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Richard Jones, ''A Pride of Monsters'' by James H. Schmitz, 1970

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Poetics of Abandoned - Susanna Iivanainen , 2023.

Finnish , b. 1973 -

Colour ink and marker on canvas, 80 x 60 cm.

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'Mid Autumn'. Tsunenobu Namiki.

weepingwidar

Jean Mallard (French, 1997) - Retour à Ithaque (Return to Ithaca) (2025)

ortut

Duan Zhengqu - Carp in The Yellow River No. 3 (oil painting on canvas), 2000

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Concord St, Pittsburgh, Pennsylvania.

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Martin Krammer.

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Stairway and Tree (1946) Gertrude Abercrombie, oil on board, 22.9 x 29.2 cm

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Caberet du L’Enfer, satanic themed cabaret founded by Antonin Alexander in 1892 near Montmartre, Paris, demolished in 1950.

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Mark Thomas Gibson (American, 1980), So Slips the Knot, 2016. Acrylic on canvas, 60 x 40 in.

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Ethel Greene, “The World’s Greatest Parking Lot,” oil on canvas, 1969

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Kathleen Eaton (is a Chicago area artist)

sowhatifiliveinkyushu

裏窓 (1964年07月)

dropdome

The intestines of the furnace by Stéphane Gaudry, 2012

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brzuszko

Marianowi Henelowi sławę przyniosło trzynaście wielkoformatowych gobelinów powstałych techniką wiązaną, głównie o tematyce erotycznej i magicznej, na których nagie postaci kobiet i samego Henela pojawiają się w otoczeniu owadów, ptaków i zwierząt o znaczeniu symbolicznym: sowy, orła, węża, ropuchy, nietoperza, kota.

Renown came to Marian Henel with his thirteen large-scale tapestries, created in hand-tied technique, mainly with erotic and magical underpinning. In these works, naked figures of women and Henel himself appear amongst insects, birds and animals that bear symbolic meanings: owl, eagle, snake, toad, bat, cat.

(źródło: outsiders.artmuseum.pl, album The Host in a bottle/ Polish artists)

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Gao Hang

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