Mechsploitation author by accident, folk music enjoyer by the grace of autism. I'm occasionally on here when I force myself to take a break from endless Bluesky posting. Read FLOWERBLOOM and PACKMATES :)
Tbh I think the "but data centers are important infrastructure, not just AI" talking point misses that like
Ok so roads are important infrastructure. A lot of stuff that's important happens on roads. Now, let's imagine that quadrillionaire Matt Stench has decided that the next big tech innovation is the Wide Car. It's a car that takes up six lanes despite seating only one passenger.
The Wide Car is supposed to be the future, and everyone's going to be driving Wide Cars, even though nobody who makes Wide Cars is turning a profit. Employers are offering Wide Cars as an employee benefit, and getting "nah." Some employers are going as far as demanding their employees drive Wide Cars, and the result is that people take time out of their workdays to get in the mandatory gas usage for their Wide Car before driving home in a regular car.
In spite of the fact that the Wide Car is clearly set to fail, there's an enormous push to expand to twelve-lane roads to accommodate a bunch of Wide Cars that simply will not materialize. This is not an organic response to demand, but a speculative investment that amplifies the existing issues with road development for no good reason.
Oh and the road infrastructure project is buying up resources other people could have used for literally anything else. With money they promise they'll be making from Wide Car sales any day now.
Okay so what I'm getting from the notes is that when you try to transplant some techbro nonsense into an offline equivalent, you have to be careful to avoid simply inventing something the Americans are already doing in real life
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
I know victimbait angel is a popular trope, but whenever I post some dommey angel shit about wearing broken demon horns on a carabiner or something on Bluesky I swear a bunch of demon girls pop out of the woodwork going "Yes yes purify me mommy 🥵"
The idea of Mario and Peach having any kind of relationship beyond the occasional kiss on the nose and "mama mia" is like viscerally incomprehensible to me
Not like in a prude way I just can't conceive of Mario experiencing... urges. He's a character outside the scope of that. I'm not saying he's asexual either cause positioning him on the allo/ace spectrum implies that it's a dimension of his character that at least exists, that he has at some point noticed it. I think he just jumps.
#op interrogate yourself about why you think this right fucking now
So unlike Mario, who continues to be essentially a void with no internality, I actually act with thoughts and intent and already did do that when writing this post.
Mario is a mascot of one of the most sanitized corporate brands in existence. He differs from real, full-fledged ace people in that his sexlessness is not queer, not transgressive in any sense of the word, just a void left by his position as a player character. He has no queer identity because he has no identity beyond the fact that it's-a-him, Mario.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
This should be obvious, of course. In the beginning, there was nothing, after all. But it's easy to miss. Easy to think angels were created at the beginning of time, along with the Earth and the heavens. Eternal custodians, supplicants, and messengers, always there.
But no.
Angels are always around, of course, but they didn't always exist. A subtle difference. Hard to understand, perhaps, if you're bound by linear perceptions of time.
The heavenly hosts labour under no such limits.
No, angels are not born, nor did they appear fully-formed at the dawn of time. Angels are made.
The wings are easy enough. Joy. Genuine, warm, kind-hearted, joy. Happiness lifts one's spirits, after all. It sets one's heart soaring, and lifts weights off one's soul. An angel's wings are fashioned from her joy in life. From every happy memory, every echoing, cherished laugh of a loved one, every moment that made her heart sing and let her giggle and roar with tears-down-her-face happiness.
Her gown, similarly, is simple. Crafted for her from every bit of warmth and protection she has ever felt. The arms of her parents, when she was gently rocked and put to bed in her cradle. The gentle, ginger touch of a lover, holding her hand for the first time. The arms of a friend she buried herself in when she was in distress, and needed comfort, and a shoulder to cry on. Every touch, every weight and warmth of gentle, kind protection, woven into her new robe, white as the clouds of heaven themselves. Those she cherish keep her safe, even now.
But her halo? Her halo is... tricky. Harder to understand.
It is the only piece of her new form she fashions herself, in the great forges of heaven. It is not so easily described, for it is deeply personal to each new angel, from the humblest virtue, to the loftiest seraph. What, then, makes an angel's halo?
Simple.
Her connection to humanity.
All the love she has ever felt.
All the goodness she has ever seen.
It need not be her own experiences; merely expressions of the kindness inherent in every living soul that have moved her, in some way. Into the crucible, she pours her every moment of deep connection. Her every ounce of love for total stranger, and every iota of love a stranger has ever shown her. It can be anything at all. The angel is trusted utterly in this process, and none has ever faltered. A time when a Phoenician merchant broke bread with her, when she was starving in the streets. The time she felt so very sad, and a stranger's music in a language she did not understand dried her tears. That one Tumblr post she read about the Carpathia, and its efforts to save who they could.
With each memory refined, forged, and refined again, her connection to humanity grows stronger. Her love does, too.
Eventually, when she has shared all of her love with the crucible, it is poured into the mould, and her halo of purest gold takes its shape. It needs not be quenched. It requires no further work.
