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Thereâs a difference between loving the idea of someone and loving the person they really are.

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Your happiness is the greatest revenge against those who wish to bring you down.
A KĂĄosz FilozĂłfiĂĄja | szigetingy filozĂłfia
A kĂĄosz nem ellensĂ©g, hanem az alkotĂĄs forrĂĄsa. A kĂĄosz nem rombolĂĄs. A kĂĄosz a teremtĂ©s anyamĂ©he. Minden igazi alkotĂĄs a rendezetlenbĆl szĂŒletik. Amikor a formĂĄk mĂ©g nem kötik gĂșzsba a lehetĆsĂ©get, amikor az Ă©rzelmek vadul kavarognak, amikor a gondolatok mĂ©g nem sorakoznak katonĂĄs rendben â ott, pontosan ott van a legnagyobb erĆ. A kĂĄosz a nyers energia, a vĂ©gtelen lehetĆsĂ©g ĂĄllapota. Aki fĂ©l tĆle Ă©s azonnal rendet akar erĆltetni rĂĄ, az megöli a teremtĂ©st mĂ©g mielĆtt megszĂŒlethetne. A kĂĄoszban van az a titkos, lĂŒktetĆ Ă©let, amelybĆl a rend kĂ©sĆbb megszĂŒlethet. Nem a kĂĄosz ellen, hanem a kĂĄoszbĂłl. Nem a kĂĄosz legyĆzĂ©se, hanem annak ĂĄtölelĂ©se hozza lĂ©tre az igazi mƱvet, az igazi kapcsolatot, az igazi Ă©letet.
Sajåt filozófiai rendszerem körvonalai mår kirajzolódnak:
A csend nem hiĂĄny, hanem jelenlĂ©t â a tĂ©r, amelyben a kĂĄosz hallhatĂłvĂĄ vĂĄlik.
A fĂ©ny nem pusztĂĄn fizikai jelensĂ©g, hanem jelentĂ©shordozĂł â az a erĆ, amely a kĂĄoszbĂłl kiemeli Ă©s lĂĄthatĂłvĂĄ teszi az Ășj formĂĄkat.
A kĂĄosz pedig nem ellensĂ©g, hanem az alkotĂĄs forrĂĄsa â az a nyers anyag, amely nĂ©lkĂŒl nincs valĂłdi teremtĂ©s.
EgyĂŒtt alkotnak egy Ă©lĆ hĂĄrmassĂĄgot:
A csendben figyelĂŒnk.
A fĂ©nyben Ă©rtelmet keresĂŒnk.
A kĂĄoszban pedig merĂŒnk teremtetni.
Kapcsolat a korĂĄbbi motĂvumokkal:
A szĂ©psĂ©g Ăgy mĂĄr nem steril harmĂłnia, hanem a kĂĄoszbĂłl kiemelt, fĂ©nnyel ĂĄtitatott rend.
A magĂĄny nem ĂŒressĂ©g, hanem az a szent tĂ©r, ahol a sajĂĄt belsĆ kĂĄoszunkkal talĂĄlkozhatunk.
A szerelem pedig nem kĂ©nyelmes egyensĂșly, hanem kĂ©t ember kĂĄoszĂĄnak bĂĄtor Ă©s gyengĂ©d talĂĄlkozĂĄsa, ahol Ășj vilĂĄgok szĂŒlethetnek.
NĂ©meth György (1959) kreatĂv ĂrĂł | szigetingy filozĂłfia | Szingy GalĂ©ria Budapest
A teljes ĂrĂĄs elolvashatĂł a NĂ©meth György kreatĂv ĂrĂĄs oldalamon: https://sites.google.com/view/nemeth-gyorgy-kreativ-iras
#szigetingy #filozofia #KreativIras #NemethGyorgy #SzingyGallery
"Sometimes you put up walls â not to keep people out, but to see who cares enough to break them down." Socrates
Just because you donât understand something, doesnât mean itâs wrong.
