Frank Herbert every time Baron Harkonnen shows up in the original book:
"This is not a man of honor. He is the embodiment of every deadly sin and negative stereotype. No redeeming qualities can be found in him. He is absolutely repulsive and if any of you freaks find something positive to say about him, I will kill you."
Brian Herbert and Kevin J Anderson when Baron Harkonnen appears in the prequels:
"He is the prettiest, most charming boy in the universe. Not even we, the allegedly objective narrators, can resist him. Yes, he is still evil but that's not important right now."
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So I've thought more on this and reread some passages from Morgoth's Ring (my favorite religious text) and have decided that I'm in love with the concept that Melkor is manic-depressive-- and thus half the time is utterly incapable of sitting still, throwing out a thousand ideas a minute, drawing half-baked schemes all over everything and muttering to himself as he works, while the other half of the time he's dead to the world in his bedchamber, crushed by the weight of his existence and the hopelessness of if all.
This was Mairon's real purpose as his second in command: to channel his energy for him when he was too manic to form a coherent thought, and to look after him when he was too depressed to perform basic tasks. Mairon is never down, always busy, always working, and yet tidy and orderly and capable. He was the perfect conduit for Melkor's chaos--Tolkien himself acknowledged that while ideas may have originated with Melkor, Mairon was the fine tuner, the executor. Truly the type-a, neat freak assistant to the mad genius.
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-vampirism and cannibalism vaguely referencing the post I saw yesterday
-I also really dig the Zigur mask illustration circling around online forever
-lyrics quoted from ORE's song "How I paint the World in Flames 4 You"
-I used Rop Morgoth concept as motif because its so so obv hes gonna do that.. I also ran an iteration of his costume design based on Byzantine/Roman/and Rop baby Sauron?? But I dont feel it so far so its in my sock drawer
Guess who? Some graphic keyframe exploration establishing key events rolled into one shot for the prologue. These first three images were a
this is the experience of being an artist in a nutshell. at all times you are at one of these two poles and you never remember the other exists until it's too late
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EVEN AT THE END, AGLAYA TRIED TO PROTECT ARTEMY ONE LAST TIME.
She tried to trick General Block into thinking she had been the most strict and troubling to the haruspex, so he wouldn't be suspicious of her giving you favouritism and always helping you.
She literally throws a wrench in everyone's plan around her, except Artemy. She actively solves problems with you, guides you towards the solution, and gives you advice.
Hell, even the way she speaks to you is far gentler and more sincere than she ever does with anyone else. You see her demonour change completely when in the presence of Capella, the ruthless facade she puts on and the cold way she adresses you.
How the mask immediately slips off the second it's just the two of you in the cathedral again.
But General Block saw right through her. Even Daniil noticed her blatant favouritism early on. She really tried to protect Artemy from her own sins until the very end, but it just wasn't enough.
If you go to the cathedral early on day 12, the executor prevents you from entering. Keep talking to him, insisting that you must go inside and meet Aglaya, and he'll tell you how the same wretched fearsome inquisitor was crying, actually crying that very night. Condescendingly dangling this slip of vulnerability over your head, taunting you for failing to be there for her. You're not allowed inside. When it comes to Aglaya, you will always be in the merciless hands of the powers that be.
God. She signs her letter to you with "yours, A."
That simple exclamation mark, coming from someone who is usually so stoic. It's genuine, authentic. She trusts you. She never asked for you to trust her back. Yet she willingly gave you her trust, you, Artemy, a stranger.
It's not even Lilich anymore. There is no last name in that letter, Aglaya full stop.
She isn't thinking of her revenge against the kains at that moment. She isn't thinking of the lilich family nor avenging her sister. She is thinking of herself, of just Aglaya.
Signed, yours.
The final letter afterwards is, too, signed with just A.
You see her struggling with her words. This is the farthest thing from a professional letter by a state inquisitor to a menkhu priest.
She wrote an almost confession letter. Almost said her feelings, almost changed her own fate. She almost followed Artemy's advice of how every action is right as long as its willed, but backed off on the last second and decided it's better to bury her own feelings and take them to the grave with her, rather than for you to live with a broken heart.
Rather than start something she knows she cannot finish, she simply won't be able to. The powers that be said so.
This is how it has to be.
Whatever you choose, she will understand.
She'll love you regardless.
A.
i'd snort Signora's ashes like cocaine @aranarsenii - Tumblr Blog | Tumlook