It contains her love, and that is enough.
It is placed above her head, and it radiates with the warmth that she feels in her heart for every single living thing to have ever blessed this beautiful galaxy with its presence.
Melissa would have sorted Sartha's shit out in three hours and then beat herself up because she didn't also fix Leinth and Amynta in that time too
Christine merely being present at Leukon Base would have caused opsec to improve so dramatically that they'd not only have given Handler false info over the calls She placed to Ancyor but they'd have sent a Virus That Blows Up Your Computer to Her over the connection, killing Her instantly
Bethany would get really into petplay as a bit to get a rise out of the hounds (or, more accurately, Stef and the others trying to fix them, the hounds are very into it) and then have a Realisation that it's not actually a bit anymore
I have said versions of all this before, but not On Tumblr; which is a problem inasmuch as this is a complaint about the parochial insularity of the Tumblr mechsploitation scene. So, futile as it may be, here it is, theoretically visible at the source of the issue: the terrible shortcoming I see in the Tumblr mechploitation scene is that, for the most part, actually writing, reading, or engaging with mechsploitation only happens in other places — what happens on Tumblr is "jacking off about puppygirls."
Everyone's allowed to jack off about puppygirls, of course, should they so wish, but this shouldn't be mistaken for things it isn't, such as e.g. "reading things" or "understanding a genre" or "knowing what the fuck you're talking about."
Mechsploitation is often mistaken for a subgenre of science fiction, from which Tumblr "fans" often talk about sanitising the horrifying elements. This is a fundamental media literacy error: mechsploitation is a subgenre of horror. You cannot sanitise the horror out of horror; furthermore, the horror in mechsploitation is explicitly fascism. The horror is the horror of fascism breaking its sincere opponents — if not into genuine agreement, then at least into a drugs-and-torture-obtained simulacrum of enthusiastic participation in fascist violence.
Whenever someone says "haha what if mechsplo but nicies to puppy :)" they are saying: it's icky that this horror genre is horror. The breaking people, the bad ends, the intentional feelbad, any of the kinks too edgy for Me Specifically — all that can go, superfluous. Let's take out the horror and breaking and drugs-and-torture and simulacrum and just have the enthusiastic participation, because that's nicies! Puppygirl's nice white affluent middle-class ass Simply signed up to kill the subaltern rebels in the imperial military when a recruiter came round to her school. Uncle Sam says: Off the leash, uwu-rah! :)
And if that criticism is too pointed for your taste, consider: mechsploitation without the things that make it mechsploitation probably isn't "reverse mechsplo" or "mechsplo but". It's probably just "milSF with mechs in," something that substantially pre-dates mechsploitation and has estabished genre language for talking about it. Neither it nor mechsplo is served by trying to define the negative space of Everything That's Not Mechsploitation in terms of mechsploitation; the attempt makes you look, at best, like you should Read Another Fucking Book.
At worst, of course, you look like you're acting in bad faith to gentrify a microgenre written by and for trans women about their specific experiences under contemporary fascism.
Angry Gamers (capitol G) will look at a new trailer, invent a way cooler and more epic version of it, and then think that cooler and more epic version is Bad, somehow
Man imagine a GTA where you play as a trans woman sex worker forced into increasingly dangerous situations, surviving and slowly thriving through crimes and heists of escalating stakes, slowly overcoming and eventually overthrowing those who wronged you in both the justice system and the criminal underworld
Maybe game studios should have one of these Gamers on their team to torture. The angrier this Gamer gets the further the rest of the team pushes. If this Gamer is violent with rage by the end of a brainstorming session it's considered successful.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
On Communication, Overfamiliarity, and Respecting Boundaries in Online Kink Spaces
In line with some other ongoing discussions, I wanted to add my 0.02 regarding a topic that’s very important to me.
That is, of course, communication; communication is the bedrock of any relationship, not just those that are romantic, sexual, or kink-adjacent. It’s a baseline function of any interaction, the starting point of any conversation, and comes in many, many forms. While I’m sure we’re all quite good at talking, I wanted to dig a bit more specifically into the intricacies of communicating intercommunity in a space like this, and how wires can get tangled, lines can get crossed, and we can end up in some uncomfortable territory.
At times, a space like this corner of Bluesky feels a bit *open* - people flirt with their followers and readers, flesh is posted freely, and everything exists in an atmosphere of psuedo-assumed consent. As a voyeuristic little pervert myself, I’m no stranger to posting nudes or other lewd photography, and I’m also quite familiar with teasing and (less frequently, recently) being teased by others. I tend to stray a bit away from overt, excessive flirting, myself, because I feel that it blurs lines in a way that I’m not fond of, but others lean into it - and power to them.
With that, we often find ourselves brushing against lines and boundaries. It’s happened to me a few times that individuals have left a comment in a thread I’ve posted regarding how it made them feel, and, after not receiving a response beyond a brief acknowledgement or like, have opted to take advantage of my DMs instead to reiterate their feelings. Others have steered benign conversations into sexual territory without invitation nor warrant, or have made open insinuations regarding my status of ownership, or around me wanting to fuck my friends.