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A Fény Filozófiåja | szigetingy filozófia
A fĂ©ny nem pusztĂĄn fizikai jelensĂ©g, hanem jelentĂ©shordozĂł. A fĂ©ny nem csak megvilĂĄgĂt. A fĂ©ny beszĂ©l. Minden igazi fĂ©nyben van egy rejtett ĂŒzenet. Nem csupĂĄn lĂĄthatĂłvĂĄ tesz dolgokat, hanem jelentĂ©st is ad nekik. A hajnali elsĆ sugarak nem csak Ă©bresztenek â remĂ©nyt hoznak. Az alkonyati aranyfĂ©ny nem csak szĂneket fest â nosztalgiĂĄt Ă©s elengedĂ©st suttog. A gyertya lĂĄngja egy sötĂ©t szobĂĄban nem csak vilĂĄgĂt â jelenlĂ©tet teremt Ă©s vĂ©delmet sugĂĄroz. A fĂ©ny szĂĄmomra a lĂĄthatĂłvĂĄ vĂĄlt Ă©rtelem. Az a hĂd, amely összeköti a fizikai vilĂĄgot a szellemi vilĂĄggal. Amikor valami igazĂĄn szĂ©p, akkor nem csak fĂ©ny esik rĂĄ â hanem rajta keresztĂŒl ĂĄrad a fĂ©ny. Mintha a szĂ©psĂ©g Ă©s a fĂ©ny egy pillanatra eggyĂ© vĂĄlna.
A Csend és a Fény Egysége
Ahol a csend mĂ©ly, ott a fĂ©ny is mĂĄskĂ©nt jelenik meg. A csend elĆkĂ©szĂti a teret, a fĂ©ny pedig betölti jelentĂ©ssel. EgyĂŒtt alkotjĂĄk azt a szent ĂĄllapotot, amelyben az ember valĂłban lĂĄtni Ă©s hallani kezd. A csend nĂ©lkĂŒl a fĂ©ny vakĂtĂł zajjĂĄ vĂĄlik. A fĂ©ny nĂ©lkĂŒl pedig a csend ĂŒressĂ©ggĂ© silĂĄnyul.
NĂ©meth György (1959) kreatĂv ĂrĂł | szigetingy filozĂłfia | Szingy GalĂ©ria Budapest
A teljes ĂrĂĄs elolvashatĂł a NĂ©meth György kreatĂv ĂrĂĄs oldalamon: https://sites.google.com/view/nemeth-gyorgy-kreativ-iras
#szigetingy #filozofia #KreativIras #NemethGyorgy #SzingyGallery
A Csend FilozĂłfiĂĄja | szigetingy filozĂłfia
A csend nem hiĂĄny, hanem jelenlĂ©t. A csendben nem a vilĂĄg szƱnik meg, hanem mi magunk kezdĂŒnk igazĂĄn lĂ©tezni. A zaj a kĂŒlvilĂĄg parancsa. A csend a lĂ©lek sajĂĄt hangja. Aki megtanul benne lenni, az rĂĄjön: a csend nem ĂŒres tĂ©r, hanem a legteljesebb jelenlĂ©t. Ebben a jelenlĂ©tben oldĂłdik fel az idĆ kĂ©nyszere, a szemĂ©lyisĂ©g maszkjai Ă©s a vilĂĄg zajos követelĂ©sei.
A Szépség és a Csend Egysége
A szĂ©psĂ©g szĂĄmomra nem mĂĄs, mint a csend lĂĄthatĂłvĂĄ vĂĄlĂĄsa. Amikor egy arc, egy tĂĄj, egy mƱalkotĂĄs vagy egy Ă©rintĂ©s valĂłban megĂ©rint, akkor a csend ĂĄtsĂŒt a formĂĄn. A szĂ©psĂ©g ezĂ©rt soha nem harsĂĄny. Ć a csend egyik arca, amely megengedi, hogy a lĂ©lek hazatalĂĄljon önmagĂĄhoz.
