one of the worst things abt being australian is always seeing out of touch thursday posts on fridays. makes me feel somewhat. out of touch.
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@australisao3
one of the worst things abt being australian is always seeing out of touch thursday posts on fridays. makes me feel somewhat. out of touch.

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"Anne Rice had a problem with framing abusive relationships as abusive" because she wasn't necessarily writing about abuse, she was using fantasy characters to explore the boundaries between people and mortality and morality and humanity and love and death; she was a fictional erotica writer, and if her fictional fantasy world does not frame the relationships as being about abuse then they weren't about abuse because that's how fiction works
This is harder and harder for audiences to grasp, and I sympathize, honestly, because we have become more keen over the last couple of decades, and we've noticed how many stories have been sold to us as an ideal we should reach for that would be harmful to us if we did so - stories intending to propogandize values centered around control or subjugation
but you have to learn to recognize when that's what is happening and when a work is simply clumsy, indulgent fantasizing shared with others, and how to settle your jerking, trigger-happy reflex when you notice something in a work of fiction that shouldn't be emulated in real life. That's not what fiction is. That is not, at base, its purpose or intent.
recognizing that a situation would be abusive if it were real does not mean that all stories where those situations happen are inherently ABOUT abuse. Unless we have reason to believe the writer is indeed trying to propagandize societal control on some level, then the story is about what the writer says it's about, because it's not real
there's no one with agency involved, there is only what the fictional fantasy writer wanted to happen in their fictional fantasy world. You being able to identify "if these two people existed this relationship would be abusive" doesn't change the intent of the text. It's GOOD that you can identify that! It's actually excellent! It's a necessary component to experiencing fiction and keeping yourself safe in the real world, but it doesn't change the intent of the text
You are absolutely, Capital R Right: if these people existed and treated each other this way, it would be abusive. But they don't exist. They are Anne Rice's Barbies, and she makes them kiss rough and mean and murderous and underage and incestuously, but through it all they remain Barbies, and she had zero responsibility to explicitly designate those Barbie relationships as abusive for the benefit of a reader who feels like they can't trust a fictional text unless it spells things out for them in real-world morality parables.
My Barbies got up to some fucked up shit. It's ok. They were dolls.
when youre aromantic you still get dead wife flashbacks but its just about that really fucking good sandwich you ate last week
we as a society have GOT to accept that it is okay if we get blocked. you do not have the right to interact with every single person on the internet. "but then i can't interact with their content" yes that is the point "but i didn't do anything" no one owes you an explanation and you don't have to have "done something" to be blocked. let it go
vader every time he came across 3po and r2 during the war probably

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the long awaited sequel
18th century ottoman and indian dagger w sheaths
Also. Hello? 100k hits??????? This little fic that was originally going to be like 16-ish chapters, and is now likely passing 50 chapters, has gone WAY further than I could ever expect. I seriously expected to post the fic and have it be swallowed by the amazing talent throughout the ATLA community.
Instead, I have over 100k hits and almost 2k bookmarks (including private ones) and people commenting about how much they love it, my writing, the characters I've made for the story, and the story I've come up with.
I am so genuinely flattered and thankful to everyone who clicks in, reads a few and dips, and those who have been there since the start or take the time to comment as they read. People who have it saved but thats it, people who come back to it when they remember it, and everyone in between!! Its been such an amazing motivator and creative/emotional outlet for me during some truly insane, trying times in my personal life.
My love for this silly little AU and the silly little characters I made for it has grown so dramatically, I have little spin offs and prequels and such planned and I honestly get a little emotional every time I think about it finishing. Thank you so much to everyone!!!! I hope I can bring this fic in a direction that you all love as much as I have loved writing it and connecting with everyone who comments <3
if you're having trouble sleeping the best you can do is put a bright object close to your face and look at it for at least 30 minutes. if that doesn't work you can close your eyes but make sure to think really hard about a bunch of bullshit
thank god vampirism is a flexible metaphor
it’s about being queer it’s about surviving assault it’s about alienation and most of all it’s about how everyone who loved you before might not be able to even look at you now, no matter how many times you try to explain that you didn’t ask to die and you didn’t ask for that death to leave you only half-eaten when it got bored of you.
This is without even mentioning the broader metaphorical implications of disease and contagion; foreign invasion; colonial or imperial violence; interpersonal abuse; generational trauma; religious trauma; violent cultural assimilation; repressed or suppressed desire; the fear of no longer being able to recognise or relate to someone you love; and on and on and on.
Vampirism is a flexible metaphor that reflects the anxieties and desires of its age and its authors, and I love that for it!

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i dislike the weird jump to blame suicide victims for their suicides and call them selfish. suicide is very frequently in some way a social murder. i think instead of blaming someone who was in such a dark place that they saw no other way out we should maybe be blaming the people who threw gas on the fire, such as those with a lot of power to make that person's life that bad or those who abused them into it. is that really that unreasonable
can't believe the only options are 30 minutes early or 10 minutes late. if only there were some other way. but what can you do
One of those SAW traps where the victim is a mother of several small children. She wakes up in an enclosed room, with her children close to her, and she is informed that while she was unconscious, she was poisoned. The antidote is right there in the room. She cannot give it to herself, and her children cannot assist her in giving it to her. Nearby, within reach, literally in the same room, are other adults, who can give her the antidote, with no pain or cost to themselves. Her task is to ask another adult to help her give herself the antidote.
If she asks for the antidote, she will be assisted with it, and everyone is free to go, alive and relatively unharmed. If she doesn't ask for help, or tries to make her children help her instead of asking another adult, she will die, and her children will either die also, or be maimed for life. She doesn't know which option will happen, but she knows for sure that they won't be safe nor okay unless she gets the antidote in her system, and she cannot do it without asking any of the people in the room.
Clock's ticking, and the more time she loses, the worse the situation will get for everyone involved. She has 18 years to make her choice.
yknow, as counterintuitive as it may seem, helping a suicidal friend isn't a matter of stopping them from dying. it's about helping to make their world one that's worth living in.
it's important to make that distinction, lest we make people's quality of life worse in the name of "protecting" them.

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When the mutual you really enjoy seeing in ur notes shows up in ur notes
today’s the only day you can reblog this
“There Will Come Soft Rains”, Ray Bradbury