Let me be clear; while I don’t mind people drooling over or ogling pictures of me, especially if I’m dressed in some sort of fetish outfit, I do draw the line at the implication that I am anything but my Sir’s sole kept and held. I draw the line even more firmly at insinuations that I belong to any of my close friends, with whom I allow myself to be a bit flirtier, simply because they’re prominent dominants in the community. My pornographic self is for the eyes, but barely for commentary, and not at all for other hands.
This overfamiliarity - and, seemingly, lack of caring toward the *person* beyond the online persona - is a killer in communities like this, and impacts both sides of the power-dynamic spectra. I’ve seen both dominants claiming dominion over free-range submissives without as much as an intentional conversation around it, eager submissives throw themselves at the feet of dominants with heaps and heaps of saccharine affection and usage of unearned titles, and all sorts of odd shit between the lines.
When it happens - especially in a public forum - it oftentimes puts the impacted individual in a difficult situation, and without a properly-developed communication skill, it becomes difficult to get out of. Questions manifest; ‘am I an asshole for not humoring this person?’ or ‘did I lead them on by playing into their bit?’ or ‘did I say something that I didn’t mean?’ As a community of (predominantly) transgender women, it becomes easy to turn our thoughts inward and scold ourselves for something that is, at the end of the day, not our fault.
For some, it becomes easier to lean fully into it, to ‘play the game’ out of fear of whatever reprisal may occur if you do not.
In a primarily-online, primarily-kink forward erotic horror space, we lose a lot of the safeguards against things like overfamiliarity that exist in meatspace. It’s harder to vet and feel someone out when you’re judging them off an oftentimes limited online presence, and even harder when you branch from occasional comments to further, more charged engagements. When interfacing with younger queer folks online - like much of Mechsploitation seems to be - you also run the risk of differential levels of development, struggles with emotional intelligence, and a lack of boundaries stemming from a variety of different causes. This is, generally speaking, somewhat uncomfortable, and it may seem easier to appease those involved; to engage in ‘pick-up play’ on occasion, without committing to anything beyond a few exchanges.
However, even casual play or entertainment - if you’re not genuinely invested in it - can lead to further issues. It reinforces parasociality and overfamiliarity as acceptable behavior, and potentially tethers a person to you. This, very quickly, can lead to overextension; if you spend all of your time trying to engage with everyone who wants your attention at a given time, you quickly run out of time to spend on those who matter most to you, chief among them being yourself. It may seem attractive to have a great many play partners, or to be able to exert your will over a number of women on a given day (or vice versa), but without careful attention to energy expended and your own capacity, it can very quickly devolve into something that eats you alive. With only a finite amount of energy and focus in a given day, trying to cater to everyone (along with everything else you have to do) will kill you faster than anything else.
So, how do you avoid such a thing happening?
First, consider your own boundaries; what kind of engagements are fun for you? What’s only fun when it’s with certain people, and what don’t you want to happen at all? You don’t need to write these down or keep them formal, but have them in mind. If someone pushes them, let them know, and potentially move along if you’re not interested in continuing. Don’t be afraid to hold them strong; no is a complete sentence, and if someone you’re engaging with pushes against your boundary, you are entirely empowered to pause an engagement for re-evaluation, or cut it off entirely.
Second, consider your capacity; how many play partners can you realistically keep track of? Are you interested in having multiple submissives and dominants, or do you want to keep things small? What’s your plan if you realize that you’re overwhelmed, and what’s potentially suffering as a result of having to do massive personnel management on a recurrent basis?
Third, consider how to break things off if necessary; what does a disengagement conversation look like? Is there anyone who you’ve told to stop contacting you who keeps reaching out, and what does it feel like to reaffirm your boundaries to them? What point does it reach where a block or mute is more in order?
While these things are all predominantly online-focused (as is the point of this particular essay), it’s important to note that proper and strong communication skills will help in engagements offline, as well - both kink-related, and otherwise.
Above all else, however, it’s important to remember that anyone behind a screen is as real a person as you are; they have lives, and capacities, and a thousand other things pulling at their commitments regularly. Boiling someone down to the importance of their online persona primarily and everything else secondarily is harmful, and more often than not has the undesired effect of becoming overfamiliar - or worse, exploitative. That’s not to say that you *can’t* flirt with or engage with someone; rather, keep in mind when things cross a line from being friendly or flirty to something beyond that, and make sure to give people their space when they need it.
Mutual respect, regardless of your place on the power spectra, is important; it’s up to you to make sure that you’re practicing it.
On WARHOUND, Loss of Autonomy, And The State Of All That Is
Some of us truly are burdened by our sentience.
It’s a thought that pervasively dwells within the core of many components of erotic horror, the idea that we’d be better off if we were removed from our higher faculties and responsibilities. The concept that one is, in fact, ruined by their ability for rational thinking, complex emotions, and free will as a whole is likely nightmarish to some, but for others, it provides a gateway to absolution and forgiveness. It’s a pathway to a dull, blissful existence, wherein you hand yourself over to a chosen Mother God, and worry not about if her intentions are best for you, simply that they are.