A MagĂĄny mint TeremtĆ TĂ©r
A magĂĄny nem bĂŒntetĂ©s, hanem szent mƱhely. Itt, a kĂŒlsĆ hangok nĂ©lkĂŒl, a lĂ©lek szembesĂŒl sajĂĄt mĂ©lysĂ©geivel. A kreativitĂĄs, a valĂłdi gondolat Ă©s az Ćszinte Ă©rzelem mind a csend talajĂĄbĂłl nĆ ki. Aki menekĂŒl a magĂĄny elĆl, az menekĂŒl sajĂĄt maga elĆl. Aki viszont befogadja, az lassan kialakĂtja a sajĂĄt, egyedi hangjĂĄt â mind az Ă©letben, mind a mƱvĂ©szetben.
A Szerelem mint KettĆs Csend TalĂĄlkozĂĄsa
Az igazi szerelem kĂ©t ember közös csendjĂ©nek ĂŒnneplĂ©se. Nem a szavak, nem a zajos szenvedĂ©ly, hanem az a ritka ĂĄllapot, amikor ketten kĂ©pesek egyĂŒtt hallgatni anĂ©lkĂŒl, hogy ĂŒresnek Ă©reznĂ©k. A vĂĄgyakozĂĄs Ă©s a vĂĄrakozĂĄs is a csend kĂŒlönbözĆ arcai: a lĂ©lek nyĂșlĂĄsa a mĂĄsik felĂ©, mĂ©g a tĂĄvolsĂĄgban is.
Az Ember és a Vilåg Kapcsolata
FilozĂłfiĂĄm szerint az ember legmagasabb feladata nem a vilĂĄg meghĂłdĂtĂĄsa, hanem a csend mĂ©lyebb megĂ©lĂ©se benne. A zajos vilĂĄgban Ă©lni kell, de a csendben kell hazatalĂĄlni. Ebben a hazatalĂĄlĂĄsban szĂŒletik meg az igazi szabadsĂĄg â nem a kĂŒlsĆ körĂŒlmĂ©nyektĆl valĂł fĂŒggetlensĂ©g, hanem a belsĆ jelenlĂ©t teljessĂ©ge.
NĂ©meth György (1959) kreatĂv ĂrĂł | szigetingy filozĂłfia | Szingy GalĂ©ria Budapest
A teljes ĂrĂĄs elolvashatĂł a NĂ©meth György kreatĂv ĂrĂĄs oldalamon: https://sites.google.com/view/nemeth-gyorgy-kreativ-iras
#szigetingy #filozofia #KreativIras #NemethGyorgy #SzingyGallery
Camille Pissarro (1830-1903): The diligence, 1877
See the light in others, and treat them as if that is all you see.

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The Creative Writing of Szingy (szigetingy)
A Detailed Analysis of the Literary Style of György Németh (Szingy)
To understand the creative writing of György NĂ©methâknown artistically as Szingyâit is not enough to describe how he writes. One must also consider why his texts resonate so strongly and how they interact with his visual art practice. His literary work forms an essential component of a broader artistic language in which image and word coexist as equal partners.
The Essence of the Writing: Compressed, Aphoristic Thought
The defining characteristic of Szingyâs writing is its remarkable concision. He does not narrate, explain, or elaborate. Instead, he captures fleeting moments of truth and distills them into highly concentrated textual forms.
His works embody several qualities associated with successful creative writing:
brief yet profound,
personal yet universal,
simple in language yet layered in meaning.
Many of his texts function much like photographs: a single flash of perception that suggests an entire story beyond the frame.
The Unity of Image and Text
One of the most distinctive features of Szingyâs artistic practice is the recurring pairing of visual imagery with short textual reflections. These texts are not captions, explanations, or illustrations. Rather, image and text merge into a single artistic entity.
The written component:
does not explain the image,
does not describe it,
but instead provides emotional counterpoint or interpretive focus.
This approach places his work within a contemporary form of visual literature, creating a hybrid artistic language that remains highly distinctive within the Hungarian online art scene.
A Quiet, Intimate Voice
The tone of Szingyâs writing is consistently restrained and deeply personal. It is:
quiet,
reflective,
intimate,
occasionally melancholic,
yet always profoundly human.
