I've been thinking about adaptations and how to write villains lately, and The Wheel of Time provides a very interesting example. While most viewers agree the show did the Forsaken better, there is something special about them in the books I want to examine. Modern conventions state that your villains need a win to feel intimidating, but the Forsaken never leave the heroes broken. So what makes their presence important?
major Wheel of Time book spoilers below
The Forsaken are some of the most powerful channelers ever born. They built monstrosities and unleashed literal evil upon the world. We are told that they did things so heinous they are nightmares 3,000 years later. With what we know of channeling back then, these crimes are easy to imagine. Plagues, torture, annihilation.
However, in the present age, most of their schemes are useless. Just about every time they go up against one of our heroes, they lose. Untrained, Rand beats the most powerful, Ishamael, three times in the first three books. The most substantial blow a Forsaken lands is Lanfear's assumed murder of Moraine (but Lanfear is killed and substantially weakened too). They do twisted things like binding people into absolute servitude, but this never happens to characters we care about nor is it something we really fear. In most instances, the Forsaken act like side quests. We went to Tear to get Be'lal, to Caemlyn to get Rahvin, and to Illian to get Sammael. Messana is just one small thread in Egwene's white tower hunts.
The worst part is that so few of them die and remain dead. Ishamael dies/is defeated in three climaxes in a row. Lanfear comes back after her 'death', and so do those forgettable two from book one that our party killed instantly. (Their names are Balthamel and Aginor but the fact that I had to look it up says something) Graendal also dies and comes back. Defeating the same enemy over and over does not increase the stakes, despite Robert Jordan's writing skill. We already know the outcome as we've seen it happen before.
The classic argument is that being displaced in the Third Age removes them from a lot of their sources of power. This makes a lot of sense in terms of world building. If 90% of modern humans were tossed into the Renaissance era, we'd be lost too. Their tools are missing and broken. Their incompetence is well justified.
It is a bit boring, though.
The show was on track to fix most of these problems. Several of the forgettable Forsaken (and their resurrections) were cut. Ishameal smiles when Rand 'defeats' him in Season 1 Episode 8, and he has dealt a major blow to Moraine. It sings of a false victory instead of a success as in the book. There are other moments that sing evil so much more than the books. Lanfear tortures Egwene with nightmares of being a damane. Moghedien steals the scene every time she shows up: the grey man scene. She also lands a powerful blow against Nyneave and Elayne. I would be surprised if there was someone who wasn't scared of (or at least creeped out by) Moggy. Every single villain had a presence in the show.
However, in the end, who stands to face Rand, who stands to challenge the Dragon Reborn during the Last Battle? Rand faces the Dark One outside the Pattern, alone. The laughable Forsaken aren't there. And it is not a battle of power. The Last Battle is a battle of choice. The Forsaken do not matter here. What they do or don't does not matter. It is the choices of the people to fight and choose the light that matters. Rand makes his choice to seal the Dark One away because of his friends' choices to fight for a better world. Rand is not thinking about what the Forsaken are or are not doing during this moment. The Forsaken are meaningless villains both meta-textually and in-world.
The show was sadly cancelled, so we shall never know it's full interpretation of the Forsaken.
tl;dr
The Forsaken in the Wheel of Time books are poorly written villains with no stakes attached. Their crimes are largely told, not shown. However, this complements the intent of the Last Battle that the Forsaken and the scale of their actions are meaningless. It is the will of people to fight and choose to fight that matters. Who they fight, the Forsaken, does not matter.
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I'm of two opinions on this. First, the idea is that premeditated murder is different from what Merlin's been doing. It's a bit different to kill the guy/gall trying to do a murder right now than a 'they might do a murder later'. Second, Uther really should have died sooner. He actively murders children still but nooo we need to wait for Arthur to be ready. Arthur's been ready and at the very least doesn't hunt down children.
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Confession time: The inside cover of #53 makes me think of a Taxxon nightclub. The kinda place where they have the bass turned up so loud it makes your drink vibrate like the T.rex detector from Jurassic Park.
It would be even louder after a bunch of them become snakes, because as snakes, they would be more dependent on feeling the music than hearing it.
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Whatβs that saying? We are the Universe experiencing itself. Well, these Artemis II astronauts are out there experiencing the universe on an entirely different level.
Iβll admit, I had this idea and I did not eat or sleep or move until it was done. It was just one of those things that you need to get out or itβll stay a sketch forever. I changed up my style a bit for this one too, utilizing some of the more artsy procreate brushes I have never touched in my entire life as an iPad artist.
look. normally i wouldnt let myself get my hopes up for a new rendition of a live-action animorphs tv show. (i wanna say this is the third time we've been told that one is in the works? correct me if im wrong) but like...the director of Sinners......
i think we might actually get it this time, Sol. i think we might actually get Good Animorphs Television
I am trying with all my might not to care about this news. Shows get canceled before a single episode is filmed, all the time. They get canceled after the pilot, all the time. Look at Batgirl, look at the new Buffy, look at the 100s of shows we don't know about.
Plus: a) the characters have been aged up, and b) it's going to be live action. I doubt we're getting AniTV 2.0, but I also doubt we're getting anything like the gorgeous ultra-faithful fan projects we see on Tumblr.
I'm a bit hoping it does fall apart if I'm being honest. I've seen so many fandoms destroy themselves over adaptations, and the aging up thing already hints at greater departures tonally. I expect a greater emphasis on school drama (basketball team, bullying, and probably prom) than the original books do. This wouldn't be bad and I think it could be interesting to see the tension of "who's a controller" more prominent in their classes. However, such an example would easily divide the fandom and yikes. I've seen so many fandoms turn on adaptations and anyone associated with it that I worry about the young actors (probably not children for legality given the age-up) facing harassment or worse.
I would love to see it done well, and every adaptation brings in new readers of the source material. Which is good. However, Animorphs will face big changes or not match what people remember from 30 years ago. I am not looking forward to seeing this fandom burn itself apart.
For myself, no mater what the outcome is, I vow not to harass anyone part of the show or in the fandom over the adaptation or their opinions (unless they are racist).