This conceit sits at the very heart of mechsploitation - the area where i’ve cut my teeth the most writing erotic horror. The Handler/hound dynamic is, at its core, a prime example of this loss of autonomy; after being subjected to ruinous, repetitive conditioning, a pilot eventually hands themselves over to a greater being as a tool for psychosexual warfare. It’s oftentimes harrowing, and involves the pilot’s greatest insecurities, fears, treasures, values, or all of the above being turned inward like a circle of spears before forcing them to give up most of the intangibles that matter to them, reducing them to a trained animal ready to snap and kill at a moment’s notice.
While many stories in the genre have explored this through many differential lenses, the two most popular Houndtype characters remain to be WARHOUND’s Sartha Thrace, and Leinth Aritimis. Both women embody different sides of the same coin; Sartha, a hero who crumpled under weight and pressure, while Leinth, who idolized her, was part of the so-called ‘problem’. Both women suffer tremendous psychological torture in the process of being made into Handler’s perfect pets, and both women eventually suffer entire personality collapses; remade into her ideal dogs.
We’re treated to their continued growth - as assets, and as animals - throughout the chapters following their respective debuts; in time, Leinth becomes a perpetual runner-up, while Sartha shifts from a deified icon to a collapsing mess.* There’s much to be considered about what remains of the fabric of the soul of these two characters; whether or not they can even be considered recoverable, or even human is entirely up for debate.
What is not, however, exists outside of the text; these two have provided a hell of a beacon for burgeoning members of the community to latch onto, idealize, and subsume in place of their own identities. You could drag a hand across Bluesky’s ocean floor and come up with a fistful of wriggling, blonde animals; each special in their own way, each bearing the same name. You’d find less Leinths, of course, as she’s always second best, but they exist too; in the shadows of their more prominent counterparts, perpetually rubbing themselves against whatever discount leathers they can find.
Nevertheless, it is the sheer existence of these template identities - and the vast number in which they have appeared - that has granted WARHOUND a reputation as a certified cognitohazard. As far as the eye can see, stories persist about women who’ve found their partners reading this wretched tome, and thought nothing of it, only to find their beloved entirely overwritten by Ancyor’s pilot; personality-cucked by some dumb blonde dog from fiction. Jokingly phrased cautionary tales abound, alongside other warnings about not feeding your wife to snakes, and minding your spending impulses when you cross through a certain borough of the United Kingdom.
Despite this, I’m not so sure cognitohazard is the right term.
While i’m not one to diminish the threat level of my dear sister (she’s plenty capable of girlruining en masse), I think there’s something else to the way that people have flocked to identifying as Sartha Thrace, to becoming her and embodying her. Sartha is, at her core, a victim of autonomy loss; in her weakest state at the end of RESCUE HOUND, we see her unable to discern thoughts posited by herself earlier in the conversation as her own, or thoughts that Handler fed to her. She is, in effect, a puppet for a better woman, a semi-sentient megaphone, a dog-shaped carrier pigeon. Her higher faculties are more or less eroded entirely, and even if we see her with a bit more cognizance later on, she craves the dull feeling of that utter annihilation in any moment of adversity or stress, as seen at the end of SHOWHOUND.
It was at this moment that I really saw the appeal of becoming Sartha Thrace; when pressure gets high and push comes to shove, you can beg to sink into the mud and become nothing again, dark and dead as the day you were born. It is, of course, likely far more complicated for most than just this reason; it likely intermingles with the burnout from trying your hardest endlessly, and the expectations thrust upon our collective whole to even receive a modicum of the respect that cisgender folks take for granted. To embody Sartha Thrace is to look at the body of one’s work and all of the laurels that should have come with it, and say, ‘enough.’
A blissful non-existence is better than trying (and failing) to earn the respect of those who will only ever see you as aberrant.
In a prior essay, I wrote at length on my thoughts about Leinth Aritimis, and why I (along with many others, I’d assume) take her as our patron saint; I won’t dredge those words back up here, but I will stand by them as they are. Leinth’s existence is, partially, about an inherent wrongness or misdeed, a cardinal sin in continuing the deification of a golden calf that wanted nothing but to be allowed to be average. Leinth is a bad dog, craven and guilty and, at times, violent; she needs absolution, which she is eventually given by Handler, even in the face of repeated, perceived failures. She is allowed to fail, allowed to underperform, allowed to suffer - no matter what she endures, her Mother God will tell her that it was worth it, that she is forgiven, that she can live unburdened by all that she’s done.
Wouldn’t that be nice; eternal forgiveness in exchange for the low price of a sapience that, more often than not, weighs us down?