There is no rhetorical excess and no attempt at grandiosity. The reader often has the impression of overhearing a private thought spoken softly to oneself. This understated quality is one of the most recognizable elements of his style.
Philosophical Without Becoming Abstract
Recurring themes in Szingyâs texts include:
time,
absence,
longing,
fragility,
beauty,
human vulnerability,
and the subtle moments of everyday existence.
Although philosophical in nature, the writing never becomes theoretical or detached. Rather than dealing with abstract concepts, it speaks through lived experience and emotional perception.
Its strength lies precisely here: many readers recognize these feelings intuitively, even when they struggle to articulate them. Szingy succeeds in giving language to such experiences.
The Influence of Editorial and Scientific Discipline
The precision of these texts is not accidental. One can detect the influence of NĂ©methâs scientific and editorial background, including his work as an editor of Orvosi Hetilap (Hungarian Medical Journal) between 1990 and 1995.
This influence is evident in:
carefully controlled rhythm,
clear sentence structure,
the absence of unnecessary words,
disciplined language use.
Such discipline enables the texts to remain compact while carrying considerable intellectual and emotional weight.
The Relationship Between Writing and Visual Art
Szingyâs texts can exist independently of the images, just as the images can stand on their own. Yet together they create a coherent artistic identity.
The text serves to:
provide focus,
establish atmosphere,
open interpretive possibilities,
deepen emotional engagement with the visual work.
This synthesis explains why Szingy is best understood not merely as a visual artist or a writer, but as both simultaneously.
An Atmosphere of Silence, Light, and Absence
The emotional landscape of the work is characterized by:
quiet contemplation,
subtle melancholy,
introspection,
intimacy,
and a sense of timelessness.
Motifs of absence, longing, and incompleteness recur throughout his oeuvre. These themes have become central elements of the Szingy artistic identity.
Szingyâs Style in a Single Sentence
Szingyâs creative writing consists of compressed, contemplative, visually and emotionally charged aphorisms that achieve their fullest expression in dialogue with his imagery.
How Good Are These Texts?
A professional assessment leads to a clear conclusion: the texts are genuinely strong. This is not a matter of courtesy or enthusiasm, but of literary qualities that can be evaluated according to widely accepted criteria of creative writing.
Within the Hungarian online artistic landscape, they occupy a distinctive and recognizable position. They are not traditional literature in the conventional sense; rather, they belong to a hybrid genre of visual-philosophical aphorisms.
Their effectiveness rests on three key strengths:
originality,
linguistic discipline,
emotional depth.
The combination of all three is uncommon.
Originality: A Distinctive Voice
Szingyâs texts do not closely resemble either the mainstream Hungarian literary tradition or the formulaic âinspirational quotesâ commonly found on social media.
Their form is uniquely their own:
concise,
concentrated,
visual,
philosophical,
personal.
This visual-literary hybrid remains relatively rare in Hungary, and originality remains one of the most important measures of artistic achievement.
Linguistic Discipline
The writing is notable for its economy. Every word appears necessary.
Strong aphoristic writing typically:
opens a larger world through a single sentence,
avoids ornamentation,
possesses rhythm,
carries conceptual weight.
Szingyâs texts consistently exhibit these qualities. The aphorism is among the most demanding literary forms, and his work demonstrates a sustained command of it.
Emotional Depth
The texts do not rely on dramatic gestures or emotional excess. Their power derives from restraint.
The voice remains:
intimate,
quiet,
contemplative,
melancholic,
deeply human.
Creating emotional impact through subtlety rather than volume is one of the most difficult challenges in writing, and it is an area in which Szingy frequently succeeds.
The Artistic Value of Combining Image and Text
Many of the texts are designed to function in conjunction with visual works rather than as isolated literary pieces.
This integrated format is:
contemporary,
aligned with international artistic tendencies,
part of the broader field of visual literature,
connected to developments in digital art.
