Dovima in Balenciaga by Richard Avedon, 1951
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Dovima in Balenciaga by Richard Avedon, 1951

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One day I’ll send you out for a routine enquiry, and it’ll turn out to be just that. But I won’t hold my breath. You’d find something suspicious in a saint’s sock drawer.
Oxford. | instagram
Orazio Gentileschi, The Lute Player (detail), c. 1612–1615. Oil on canvas, 100 × 74 cm. National Gallery of Art, Washington, D.C
LILY GLADSTONE for New York Magazine (2023)

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Men my age dictate this war. Why should we be allowed to send our children to fight it?
A sergeant pilot of 610 Squadron, sitting in the cockpit of his Spitfire wearing his oxygen mask, RAF Hawkinge, 29 July 1940 — IWM HU 54419
I was so upset by this roll of film when I first saw it last August, but now it makes my heart flutter.
next year's met gala theme should be The Terror s1e06 A Mercy

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textures @ marchesa ss2020
A little moon during sunset // Instagram / Website
THE THIRD MAN 1949, dir. Carol Reed
The Garden Girl by Amélie Helga Lundahl, 1885 (detail)
cold and calm

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Turning toward home, I bend to collect a wrinkled postcard at the curb: an advertisement for the Monet exhibit. How I loved those paintings when I was younger, all of them nearly the same: haystack, haystack, haystack. The only difference the season and time of day, which is to say they are like this grief these months later: all the same but for the light.
— Amanda Moore, from “Everything Is a Sign Today,” Requeening
Fashion model on edge of boat, man rowing, Montego Bay, Jamaica. 1946
Photo by Toni Frissell