In looking more thoroughly at mechsploitation as a whole, loss of autonomy is a common fate for a great many characters occupying various places on the power scales. For instance, WARHOUND’s own Kione Monax gives up her freedom as a mercenary - and is implied to have given up more in ARCHON - in exchange for a position of ‘superiority’ under the Handler-General. Steel Jaws Speak No Evil’s Handler Delta suffers a similar near-unmaking in the process of reaching her own apotheosis; multiple times, she’s left to dwell with Sigma’s hounds, and multiple times, she nearly falls to their level, while Hekate’s Call’s Elisabeth Crater is shown at a point to be little more than a vessel for beloved bad-girl Morian Kyrnn’s thoughts and desires. Even MYRMIDON - which strays a bit away from the traditional path of mechsploitation - sees its protagonist, Mel Heydari, eventually lose her last bits of humanity to the evil Lotus-beast in her mind.
Yet, these characters don’t evoke the same response; there aren’t a horde of Craters or Deltas or Heydaris banging on the bay door to lose their own identity in place of another. It’s certainly not for the quality of their writing, as the above works make up my personal formative foundation for writing mechsploitation as a whole; rather, I think it has to do with the way that these characters manifest within the literature, and the way the dregs of their autonomy retained as Handlers or superiors still allow them to play pretend. Alternatively, in Pilot One’s case, their loss is portrayed as so grave and so vile that it is somehow worse than keeping one’s cognizance.
There is, of course, a limit to it all; to be so blissfully unaware that you lose the ability to discern what real harm actually is, to be beaten so severely that the endings of your nerves cease their functioning, to stare into the eyes of the one who holds you and let her tell you that you’re okay before you even have to think about it.
In some of mechsploitation’s cruelest writings, these, too, are out of the realm of possibility.
Mechsploitation is a predominantly transfeminine community, with many stories carrying the lived experiences of those contained therein in some form or other. For me, even the darkest and most depraved pieces of mechsploitation fiction - from my own hand or the hands of others - have aligned with certain events from my past, or thoughts I’d been too afraid to vocalize up until the point that they were ripped from me through narrative. We see our suffering splayed out across pages and pages of erotic fiction, and in some cases, we see an end to that suffering close at hand.
It’s understandable to me that mechsploitation has gained popularity in a time when Christo-fascism is on the rise in a world superpower, and in a time where other world governments are aggressively cracking down on or attempting to criminalize the existence of transgender people at their core. Escapism comes in many forms, and in its recent increase in popularity, the creativity in the mechsploitation niche has blossomed right alongside it, with topics covering a wide variety of settings and scenery. It’s been said that the genre’s flexibility as a whole - in being a story loosely involving mechs, predominantly focused around erotic lesbian hypnokink - was one of its strongest suits, and I tend to agree.
Through its flexibility, people are provided various avenues of escape; through its flexibility, if one story and setting won’t work, another may. Readers may find themselves drawn to characters that more thoroughly resonate with the core of their souls, or lived experiences, and find a better avenue for escape through them, or a pathway to rest.
With life being as hard as it is, it’s no wonder that so many of us want to simply have the lights put out for good.
It’s one of the things that’s struck me as being missing from many of the critiques of mechsploitation as of late; that it’s an avenue to create a set-dressing around which to write petplay, or a way for transfeminine individuals to play out their desire for the acceptance of an abuser, or simply a gateway to more depraved kink scenes. In a way, I can see where these critiques are pulling these thoughts from, but think that they miss the larger point.
At its core, Mechsploitation is about handing over the keys to your autonomy to a Mother-God and hoping for the best.
That Mother God could be anything - a leather-clad Handler, an apparition of a demon-mech in a lake, a vast and boundless hyperintelligence - so long as it carves out the vestiges of what a would-be hound once called a soul, and replaces it with something wholly and entirely manufactured, purpose-built for endless obedience and the completion of orders conferred unto it. It still exists in a shithouse, awful, collapsing world wherein we see fascism enshrining itself at the top of the foodchain, but then again, so do we.
Therefore, if we have to share this world with the architects of our own destruction and breathe their air, we’d rather be utterly unaware of the whole of it.
To take a brief sidebar, prior to my current job I used to work in healthcare access for transgender and nonbinary individuals, working with students on an individual basis to try and navigate their insurance systems and seek approvals for medication, for primary care providers and endocrinologists, for surgeries and authorization letters and documents of support. This was a gigantic pain in the ass, and more often than not, companies would wait as long as they possibly could to deliver notices of denial, or to inform patients that they were missing documentation, and thus their surgeries would be postponed if they couldn’t afford to pay five-to-six figure costs in full on their own dime; surgeries with waitlists that spanned months to years.
More often than not, these meetings ended with students in tears as we tried, desperately, to bridge gaps wherever we could, and I had many difficult conversations around the reality of having to push a surgery off when a hail mary failed. At this time, the government was not actively seeking to harm transgender individuals seeking medical care in the way it is now, or criminalizing their existence to such a vast extent; in more than a few ways, doing that same work now feels like it’d be nearly impossible, and that was with a hefty bit of support behind it. To try and interface with those same systems in this day and age, alone, is nearly insurmountable.