The relationship between image and text is neither accidental nor decorative. It is a conscious and consistent component of his artistic method.
Consistency Across a Large Body of Work
Another notable achievement is the sustained quality across a substantial number of texts.
Many artists experience a decline in quality as output increases. In Szingyâs case, the consistency suggests:
an established internal rhythm,
an organic creative process,
a practice integrated with his visual art,
and a mature artistic voice.
Do the Works Meet Objective Creative-Writing Standards?
By conventional criteria, the answer is yes.
The texts demonstrate:
originality,
linguistic economy,
conceptual depth,
emotional resonance,
integration of visual and literary elements,
and a coherent artistic voice.
They should therefore be understood not as occasional reflections or hobby writing, but as an integral component of a broader artistic identity.
The Place of Writing Within Szingyâs Artistic Practice
The text is not supplementary material.
It is not commentary.
It is not explanation.
It is part of the artwork itself.
This is precisely why the combination of image and language proves so effective.
Conclusion
Szingyâs writings are distinctive, recognizable, consistent, and artistically significant. They represent a mature creative practice in which visual art and literary expression reinforce one another. For György NĂ©meth (born 1959), the creative-writing dimension of the Szingy project stands as one of the strongest pillars of his artistic identity.
(Art Journal Ltd., Hungary / MediaNegy)
MediaNegy | Zalai Betti https://medianegy.wordpress.com/
Paul Cézanne House and Trees
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The Philosophy of Silence
"Silence is not an absence, but a presence. In silence, it is not the world that ceases to exist, but we ourselves who truly begin to be. Noise is the command of the outside world. Silence is the soul's own voice. Those who learn to dwell within it realize: silence is not an empty space, but the fullest form of presence. It is within this presence that the compulsion of time, the masks of personality, and the noisy demands of the world dissolve." szigetingy philosophy
The full article can be read on my György Németh creative writing (szigetingy philosophy) page: https://sites.google.com/view/gyorgy-nemeth-creative-writing
(Artwork number 36 by György Németh (b. 1959) from the Szigetingy collection of the Szingy Gallery in Budapest.)
#szigetingy #philosophy #GyorgyNemeth #SzingyGallery #artwork
Art as Connection | Szigetingy Philosophy
Art is not an end, but a connection between man and the world. Art is not meant to be perfect in itself. It is not an ornament on museum walls, nor a tool for success or fame. Art is a bridge.
A bridge between manâs inner world and outer reality. A bridge between the soul and the world. A bridge between the visible and the invisible. When a truly great work is born, the creator does not detach from the world, but connects with it more deeply. They do not flee from existence, but participate in it all the more intensely.
Through art, humans do not merely "express themselves," but they encounter. They encounter the hidden rhythms of nature, the soul of another person, their own shadows and lights, the throb of the universe. Therefore, art is never an ultimate end. It is a medium. A connection. An act of love between the soul and existence.
The Unity of the Five PillarsÂ
Now the system clearly outlines itself:
    ⹠Silence is not an absence, but a presence â the space in which the connection can come into being.
    ⹠Light is not merely a physical phenomenon, but a carrier of meaning â the force that makes the connection visible and felt.
    ⹠Chaos is not an enemy, but the source of creation â the raw energy that gives the connection its depth.
    ⹠Beauty is not an ornament, but a form of perception â the language through which the connection speaks most purely.
    ⹠Art is not an end, but a connection between man and the world â the sacred act in which all of this becomes one.
Gyorgy Nemeth (1959) Author of the Szigetingy Philosophy | Szingy Gallery Budapest
The full article can be read on my György Németh creative writing (szigetingy philosophy) page: https://sites.google.com/view/gyorgy-nemeth-creative-writing
#szigetingy #philosophy #GyorgyNemeth #SzingyGallery
Gustav Klimt - Pond at Schloss Kammer on the Attersee, 1909

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Tell me what you think about when you canât fall asleep at night.
Artwork number 38 by György Németh (b. 1959) from the Szigetingy collection of the Szingy Gallery in Budapest.
#szigetingy #SzingyGallery