Billet-doux Blackout series: 5 find out how to get involvedĀ
Dear,
I donāt expect. I hope. I hope.
Thank you.
Stay safe. Take care.
xoxo
styofa doing anything
we're not kids anymore.

ellievsbear

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
taylor price
macklin celebrini has autism

Kiana Khansmith
he wasn't even looking at me and he found me
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d e v o n
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Lint Roller? I Barely Know Her
Sade Olutola
Cosmic Funnies
cherry valley forever

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Billet-doux Blackout series: 5 find out how to get involvedĀ
Dear,
I donāt expect. I hope. I hope.
Thank you.
Stay safe. Take care.
xoxo

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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i-D december 1992
PHOEBE BRIDGERS By Frank Ockenfels for Vulture (2020)
āBeloved,Ā Ā Ā Ā I miss you so dreadfully. Not in a desperate or melancholy way, because I know we shall soon be with each other again, but I feel at such a loss and just canāt get it into my head that youāre not around any more. This morning, half awake, I put a hand out to feel for you, then remembered you werenāt there, so I got up very quickly to escape the emptiness. And worked all day.āĀ
ā Excerpt from a letter from Tove Jansson to Tuulikki PietilƤ, published inĀ Letters From Tove, trans. by Sarah Death; Sort of Books, 2019Ā Ā

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Art + Chilling on a Green Sofa
āHe is lounging on the olive green velvet sofa with two patterned pillows. Very focused in. (No eliminations.) Very French. Also a bit, alas, Sargent.ā
ā Joe Brainard, letter to Fairfield Porter, 1973
Ramon Casas, āJove decadent. DesprĆ©s del ballā (1899) / Joe Brainard, āWhippoorwillā (1973) / John Singer Sargent, āNonchaloir (Repose)ā (1911) / Salman Toor, āEast Village Apartment IIā (2017) / Joe Brainard, āUntitled (Whippet on Green Couch)ā (1973) / John Lavery, āThe Green Sofaā (c. 1903)
āEngland has always been disinclined to accept human nature.ā Maurice (1987)Ā dir. James IvoryĀ
Stephen Henderson on the work of Henry Dumas, Knees of a Natural Man: Selected Poems of Henry Dumas
[Text ID: Poetry as time warp. Galactic intertextuality. Descent into Hell. Into self. Music of the blood. Music of the stars.]
Black Panther Party - Black Power, 1960s
You must have come here to destroy. The destruction youāve caused in me couldnāt be more complete.
Teorema (1968) // dir. Pier Paolo Pasolini

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Margaret Atwood, from āThe Woman Who Could Not Live With Her Faulty Heartā,Ā Selected Poems II: 1976 - 1986
gardensĀ in art š
jardin benlliure by jose benlliure gil / mission san juan capistrano by gustave baumann / glorieta al atardecer by santiago rusiƱol / jardĆn by eliseo meifren i roig / milton park by cressida campbellĀ / kikiās delivery service by studio ghibli
Flowers by Irving Penn
What an amazing! poem!
It is the morning
And I step out of bed onto the wooden floor
It creaks and sinks back down to its spot and the cracking is heard throughout the house
It echoes as if it were a place of abandonment, a stolen whisper.
The world outside is usually quiet in the mornings but recently it is quiet all day, apocalyptic and desolated.
However, the sunset draws people more than the sunrise.
As we crowd the beachās shore only to be sent home again to safe seclusion.
Is it wrong that I donāt care although I know I am supposed to?
There comes a point where youāve been inside so long you have to turn to your corners for inspiration
and drag yourself from your bed to live the day, although there is not much to do or much to live for
or maybe there is too much to do and not enough motivation to do any of it.
How many daily strolls and 6 feet apart conversations can we have without going completely mad?
Iām getting tired of looking at my phone and painting and writing,
my hands are permanently molded to the shape they make when holding a pen or paintbrush.
I feel exhausted being alone with my mind all day.
There are even parts of my day where I stare deeply into the paint on the walls that surround me for what feels like hours, although it has only been minutes.
There comes a point when you ask the day to end, when you want all of this to be over
As if you hold a remote in your hands with the buttons fast-forward and pause.
Is it strange that I think I have always been living my life like this?

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Lyonel Feininger :: Untitled (Night View of Trees and Streetlamp, Burgkühnauer Allee, Dessau), 1928. | src Houghton Library, Harvard University
Cyd Charisse and Gene Kelly rehearsing a dance number for Singinā In The Rain, 1952