Really, interacting with any system as a transgender woman feels nearly insurmountable, especially early on in one’s transition. Many individuals within Mechsploitation’s primary community spaces, like Bluesky, tend to trend younger as well. They find themselves facing a horrid wall of harmful legislation, hateful rhetoric, and legislative forces that seek to push them out of public life - or existence entirely - through whatever means are necessary.
To that end, I find it hard to criticize individuals who find some level of warmth or comfort in the identity of another, especially if that identity originated in a space where the very real concerns of our day and age are simply pushed out of focus in place of deeper, more prominent existential horrors. If a girl is to find comfort in the idea of being Sartha Thrace, even if she’s one among many, what harm is she truly causing? If someone’s to find enjoyment in kayfabing themselves into an eminent, domineering presence, so long as they’re playing safely, does allowing them to do so cause damage?
I’d argue that it doesn’t - and further, I’d argue that these works bear no inherent responsibility to be important, to have a call-to-action, to meet the moment. Writing can be a potent tool for enacting great, sweeping change, but it doesn’t always have to be; the point of the smut can just be that it’s smut, rather than having to carry some grand message along with it.
In this day and age, I’m not going to be one to flay someone for finding escapism through it, or enjoying porn for being porn, as it’s far better than the alternative of collapsing entirely on oneself in the overwhelming onslaught that we find ourselves buffeted by on a daily basis.
Instead, I acknowledge the material reality of our world, which sucks ass, and evoke the idea that we should find our escape while also working to better what we can in our lives. I can’t solve every issue that faces our community, or even my local community, but I can damn well try to make the lives of those around me better, even marginally. I fight like hell each morning to tell the people that I love that I love them, to make sure they know that I’m in their corner, and so long as I’m doing that, I can fuck off and play evil rabbit on the timeline forevermore.
I invite you to find what you fight for - however small - and take care of yourself outside of that, however that appears.
It’s the best thing we can do.
-
*maggie’s note: as HELLHOUND is not yet released for free, some of the information on standings of these characters may be outdated; you should seek out Callie’s work for the full truth :)
On WARHOUND, Loss of Autonomy, And The State Of All That Is
Some of us truly are burdened by our sentience.
It’s a thought that pervasively dwells within the core of many components of erotic horror, the idea that we’d be better off if we were removed from our higher faculties and responsibilities. The concept that one is, in fact, ruined by their ability for rational thinking, complex emotions, and free will as a whole is likely nightmarish to some, but for others, it provides a gateway to absolution and forgiveness. It’s a pathway to a dull, blissful existence, wherein you hand yourself over to a chosen Mother God, and worry not about if her intentions are best for you, simply that they are.
This conceit sits at the very heart of mechsploitation - the area where i’ve cut my teeth the most writing erotic horror. The Handler/hound dynamic is, at its core, a prime example of this loss of autonomy; after being subjected to ruinous, repetitive conditioning, a pilot eventually hands themselves over to a greater being as a tool for psychosexual warfare. It’s oftentimes harrowing, and involves the pilot’s greatest insecurities, fears, treasures, values, or all of the above being turned inward like a circle of spears before forcing them to give up most of the intangibles that matter to them, reducing them to a trained animal ready to snap and kill at a moment’s notice.
While many stories in the genre have explored this through many differential lenses, the two most popular Houndtype characters remain to be WARHOUND’s Sartha Thrace, and Leinth Aritimis. Both women embody different sides of the same coin; Sartha, a hero who crumpled under weight and pressure, while Leinth, who idolized her, was part of the so-called ‘problem’. Both women suffer tremendous psychological torture in the process of being made into Handler’s perfect pets, and both women eventually suffer entire personality collapses; remade into her ideal dogs.
We’re treated to their continued growth - as assets, and as animals - throughout the chapters following their respective debuts; in time, Leinth becomes a perpetual runner-up, while Sartha shifts from a deified icon to a collapsing mess.* There’s much to be considered about what remains of the fabric of the soul of these two characters; whether or not they can even be considered recoverable, or even human is entirely up for debate.
What is not, however, exists outside of the text; these two have provided a hell of a beacon for burgeoning members of the community to latch onto, idealize, and subsume in place of their own identities. You could drag a hand across Bluesky’s ocean floor and come up with a fistful of wriggling, blonde animals; each special in their own way, each bearing the same name. You’d find less Leinths, of course, as she’s always second best, but they exist too; in the shadows of their more prominent counterparts, perpetually rubbing themselves against whatever discount leathers they can find.
Nevertheless, it is the sheer existence of these template identities - and the vast number in which they have appeared - that has granted WARHOUND a reputation as a certified cognitohazard. As far as the eye can see, stories persist about women who’ve found their partners reading this wretched tome, and thought nothing of it, only to find their beloved entirely overwritten by Ancyor’s pilot; personality-cucked by some dumb blonde dog from fiction. Jokingly phrased cautionary tales abound, alongside other warnings about not feeding your wife to snakes, and minding your spending impulses when you cross through a certain borough of the United Kingdom.
