Their conversation unraveled with dual alacrity. Even when discussing the most mundane matters life had to offer, he and Neeltje possessed the rare ability to draw upon their vast lexicons and transform subjects, otherwise destined to languish in ennui, into something unexpectedly cerebral. In addition to the tranquil conversation, Arthur found himself excited by her food etiquetteâsomething he had never noticed, and had only just been made clear upon hearing her bildungsroman, a story which she painted in radiant, vivid color.Â
She indulged almost sexually with that crowded plate, and this activated his arousal; her lips wet and pink like the decorticated juice vesicles of a weeping grapefruit. Watching them round about and suck the sap from the ripe fruit sent him into a fit of vulgar, monomaniacal thoughts (âoral fixationâ had embraced new meaning.) He relished seeing her pampered, her desires quenched. He decided that he would do anything within his power to keep her in that constant state of pleasure, and with luck, she might permit him to eat her as a dessert.
She certainly could eat a lot, this was true. She devoured a slice of quiche, sampled every single platter laid out on the table, and encouraged him to do the same. It left him without wonder as to how she accomplished her impeccable figure, which he found to be a Junoesque example of the optimal female form; wide hips, rotund thighs, and, of course, her plump breasts which existed in perfect harmony with gravity. Even her hands were the most beautiful on earth, and they felt best and most suitable wrapped around his neck.
By the time they had concluded this abundant meal, Arthur felt the threat of discomfort swell as a consequence for their overindulgence. Neeltje did not warrant his decline of more calories with an ounce of seriousness, and she was a very insistent woman who was not satisfied by the word ânoâ in any context related to a meal. While this could be perceived as an almost mother-like nurturing, he felt unnatural in ignoring his bodyâs signal to cease eating; Arthur had always been the type to easily set his fork down once he was satisfied, and hardly ate in excessâhis ectomorphic frame was proof of this. Yet his wife, a true connoisseur of all things food, did not share this quality, and in fact, seemed to purposefully disrespect its function as if it were a mistake of evolution. She was in control of her vessel, and her ability to disregard any physical pleas to stop was an impressive display of mind power. Â
Arthur was about to suggest they take an afternoon stroll about the property, where he was hoping to admire the impressive poplars and his rosebushes together, but Neeltje clearly had not eradicated her curiosities from the morningâthis woman forgot nothing, and it was foolish for him to expect that she might. His face twisted into a comical expression of doubt at her proposition.
âOh, wellââ His stammering was always symbolic of his fears, âSurely sharing such a thing could only promote heartache and woes. Why ruin the afternoon?â He attempted to dismiss it, to redirect her, and resolved to burn the baneful evidence as soon as the opportunity presented itself. But as expected, Neeltje reacted poorly to this and he was left with no choice but to progress, knowing the end result would be a pair of hands uniting in supplicated prayer form.Â
He regretfully guided her back up the stairs and was in both mental and physical anguishâhis anxiety grew feathers; he couldnât tell if he was experiencing indigestion or constipation, and this biliousness was most certainly the result of the meal, which now became emphasized by being followed with such an uncompromising emotional demand. But he persisted, nevertheless, and made no complaints out loud. It wouldnât serve to calm him, anyway, and it certainly wouldnât condition Corneliaâs prickly way of being.Â
He opened the door to his bedroom, and revealed inside were a set of heavy barkcloth curtains, which were decorated with a dark paisley print and drawn over the windows. They eliminated all light except for a couple sunrays, which escaped desperately in flares through the corners of the windowpanes. The sunlight danced ethereally with the swirling fragments of dust in the air. He walked into the dim space with confidence, untouched by the blinding darkness, and turned the rotary switch until the heritage lamp at bedside illuminated the room with a yellow glow. The house was so old that there were no overhead lights, and so he was dependent upon lamps and the spare sunshine which was supplied naturally by the daytime in order to keep it bright.Â
