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John Anster Fitzgerald - Fairies Looking Through A Gothic Arch (c.1864).

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Mönche beim Vergraben einer Goldtruhe bei Mondschein (1889, Öl auf Leinwand) - August von Wille

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Hermann Kaulbach, The Fairy Of The Moon, 1891

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Enid and Geraint (1907) by Rowland Wheelwright (Austrian, 1870 – 1955), oil on canvas, 184.7 x 123.8 cm (72 1/2 x 48 1/2 in), Private Collection

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The Path of True Love Never Did Run Smooth (1896)

by Talbot Hughes

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‘Girl and Crow’ by Okada Chiaki

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'Carmine the Crow' by Heidi Holder.

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Church on the Hill (Paul Unbereit, 1914)

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Adam Oehlers (@adamoehlers)

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Edward Robert Hughes - Wings of the Morning (ca. 1905)

'My idea in this picture is to make these creatures welcome the dawn, which is slowly creeping over a range of mountains for the most part in shadow, and only the highest peaks being touched by rosy light. The sky, however, is a mass of cirrus clouds high enough to be well coloured by this same light - so making a kind of confusion with the many fluttering bird's wings, surrounding and accompanying the huge wings of the supernatural girl flying towards dawn. Below and beneath all this welcome gaiety and light as though fleeing from them into the darkness that lingers are the winged things of night.' (Beresford, p. 116).

(Letter from E.R. Hughes to Edward Knox, original owner of Wings of the Morning, 24 February 1905, archives, Art Gallery of New South Wales, Sydney.) (source)

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Lawrence Koe - Venus and Tannhäuser (1896)

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Charles Courtney Curran - Venus veiling Pandora (1914)

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Souls on the Banks of the Acheron by Adolf Hirémy-Hirschl (1898)

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Tristan and Isolde (1901)

by Antoon Welie

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Prague Cathedral (1911)

by Friedrich Frank

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