here is my new video . “disconnect”
its the first single from my new album ‘ROSE GOLD’
coming april 2019
styofa doing anything
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Keni
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@androidexistential
here is my new video . “disconnect”
its the first single from my new album ‘ROSE GOLD’
coming april 2019

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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We’re a team!
Gorillaz - “Souk Eye”
One year, you decided you wanted a resort vacation.
what people call low self-esteem is really just seeing yourself the way that other people see you by awakebutstillinbed
HEY FRIENDS HISTORICAL REMINDER: ‘WHAT’S IN THIS DRINK’ ISN’T TALKING ABOUT DRUGS, HE IS NOT TRYING TO ROOFIE HER
THE SONG IS TALKING ABOUT ALCOHOL
but still a pushy song
historical reminder that the reason pina coladas and pink squirrels are known as “girly drinks” is because they mask the taste of alcohol and men were know to give women these drinks without informing them that they were alcoholic. It takes a couple of drinks to realize you’ve been consuming alcohol and by then you’re more susceptible to suggestion, making it easier for him to convince you to stick around and have a third drink. When this song was written in 1944 most women didn’t drink regularly, meaning they had a low tolerance and it would only take 2-3 drinks to get her drunk enough that she wouldn’t be able to put up much of a fight. This was the 1940s version of being roofied
No no no it was not.
“Hey what’s in this drink” was a stock joke at the time, and the punchline was invariably that there’s actually pretty much nothing in the drink, not even a significant amount of alcohol.
See, this woman is staying late, unchaperoned, at a dude’s house. In the 1940’s, that’s the kind of thing Good Girls aren’t supposed to do – and she wants people to think she’s a good girl. The woman in the song says outright, multiple times, that what other people will think of her staying is what she’s really concerned about: “the neighbors might think,” “my maiden aunt’s mind is vicious,” “there’s bound to be talk tomorrow.“ But she’s having a really good time, and she wants to stay, and so she is excusing her uncharacteristically bold behavior (either to the guy or to herself) by blaming it on the drink – unaware that the drink is actually really weak, maybe not even alcoholic at all. That’s the joke. That is the standard joke that’s going on when a woman in media from the early-to-mid 20th century says “hey, what’s in this drink?“ It is not a joke about how she’s drunk and about to be raped. It’s a joke about how she’s perfectly sober and about to have awesome consensual sex and use the drink for plausible deniability because she’s living in a society where women aren't supposed to have sexual agency.
Basically, the song only makes sense in the context of a society in which women are expected to reject men’s advances whether they actually want to or not, and therefore it’s normal and expected for a lady’s gentleman companion to pressure her despite her protests, because he knows she would have to say that whether or not she meant it, and if she really wants to stay she won’t be able to justify doing so unless he offers her an excuse other than “I’m staying because I want to.” (That’s the main theme of the man’s lines in the song, suggesting excuses she can use when people ask later why she spent the night at his house: it was so cold out, there were no cabs available, he simply insisted because he was concerned about my safety in such awful weather, it was perfectly innocent and definitely not about sex at all!) In this particular case, he’s pretty clearly right, because unlike in Blurred Lines, the woman actually has a voice, and she’s using it to give all the culturally-understood signals that she actually does want to stay but can’t say so. She states explicitly that she’s resisting because she’s supposedto, not because she wants to: “I ought to say no no no…" She states explicitly that she’s just putting up a token resistance so she’ll be able to claim later that she did what’s expected of a decent woman in this situation: “at least I’m gonna say that I tried.” And at the end of the song they’re singing together, in harmony, because they’re both on the same page and they have been all along.
So it’s not actually a song about rape - in fact it’s a song about a woman finding a way to exercise sexual agency in a patriarchal society designed to stop her from doing so. But it’s also, at the same time, one of the best illustrations of rape culture that pop culture has ever produced. It’s a song about a society where women aren’t allowed to say yes…which happens to mean it’s also a society where women don’t have a clear and unambiguous way to say no.
Reblogging for that last bit because this is what I rant about to Kellie every time this discourse happens on my blog but I’m too lazy to type it out. SO thank you to @dangerwaffle for not being as lazy as me. This song has a cultural context, and a historical context, and it’s worth talking about how fucked up that context is, but you have to get WHICH context it is right first.
I see the Annual Discourse has been reblogged, it is Christmas in fact an deed
broke: tracking christmas by calendar date
joke: tracking christmas by christmas song google searches
woke: tracking christmas by baby it’s cold outside discourse

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Stella | lunabeaofficial
👾Arcade👾 • Model: Alexis Faulknor, IG- @Alexisbfaulknor @abfphotos • Photographer: Imani Dixon, IG- @imvnnii @IDphotographgyLA
It always seems impossible until it’s done.
I tried a new technique and it didn’t turn out that bad?¿
Every single night I dream about you

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final version, let me know what you think!
Flying through space 💭🚀
Interrogator: “Recite your baseline.” K: “And blood-black nothingness began to spin… A system of cells interlinked within cells interlinked within cells interlinked within one stem… And dreadfully distinct against the dark, a tall white fountain played.” Interrogator: “Cells.” K: “Cells.” Interrogator: “Have you ever been in an institution? Cells.” K: “Cells.” Interrogator: “Do they keep you in a cell? Cells.” K: “Cells.” Interrogator: “When you’re not performing your duties do they keep you in a little box? Cells.” K: “Cells.” Interrogator: “Interlinked.” K: “Interlinked.” Interrogator: “What’s it like to hold the hand of someone you love? Interlinked.” K: “Interlinked.” Interrogator: “Did they teach you how to feel finger to finger? Interlinked.” K: “Interlinked.” Interrogator: “Do you long for having your heart interlinked? Interlinked.” K: “Interlinked.” Interrogator: “Do you dream about being interlinked… ?” K: “Interlinked.” Interrogator: “What’s it like to hold your child in your arms? Interlinked.” K: “Interlinked.” Interrogator: “Do you feel that there’s a part of you that’s missing? Interlinked.” K: “Interlinked.” Interrogator: “Within cells interlinked.” K: “Within cells interlinked.” Interrogator: “Why don’t you say that three times: Within cells interlinked.” K: “Within cells interlinked. Within cells interlinked. Within cells interlinked.”
Blade Runner 2049

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room tour jeremy edition PART TWO
How much you wanna bet that somewhere someone has already superimposed the Mischievous Raccoon headline over a screenshot of Rocket
GotG2 (and a little GotG1) Onion Headlines: Part 1 / Part 2