I think when you correctly identify a trauma that is the base of a woe of yours it should just disappear. It should be like "aaahh. you got me" and vanish and leave 100 dollars behind
Stranger Things
Today's Document

Kaledo Art

blake kathryn

tannertan36
🪼
Sade Olutola
will byers stan first human second
AnasAbdin

if i look back, i am lost
hello vonnie

shark vs the universe
Cosimo Galluzzi
DEAR READER

★

sheepfilms

Product Placement
Lint Roller? I Barely Know Her

seen from United States

seen from France
seen from Hong Kong SAR China

seen from United States

seen from Canada

seen from United States

seen from Malaysia
seen from Uzbekistan

seen from United States

seen from Iceland

seen from Malaysia
seen from United States
seen from United States
seen from United States

seen from Japan

seen from T1
seen from United States
seen from United States

seen from United States
seen from Netherlands
@amphorographia
I think when you correctly identify a trauma that is the base of a woe of yours it should just disappear. It should be like "aaahh. you got me" and vanish and leave 100 dollars behind

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I thought about just tagging this 'nuff said, but it's not.
I want to say something to all of the women under 50 on this site. Ready? You do not have to be over 50 to start taking up space.
Can I make that blink? Is that a thing Tumblr can do? Because, seriously. The sooner you believe you are allowed to take up space, the better life will be.
this is from the 2000’s btw
Looks like @staff mistakenly censored this comic, which is an ironic and very funny thing to happen
Here it is again. You might want to save it just in case an accident like that happens again
EDIT: HMM. LOOKS LIKE OP WAS BANNED TOO. WHAT A FUNNY. IRONIC. ACCIDENT
My favourite pass-time is taking stories too seriously. It may not be that deep but I brought a shovel, my imagination and PhD-level media literacy skills. Let's get angsty, nuanced and queer.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This is an anti-despair checkpoint! You must share something you're looking forward to before scrolling on.
I usually tell my students that “close reading” means looking at what is actually on the page, reading the text itself, rather than some idea “behind the text.” It means noticing things in the writing, things in the writing that stand out. To give you some idea of what this means, I’ve made up a list of five sorts of things that a close reading might typically notice: (1) unusual vocabulary, words that surprise either because they are unfamiliar or because they seem to belong to a different context; (2) words that seem unnecessarily repeated, as if the word keeps insisting on being written; (3) images or metaphors, especially ones that are used repeatedly and are somewhat surprising given the context; (4) what is in italics or parentheses; and (5) footnotes that seem too long. This list is far from complete—in fact, no complete list is possible—but the list is meant to begin to give you an idea of what sorts of things we notice when we’re doing close reading.
What all five of my examples have in common is that they are minor elements in the text; they are not main ideas. In fact, your usual practice of reading which focuses on main ideas would dismiss them all as marginal or trivial. Another thing they have in common is that, although they are minor, they are nonetheless conspicuous, eye-catching: they are either surprising or repeated, set off from the text or too long. Close reading pays attention to elements in the text which, although marginal, are nonetheless emphatic, prominent—elements in the text which ought to be quietly subordinate to the main idea, but which textually call attention to themselves.
Most of you have been educated to ignore such elements. You have been taught to seek out and identify the main ideas, dismissing the trivial as you go. This has had to be trained into you: read to a young child sometime, you will notice she has the annoying habit of interrupting the flow of the story to draw attention to some minor thing. Close reading resembles the interruptions of that child. It is a method of undoing the training that keeps us to the straight and narrow path of main ideas. It is a way of learning not to disregard those features of the text that attract our attention, but are not principal ideas.
Jane Gallop, “The Ethics of Close Reading: Close Encounters,” Journal of Curriculum Theorizing, Vol.16, No.3 (Fall 2000), pg.7-8 (x)
This doesn’t include the best bit of the whole thing - she found the Twitter thread!
This is like one of those romance novels where people bond over accidentally writing each other emails but better.
Like Pride and Prejudice but instead of the love interest getting dissed for his toxicity and then reforming, it’s just two people bonding over dissing a dead toxic asshole.
10/10 would recommend
DEAD BOY DETECTIVES | THE CASE OF THE VERY LONG STAIRWAY
Sorry. No version of this where I didn't come get you, is there?
I actually love how this whole confession scene played out. Charles isn't saying "I don’t feel the same way." He's saying "I feel so much for you and I love you in so many ways that I don't know if one of those ways is romantic but that's ok because I will never leave you and we have time to figure out what love between us can look like."
And you can tell that Edwin understands exactly what Charles is saying. That the bitter aftertaste of his (romantic) love being unrequited is quickly washed away by the reassurance that he will never lose Charles. That he is allowed to love him and there's a chance it won't be one-sided forever.
It's genuinely so beautiful

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
So these cases matter. They have to matter.
I’ll cry if I think about them for too long but you’re Charles Rowland you’re a biracial punk and you’ve been getting the shit kicked out of you by your father your entire life but you see a Pakistani kid getting beat for being Pakistani and you can’t help it, you’re afraid but you stop it. You’re half Indian why are you any different? The racist little white boys agree. They beat you too. You make it away. You’re cold, so cold and something’s very wrong with you, and then you see a light. But you’re not dead. It’s another boy your age and he tells you he’s dead. He died in this same shitty boarding school and he reads you a bedtime story as you fall asleep. You’re dead now and he’s still here. He knew you were dying and he didn’t want you to be scared. He crawled out of Hell and the first thing he did was comfort you as you lay dying.
Why wouldn’t you run from death with him? Why wouldn’t you spend your eternity with him? Why wouldn’t you love him?
inspired by:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
humiliating to be attracted to a conventionally attractive person. I thought I was a more sensitive and refined pervert than this
the author's barely disguised longing for a kinder world