Jean-Baptiste Frédéric Desmarais, 1756–1813, French. The Shepherd Paris, 1787, oil on canvas, 70 x 47”.
https://commons.wikimedia.org/wiki/File:Desmarais_-_Le_Berger_Paris_-_1787.jpg

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Jean-Baptiste Frédéric Desmarais, 1756–1813, French. The Shepherd Paris, 1787, oil on canvas, 70 x 47”.
https://commons.wikimedia.org/wiki/File:Desmarais_-_Le_Berger_Paris_-_1787.jpg

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Barón von Gloeden: Dous pescadores noviños nun lago italiano arredor de 1900
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(Fitzwilliam Museum, Cambridge, UK; Delphi Archaeological Museum, Delphi, Greece; National Archaeological Museum, Athens, Greece; Altes Museum, Berlin, Germany; British Museum, London, UK; Ny Carlsberg Glyptotek, Copenhagen, Denmark)

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Beneath the arches, violet-hung,
Where morning light and fragrance clung,
A marble figure keeps the way,
Serene, unhurried, pale as day.
The wisteria drapes his shoulders fair,
And scatters petals through the air;
Each step beneath his watchful gaze
Becomes a softer, calmer phase.
So may the blossoms, drifting free,
Remind us all of harmony;
And may his silence, cool and mild,
Lead forth the sage, the friend, the child.
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GIULIO BARGELLINI (Florence 1875 – Rome 1936) Study of a reclining nude – c.1900.
"Narcisse" by Edouard Théophile Blanchard, 1870

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