Despite this, I’m not so sure cognitohazard is the right term.
While i’m not one to diminish the threat level of my dear sister (she’s plenty capable of girlruining en masse), I think there’s something else to the way that people have flocked to identifying as Sartha Thrace, to becoming her and embodying her. Sartha is, at her core, a victim of autonomy loss; in her weakest state at the end of RESCUE HOUND, we see her unable to discern thoughts posited by herself earlier in the conversation as her own, or thoughts that Handler fed to her. She is, in effect, a puppet for a better woman, a semi-sentient megaphone, a dog-shaped carrier pigeon. Her higher faculties are more or less eroded entirely, and even if we see her with a bit more cognizance later on, she craves the dull feeling of that utter annihilation in any moment of adversity or stress, as seen at the end of SHOWHOUND.
It was at this moment that I really saw the appeal of becoming Sartha Thrace; when pressure gets high and push comes to shove, you can beg to sink into the mud and become nothing again, dark and dead as the day you were born. It is, of course, likely far more complicated for most than just this reason; it likely intermingles with the burnout from trying your hardest endlessly, and the expectations thrust upon our collective whole to even receive a modicum of the respect that cisgender folks take for granted. To embody Sartha Thrace is to look at the body of one’s work and all of the laurels that should have come with it, and say, ‘enough.’
A blissful non-existence is better than trying (and failing) to earn the respect of those who will only ever see you as aberrant.
In a prior essay, I wrote at length on my thoughts about Leinth Aritimis, and why I (along with many others, I’d assume) take her as our patron saint; I won’t dredge those words back up here, but I will stand by them as they are. Leinth’s existence is, partially, about an inherent wrongness or misdeed, a cardinal sin in continuing the deification of a golden calf that wanted nothing but to be allowed to be average. Leinth is a bad dog, craven and guilty and, at times, violent; she needs absolution, which she is eventually given by Handler, even in the face of repeated, perceived failures. She is allowed to fail, allowed to underperform, allowed to suffer - no matter what she endures, her Mother God will tell her that it was worth it, that she is forgiven, that she can live unburdened by all that she’s done.
Wouldn’t that be nice; eternal forgiveness in exchange for the low price of a sapience that, more often than not, weighs us down?
In looking more thoroughly at mechsploitation as a whole, loss of autonomy is a common fate for a great many characters occupying various places on the power scales. For instance, WARHOUND’s own Kione Monax gives up her freedom as a mercenary - and is implied to have given up more in ARCHON - in exchange for a position of ‘superiority’ under the Handler-General. Steel Jaws Speak No Evil’s Handler Delta suffers a similar near-unmaking in the process of reaching her own apotheosis; multiple times, she’s left to dwell with Sigma’s hounds, and multiple times, she nearly falls to their level, while Hekate’s Call’s Elisabeth Crater is shown at a point to be little more than a vessel for beloved bad-girl Morian Kyrnn’s thoughts and desires. Even MYRMIDON - which strays a bit away from the traditional path of mechsploitation - sees its protagonist, Mel Heydari, eventually lose her last bits of humanity to the evil Lotus-beast in her mind.
Yet, these characters don’t evoke the same response; there aren’t a horde of Craters or Deltas or Heydaris banging on the bay door to lose their own identity in place of another. It’s certainly not for the quality of their writing, as the above works make up my personal formative foundation for writing mechsploitation as a whole; rather, I think it has to do with the way that these characters manifest within the literature, and the way the dregs of their autonomy retained as Handlers or superiors still allow them to play pretend. Alternatively, in Pilot One’s case, their loss is portrayed as so grave and so vile that it is somehow worse than keeping one’s cognizance.
There is, of course, a limit to it all; to be so blissfully unaware that you lose the ability to discern what real harm actually is, to be beaten so severely that the endings of your nerves cease their functioning, to stare into the eyes of the one who holds you and let her tell you that you’re okay before you even have to think about it.
In some of mechsploitation’s cruelest writings, these, too, are out of the realm of possibility.
Mechsploitation is a predominantly transfeminine community, with many stories carrying the lived experiences of those contained therein in some form or other. For me, even the darkest and most depraved pieces of mechsploitation fiction - from my own hand or the hands of others - have aligned with certain events from my past, or thoughts I’d been too afraid to vocalize up until the point that they were ripped from me through narrative. We see our suffering splayed out across pages and pages of erotic fiction, and in some cases, we see an end to that suffering close at hand.
It’s understandable to me that mechsploitation has gained popularity in a time when Christo-fascism is on the rise in a world superpower, and in a time where other world governments are aggressively cracking down on or attempting to criminalize the existence of transgender people at their core. Escapism comes in many forms, and in its recent increase in popularity, the creativity in the mechsploitation niche has blossomed right alongside it, with topics covering a wide variety of settings and scenery. It’s been said that the genre’s flexibility as a whole - in being a story loosely involving mechs, predominantly focused around erotic lesbian hypnokink - was one of its strongest suits, and I tend to agree.
