Yasuhiro Onishi 大西泰弘 (Japanese, b. 1986, Tokyo, Japan) - Spirit Paintings: Acrylics on Plywood
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Yasuhiro Onishi 大西泰弘 (Japanese, b. 1986, Tokyo, Japan) - Spirit Paintings: Acrylics on Plywood

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Inconsequence / in Consequence by Alison Moritsugu
Artist Alison Moritsugu uses art and art history to explore the past and present of America’s landscapes.
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posted by Skumar’s
Ammonite Fossils from Dale Rogers Ammonite
About Dale Rogers
Since 1986 Dale has been sourcing the most unique fossils and minerals from around the world and through his company Dale Rogers Ammonite has been supplying leading interior designers and collectors with some of Earth’s most breathtaking examples of natural history, that have formed over the past 450 million years.
Having amassed a world-class collection of breathtaking specimens aimed at the interiors market, Dale has continued to scour the world for inspirational pieces. He has built up an unparalleled reputation for focusing on quality and scale and counts the most influential interior designers and architects as well as the biggest international art collectors amongst his clients.
The last few years has seen a whirlwind of activity with the Pimlico Road collection growing both in size and quality. Dale now also has added a private warehouse to his stable that showcases one of the most unusual and breathtaking collections assembled in one place. Never before has such a vast collection of staggering individual pieces of scale and variety been viewable in one unique location. If all this wasn’t enough, Dale’s most spectacular find to date “The Atlas Medusa” was launched in Pimlico Road, a truly stunning piece of fossil history that has to be seen to be believed.
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Mystical Paintings by Raffaello Ossola
The Swiss painter Raffaello Ossola (born 1954) who has lived in Italy since 1990, uses acrylic materials to create strange and fantastical universes in which skyscapes merge with seascapes and trees sprout from the cracks of geometric architecture. Be sure to check out his Facebook page and read a previous post about the artist.
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posted by Margaret
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114 years young: Light bulbs before planned obsolescence.
By Lisa Wade, PhD
There is a light bulb in a fire station in Livermore, CA that has been burning since 1901. It was manufactured in the late 1890s. And, yes, there is a BulbCam.
According to Hunter Oatman-Stanford, writing for Collectors Weekly, the first homes that had electricity were serviced entirely by electric companies. He explained:
Generally, customers would purchase entire electrical systems manufactured by a regional supplier who would handle installation and upkeep. If a bulb “burned out,” meaning the filament had deteriorated from repeated heating, someone would come and replace it for you [for free].
Given this business model, it made sense to try to develop bulbs that would burn out as infrequently as possible, and the goal was to make ones that would last forever. The one in Livermore was made by the Shelby Electric Company and, interestingly, no one remembers what they did to make their time-defying bulbs. For now, at least, their secrets are a mystery.
Only later, when electric companies turned over the job of replacing lightbulbs to homeowners, did they decide that it would be more profitable to make cheap bulbs that burned out frequently. As of around 1910, companies were charging the equivalent of $33 for a 1,500 hour lamp (which is about the same life of an incandescent bulb today). Yikes. At least the price has gone down.
We call this planned obsolescence: the practice of designing products with a predetermined expiration date aimed at forcing consumers into repeat purchases. Since the mid-1900s, more and more products have been literally designed to fail. In some cases, we seem to have fully accepted cyclic purchasing (think, for example, of the constant replacing of our electronic devices) or we are embarrassed into doing so (think fashion and the stigma of driving an old car). Other times, like with the lightbulb, we just assume that this is the best engineers can do.
Planned obsolescence is criticized for being wasteful. How many light bulbs sit in landfills today? How many natural resources have we extracted or burned up to make their replacements? How many cargo ships and semis have been filled with lightbulbs and taken around the world?
The little light bulb in Livermore is a great reminder that just because we live in technologically advanced societies doesn’t mean we always have access to the most advanced technology. Other forces are at work.
Lisa Wade is a professor at Occidental College and the co-author of Gender: Ideas, Interactions, Institutions. Find her on Twitter, Facebook, and Instagram.

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Euprymna scolopes
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Going to try and do InkTober. It’s been a while since I’ve done anything of this sort.
If anyone has any suggestions for animals, I’d be glad to hear them!
Untitled, 2015 #DominicBeattie
New Work by Simon Prades
Simon Prades was born in 1985 in southern Germany, in a Spanish/German family. Since finishing studies hi is freelancing as an Illustrator and graphic designer.Prades work in analog mediums, mainly ink, pencil and aquarell without ignoring the computer as a tool to finish work. You can follow him on twitter: @simonprades.
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posted by Margaret
We had to update our interactive graphic on school shootings twice today 😞.
(ICYMI: One at Northern Arizona University, and another at Texas Southern University.)
There have now been 144 school shootings in the U.S. since the Sandy Hook tragedy in Dec. 2012. That’s about one every week.
Our interactive map: http://lat.ms/1LVFudb
These poured resin pieces by Chicago-based artist Bruce Riley feel like a microscopic look at an alien petri dish.

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Crystal Wagner’s new Exhibition “Biotica” Opened 2nd October at 108 Contemporary in Tulsa
Crystal Wagner
Biotica is a hybrid; a space somewhere between the exotic landscapes that populate the surface of the earth and the artificial, synthetic world that people occupy on a daily basis. It is both an immersive pseudo-form grown from reused tablecloth and trash bags and a series of specimens housed in terrariums. With these, both the boxes and the installation, I am interested in continuing to investigate exotic as it relates to things that are strangely familiar but also foreign. The forms, structures, and shapes are all derived from things that are found in nature and like aquariums and terrariums they introduce seemingly alien creatures and plants to our otherwise mundane interiors and feel unfamiliar purely based off our lack of contact/exposure to them. The more submerged people become in their artificial landscapes, both physically and psychologically, the less tactile their understanding of the natural world becomes. Making it more alien, more foreign, and more exotic.
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Thank you for the pictures Crystal
http://cleantechnica.com/2015/09/25/global-warming-what-did-we-know-and-when-did-we-know-it/
*It’s not that they didn’t know what would happen to the rest of us; they just wanted the money and power.
Santiago Taccetti
ISO 9001 HUS Gallery, London
Paper Sculptures | Rogan Brown See more
Jacob van Loon de Tonti Watercolor and graphite on wood 35x35″

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ATOP THE TROPOSPHERE Photographer LUC BUSQUIN (behance)
Artist Jason Middlebrook Paints within Grains of Discarded Timber to Create Beautiful Wood Paintings