One tried and true way to diminish the power of a song, especially when it’s written by a woman, is to focus too finely on who it is “about.” And while Mitchell never tried to disguise the handful of famous ex-lovers and musicians who populate “Blue,” the context surrounding the album is merely a surface concern, distracting from the achievement of its song-craft and the oceanic force of its emotions. As James Taylor — romantically involved with Mitchell during parts of this album’s composition, and a guitarist on four “Blue” songs — told me over the phone, songs “sort of follow their own truth, which can be bent.”
— Joni Mitchell’s ‘Blue’ at 50



















