Nadia: The Secret of Blue Water (Fushigi no Umi no Nadia, literally "Nadia of the Mysterious Seas" japanese(비아그라) ) is a Japanese animated television series inspired by the works of Jules Verne, particularly Twenty Thousand Leagues Under the Sea and the exploits of Captain Nemo. The series was created by NHK, Toho and Korad, from a concept of Hayao Miyazaki, and directed by Hideaki Anno of Gainax.
The series follows a young inventor named Jean and a former circus performer named Nadia, who wishes to return to her home in Africa.
In its original Japanese broadcast, it aired from 1990 to 1991, running for 39 episodes, and was distributed by ADV Films in the United States. ADV's Anime Network has broadcast the series in the United States. Following the 2009 closure of ADV, Sentai Filmworks has re-licensed the anime series, and it was re-released on Blu-ray and DVD in March 2014.
Plot Main article: List of Nadia: The Secret of Blue Water characters Set in an alternate universe 1889, the series centers on Nadia, a 14-year-old girl of unknown origins, and Jean, a young, warm-hearted French inventor. Early in the story, the two protagonists are chased by Grandis Granva, Sanson, and Hanson, a group of jewel thieves who pursue Nadia for the blue jeweled pendant she possesses. After being rescued by Captain Nemo and his submarine, the Nautilus, the jewel thieves and the young protagonists join forces and participate in the struggle against the Neo-Atlantean forces, who seek to dominate the world.
In the process, Nadia and Jean save the world from violent domination by the Neo-Atlantean forces led by Gargoyle, explore worldly mysteries and the powers of the blue pendant, uncover Nadia's hidden family ties, and ultimately discover the secret origins of Nadia.
Production This series' origins date to the mid-1970s when Hayao Miyazaki was hired by Toho to develop a television series. One of these concepts was "Around the World in 80 days by Sea" (adapted from Jules Verne's Twenty Thousand Leagues Under the Sea), in which two orphan children pursued by villains team up with Captain Nemo and the Nautilus. It was never produced, but Toho retained the rights for the story outline, while Miyazaki reused elements from his original concept in later projects like Future Boy Conan and Castle in the Sky.
Gainax's initial involvement with the project occurred during an internal power struggle within the company. During a pitch with NHK, Group TAC requested character designs and settings. Hiroaki Inoue provided character designs and storyboards for the pitch that were provided by Yoshiyuki Sadamoto and Mahiro Maeda working in secret. After the conclusion of the pitch NHK chose to proceed with Inoue's Nadia presentation. However the estimated cost of producing the show would cause Gainax to lose money. After a meeting at NHK where senior Gainax staff demanded Inoue be removed from the project or else they would withdraw, Inoue left the company. Sadamoto was originally assigned to be director but eventually dropped out, preferring to concentrate on design and animation. Hideaki Anno was chosen as his replacement. The series contains references and in-jokes to other anime works including Space Battleship Yamato, Macross and Time Bokan. The infamous "island" episodes of the series were animated in Korea.
At the completion of the series, Gainax had lost ¥80 million on the project and had no rights to the series itself. However, they were allowed rights to produce a video game of the series, which would set record earnings for the company. During production of the series, the company was also involved in other works to offset the losses; however, other issues arose surrounding those projects which highlighted several issues within the company. Group TAC later requested Gainax produce a Nadia movie and provided a ¥50 million advance. Hideaki Anno was convinced to direct it after initially declining the role due to the stress of making the series. Initial production work began and included character designs by Sadamoto. However, the company was unable to develop the project and withdrew. The original advance had brought Gainax's loss on the series down to ¥30 million, but the advance was spent on early production, leaving Gainax unable to repay it until after the success of Neon Genesis Evangelion, in which Gainax returned the advance to Group TAC, minus some costs from Gainax's involvement in providing designs and edited footage from the series.
