

By freeing himself from his loneliness he was able to free someone else from his families grip as well. And even after being punished for leaving with death, he still found a way to cling to connection. He still found a way to speak with Naomi after death.