Hybrida 11, 2024 102x72 cm Coloured pencil and pencil on paper
he wasn't even looking at me and he found me
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
Claire Keane
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Jules of Nature
Sweet Seals For You, Always

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The Bowery Presents
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I'd rather be in outer space 🛸
Xuebing Du
hello vonnie
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Aqua Utopia|海の底で記憶を紡ぐ
cherry valley forever
untitled

tannertan36
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@anaissenli
Hybrida 11, 2024 102x72 cm Coloured pencil and pencil on paper

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hybrida 10, 2024 42x56 cm Coloured pencil and pencil on paper
Hybrida 9, 2023 102x72 cm Coloured pencil and pencil on paper
Hybrida 7, 2022 120x80 cm Calligraphic pen, coloured pencil and pencil on paper
Hybrida 5, 2022 120x80 cm Ink, water colour, calligraphic pen, coloured pencil and pencil on paper

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Hybrida 5, 2022 120x80 cm Ink, water colour, calligraphic pen, coloured pencil and pencil on paper
Untitled 2022 56x42 cm Calligraphic pencil, coloured pencil and pencil on paper
Untitled 2022 42x29,7 cm Calligraphic pencil, coloured pencil and pencil on paper
Untitled 2022 42x29,7 cm Calligraphic pencil, coloured pencil and pencil on paper
Untitled 2022 40x30 cm Calligraphic pencil, coloured pencil and pencil on paper

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Untitled, 2022 40x30 cm Calligraphic pen, pencil and coloured pencil on paper
Excerpt from “Linea Fusca”
4K video loop, 20 min., 2020 Text: Eirik Sördal and Anaïs Senli Sound: Stephen McEvoy Voice: Ania Nowak Camera: Mireia Guzmán Video editing: Anaïs Senli Flesh: Pilar Fonseca, Ignacio Español, Emil Sær Senli Sördal, Eirik Sördal and Anaïs Senli
What kind of material agency does a pregnant body have? How do we distinguish ourselves from others? If an organism is defined by its capacity to exist in solation, how is the body of a pregnant woman classified? How does the maternal experience affect our subjectivity? Who embodies a mother? Linea video was produced by Anaïs Senli in collaboration with her partner Eirik Sördal, and the participation of various family members. The video explores their first months of motherhood during the pandemic, while entering into speculative terrain in order to go beyond personal experience. Linea Fusca proposes an aesthetic reflection on the political potential of an ethics based on human co-dependence and the value of care, understood as collective cooperation. The video also analyzes the experience of maternity from a phenomenological, posthumanist and hydrofeminist perspective in which the elements of flesh and water serve as a fluid connective tissue to generate speculative entanglements with human and more-than-human agents. Therefore, Linea Fusca reflects on the fluid interactions in our bodies of water and flesh to investigate reproduction as a process based on the experience of otherness, both during and after pregnancy.
Hybrida 4, 2022 Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper, 180 x 140 cm each
Hybrida 3, 2022 Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper, 180 x 140 cm
Hybrida 1, 2022 Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper, 180 x 140 cm
Plants seem to inhabit morphologies, timespans, life cycles, and desires that are alien to us, even inaccessible. The role of hybridization, crucial for survival in the botanical world, becomes a speculative strategy for Hybrida.Thanks to the imaginative possibilities of drawing, Hybrida is an invitation to envision different forms of corporeality and new affective and ethical relationships in order to become-with-others. Cells, tissues and other life components give rise to a porous and intimate corporeality that points towards the importance of affective networks between the human and non-human in times of climatic emergency.

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Installation view at Aliens are Temporary Kunstraum Kreuzberg/Bethanien, Berlin
Hybrida, 2022 Oil, ink, watercolour, pencil, calligraphic pencil, and tempera on paper, 180 x 140 cm each
Plants seem to inhabit morphologies, timespans, life cycles, and desires that are alien to us, even inaccessible. The role of hybridization, crucial for survival in the botanical world, becomes a speculative strategy for Hybrida.Thanks to the imaginative possibilities of drawing, Hybrida is an invitation to envision different forms of corporeality and new affective and ethical relationships in order to become-with-others. Cells, tissues and other life components give rise to a porous and intimate corporeality that points towards the importance of affective networks between the human and non-human in times of climatic emergency. @anais_senli
Part of "Aliens are temporary - a mutating tale" at Kunstraum Kreuzberg.
Curated by Sonia Fernández Pan @sf__pan, Sylvia Sadzinski @sylv_inski, Anaïs Senli @anais_senli
Opening of the 1st Mutation of Aliens Are Temporary at Kunstraum Kreuzberg/Bethanien. Curated by Sylvia Sadzinsky, Sonia Fernández Pan and Anaïs Senli
With works of:
Lúa Coderch FRKTL KAYA (Kerstin Brätsch & Debo Eilers) Verónica Lehner hn. lyonga Naomi Rincón Gallardo Anaïs Senli Janaina Wagner