His bedroom bore a collection of very captivating relics, some of which seemed out of place for a bachelorâs bedroom, but some details remained especially unexpected of him, in particular. One most unforeseen detail was a small crucifix, which hung almost ironically in a known atheistâs room. It was an utter degradation of Christ, one that was incontrovertibly sacrilegious, but Arthur understood the crucifixion as not only an act of salvation, but a divulgement of manâs condition. As Christ hung upon the cross, his skin raw from the flagellation of the Romans, he was further mocked, beaten, and exposed to a thorny crown that symbolized a great shame. The scene serves as the ultimate expression of humiliation; a man who calls himself God is now reduced to weakness and the object of public mortification. Arthur felt there was justice in this. No man could be God, this title could only be granted suitably to a woman, and any man who thought otherwise was a fool.Â
A print of The Siren by John William Waterhouse, made proud in its display by a tasteful golden frame, hung in solitude on a wall between two windows. His closet was slightly ajar, and inside one could see the evidence of tweed, oxford cottons, and leather belts organized in a way that made sense to only himself.Â
Some things could have been entirely predicted, such as the ever-growing pile of books at both the table and floor of his bedside. This was somewhat humorous, as there existed another bookshelf only a stride away from where they were abandoned that would serve as the perfect home for these stray novels, however, the bedroom bookshelf was fully reserved. Inside this display were titles deemed too risquĂŠ, and thus were forbidden from joining the other novels found in the living room shelves. Titles by the Marquis De Sade, The Image by Jean De Berg, Delta Of Venus by AnaĂŻs Nin, and the most undeniably worn copy being Venus in Furs by Leopold Sacher-Masochâthe bindings and paged were abused. Arthur was an avid reader of all kinds of stories, and the erotic genre did not go under appreciated by him. In fact, he had read hundreds, and resolved to collect only the ones that bore artistic substance, and which catered to his own fetishism.
But rather than wasting time on the fine details of his roomâwhich his own familiarity had blinded him toâhe drew her towards a large dowry chest, which made home at the foot of his bed. Perhaps this was his first and most crucial criticism of marriage thus far: there existed no privacy between man and wife. He looked at Neeltje, who was in this moment like a thistle to him, and offered her a begrudging look that made his hesitancy known and, if she were a careful spectator, she would see the element of fear hiding behind his glossy eyes. He feared her judgement, and prepared himself to feel disappointed by a strong reaction.
He lowered himself to his knees and opened the chest. Inside were a small pile of dirty magazinesâone which sat atop was a publication from Skin Two Magazine featuring Dita Von Teese, who was dressed in a satin bustier and a leather skirt; in her hands, she held an intimidating whip suitable for nothing less than a beastly animal. The rest of the chest was a disorganized assortment of clippings that stimulated different areas of taste, such as women (all of which were shapely and mature as Neeljte was) dressed in high-end lingerie, some completely nude, and others draped in nothing but a silk robe or a fur draping. Beneath these lay a graveyard of erotic novelties, such as a flog, a riding crop, the typical things kept by a practitioner of manature, soft-core BDSM. The polaroids she sought were tucked in a small envelope, which Arthur retrieved and servilily handed to Neeltje without a word, allowing her to browse them freely and without his futile obstination. Like an anchor, Neeltje drew him down, down, down into the abyss of shame. At the bottom, he was left with a pang of arousal watching her eyes meet the debased photographs. His blood became hot as he anticipated her wrath.Â
Inside the envelope were a total of five photographs. There was nothing especially derogatory about them, other than that they featured a faceless ex, and were clearly taken for the purpose of sexual gratification. The first photo was a display of muted color; a womanâs genitals lit up by the camera flash, her pubic hair a contrasting depth to her pale labia. In another, a pair of white nipples and a navel which sat on a gaunt stomach. The rest bore the same anonymity as the others, but showed the pale and thin body of the unidentified Rosemary. He was desperate in his hope that the secrecy of his collection would not impugn the sincerity of his affection and devotion to Neeltje, this was what he feared most.
And then he waited to face her caprices.