Through its flexibility, people are provided various avenues of escape; through its flexibility, if one story and setting won’t work, another may. Readers may find themselves drawn to characters that more thoroughly resonate with the core of their souls, or lived experiences, and find a better avenue for escape through them, or a pathway to rest.
With life being as hard as it is, it’s no wonder that so many of us want to simply have the lights put out for good.
It’s one of the things that’s struck me as being missing from many of the critiques of mechsploitation as of late; that it’s an avenue to create a set-dressing around which to write petplay, or a way for transfeminine individuals to play out their desire for the acceptance of an abuser, or simply a gateway to more depraved kink scenes. In a way, I can see where these critiques are pulling these thoughts from, but think that they miss the larger point.
At its core, Mechsploitation is about handing over the keys to your autonomy to a Mother-God and hoping for the best.
That Mother God could be anything - a leather-clad Handler, an apparition of a demon-mech in a lake, a vast and boundless hyperintelligence - so long as it carves out the vestiges of what a would-be hound once called a soul, and replaces it with something wholly and entirely manufactured, purpose-built for endless obedience and the completion of orders conferred unto it. It still exists in a shithouse, awful, collapsing world wherein we see fascism enshrining itself at the top of the foodchain, but then again, so do we.
Therefore, if we have to share this world with the architects of our own destruction and breathe their air, we’d rather be utterly unaware of the whole of it.
To take a brief sidebar, prior to my current job I used to work in healthcare access for transgender and nonbinary individuals, working with students on an individual basis to try and navigate their insurance systems and seek approvals for medication, for primary care providers and endocrinologists, for surgeries and authorization letters and documents of support. This was a gigantic pain in the ass, and more often than not, companies would wait as long as they possibly could to deliver notices of denial, or to inform patients that they were missing documentation, and thus their surgeries would be postponed if they couldn’t afford to pay five-to-six figure costs in full on their own dime; surgeries with waitlists that spanned months to years.
More often than not, these meetings ended with students in tears as we tried, desperately, to bridge gaps wherever we could, and I had many difficult conversations around the reality of having to push a surgery off when a hail mary failed. At this time, the government was not actively seeking to harm transgender individuals seeking medical care in the way it is now, or criminalizing their existence to such a vast extent; in more than a few ways, doing that same work now feels like it’d be nearly impossible, and that was with a hefty bit of support behind it. To try and interface with those same systems in this day and age, alone, is nearly insurmountable.
Really, interacting with any system as a transgender woman feels nearly insurmountable, especially early on in one’s transition. Many individuals within Mechsploitation’s primary community spaces, like Bluesky, tend to trend younger as well. They find themselves facing a horrid wall of harmful legislation, hateful rhetoric, and legislative forces that seek to push them out of public life - or existence entirely - through whatever means are necessary.
To that end, I find it hard to criticize individuals who find some level of warmth or comfort in the identity of another, especially if that identity originated in a space where the very real concerns of our day and age are simply pushed out of focus in place of deeper, more prominent existential horrors. If a girl is to find comfort in the idea of being Sartha Thrace, even if she’s one among many, what harm is she truly causing? If someone’s to find enjoyment in kayfabing themselves into an eminent, domineering presence, so long as they’re playing safely, does allowing them to do so cause damage?
I’d argue that it doesn’t - and further, I’d argue that these works bear no inherent responsibility to be important, to have a call-to-action, to meet the moment. Writing can be a potent tool for enacting great, sweeping change, but it doesn’t always have to be; the point of the smut can just be that it’s smut, rather than having to carry some grand message along with it.
In this day and age, I’m not going to be one to flay someone for finding escapism through it, or enjoying porn for being porn, as it’s far better than the alternative of collapsing entirely on oneself in the overwhelming onslaught that we find ourselves buffeted by on a daily basis.
Instead, I acknowledge the material reality of our world, which sucks ass, and evoke the idea that we should find our escape while also working to better what we can in our lives. I can’t solve every issue that faces our community, or even my local community, but I can damn well try to make the lives of those around me better, even marginally. I fight like hell each morning to tell the people that I love that I love them, to make sure they know that I’m in their corner, and so long as I’m doing that, I can fuck off and play evil rabbit on the timeline forevermore.
I invite you to find what you fight for - however small - and take care of yourself outside of that, however that appears.
It’s the best thing we can do.
-
*maggie’s note: as HELLHOUND is not yet released for free, some of the information on standings of these characters may be outdated; you should seek out Callie’s work for the full truth :)
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality✓ Free Actions
Free to watch • No registration required • HD streaming
Guys do u know that one meme where there's a girl and like a bodyguard (???) ordering drinks and the waiter give them the wrong drinks so they switch them on the last panel,???????? BECAUSE I C1NT FING IT^
i hate that i'm unironically fantasizing about this
massive group of thrillchasing angels who pass around a succubus until they somehow manage to reduce a demon of lust to an incoherent, babbling puddle of drool and cum crying from overstim but still begging for more