Amblagar Studio

rainbow mountains (peru)

red soil (canada/PEI)

rings (saturn’s if they were on earth) 

bioluminescent waves

northern lights (canada)

salt flats (bolivia, where they filmed crait but did NOTHING COOL WITH IT except red dust?? like??? come ON)

and cool fauna like the touch me not or like, you know, the venus flytrap.. and don’t get me started on BUGS like… we have bugs cooler than sw aliens

Tsingy di Bemaraha, Madagascar

Zhangye Danxia, China (similar to the Rainbow Mountains in terms of appearance)

Chocolate Hills, Philippines

Giant’s Causeway, Northern Ireland

Quebrada de Humahuaca, Argentina

Lake Retba, Senegal

Tepui, Venezuela

Tsingy du Bemaraha, Madagascar again (but a different part)

(those are razor-sharp, if you were wondering. very little of this area has been explored because YIKES)

Lake Natron, Tanzania

(looks cool, but is alkaline enough to Kill Your Shit)

Lake Baikal, Russia

(the deepest lake in the world, seriously)

and I’ll wrap it up with Son Doong Cave, Vietnam, the largest cave in the entire world.

it puts anything Dagobah has to offer to absolute shame:

(seriously, the largest chamber is 660 feet high. you could jam a fucking skyscraper in there and still lose it) 

adjustment layers: specifically the hue/saturation slider in this case, allows you to color correct quickly

lasso tool: for sharp edges!

alpha lock: useful for painting within a pre-defined area (especially useful when painting characters)

x (hotkey) : toggle between foreground + background colors- let’s you easily blend between 2 colors

ctrl/cmd click : quickly change current active layer. Especially useful if you’re burdened with too many layers (or just very disorganized)

clipping mask: similar to alpha lock, but can add details without changing/ painting directly on the previous layer. I often use them to test out + apply gradients.

layer styles: I didn’t use any in this image, but the possibilities for layer styles endless, from simply adding a quick outline (useful for die cut demarcations when making stickers!) to creating more seemingly complex appearances. Here’s a gif of Nick Carver using layer styles (a combo of drop shadows + inner shadows) to quickly make the illusion of snow but with simple strokes.

Here’s the link to the full snow clip! ending on this:

I think this one is pretty important.

Often, we get worse before we get better. It usually happens after learning something new and trying to put it into effect- When we shake off an old habit and try to better ourselves. You might find that your art actually starts looking WORSE. Maybe you overcompensate and focus on the new thing too much. This can leave you feeling like you should just go back to how you did things before.