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shark vs the universe
"I'm Dorothy Gale from Kansas"
Not today Justin
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
noise dept.

roma★
let's talk about Bridgerton tea, my ask is open

Origami Around
One Nice Bug Per Day

if i look back, i am lost
sheepfilms
🩵 avery cochrane 🩵

oozey mess
Interview Vampire Daily
EXPECTATIONS

izzy's playlists!
d e v o n
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@allottex3

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I went in the code again and saw the new Boop paws were vectors this time, so I converted them into some good sized pngs that are a little easier to work.
Save and share to boop your people later!
EDIT - if you're looking for the original svg files I posted them [here]
The dog days of summer are almost behind us! Despite what the name suggests, they were never really about dogs struggling through the heat.
The phrase comes from Sirius, the Dog Star, the brightest star in the constellation Canis Major. In the ancient Mediterranean world, Sirius’s appearance in the summer sky became associated with the season’s most intense heat.
This tiny garnet ring stone, made sometime between the 1st century BCE and 3rd century CE, depicts the head of Sirius—a fitting artifact for the final days of one of summer’s oldest expressions.
Image: Garnet Ring Stone with the Head of the Dog Sirius, 1st century BCE–3rd century CE. The Metropolitan Museum of Art.
A strangely efficient barnacle-eating critter. Despite being described in the original article, the use of the cartilaginous wheel dangling from its back is unknown, though it is depicted running along the cable behind the croppie as it works.
Just wanted to draw something fun and simple. Persephone (and Demeter) being foul-mouthed was just the thing.

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while ultimately it has to be stressed that mesopotamians generally didn't give deities animal body parts (with some niche serpentine exceptions), catgirl inanna would probably be more true to primary sources than the recurring modern idea of giving her bird legs is
Concept art of my original high fantasy story “The Sorceress of Leaf and Sand” ft. the titular 15-year-old mage protagonist Keiko Yamamoto riding Arashi the Quetzalcoatlus Wind God as he swoops down upon an airship of the Imperial Arpanian Air Fleet to snap up its lone Gatling gun-turret gunner. I’m still trying to figure out what the insignia of the Arpanian Empire, which largely operates on steampunkish technology, will look like now that it’s got streaks of purple here rather than the usual black and red, (in order to distinguish it from the rival dieselpunkish Thubanian Empire’s mix of Navy Blue and White flag colors) and the final iteration of the design will soon appear in future concept art (which will also expand upon the story’s lore), so stay tuned…
The first complete draft of The Sorceress of Leaf and Sand can be read/seen here:
TSOLAS Concept Storybook — artwork by MakairodonX on DeviantArt. Conceptual poster for the story made in pencil · After several months of d
a lot of anti-historian stuff comes across like “i want history to be simple and i am suspicious of people who tell me it’s not” and this is a thing you see from people on any place on the political spectrum
" I'll go anywhere you want,
Anywhere you want me. "
I also got a suggestion to draw Hermes Psychopompos, my favorite aspect of Hermes.
What are some interesting interactions between pre islamic arabian mythology and mesopotamian mythology?
I guess the answer depends on how you define “pre-Islamic Arabian”.
It should be noted that different categories of sources pertaining to pre-Islamic Arabia cannot be necessarily treated as a part of one coherent whole (Peter Alpass, The Religious Life of Nabataea, p. 32). Accordingly, this response will be divided into sections roughly corresponding to agreed upon cultural spheres - Dilmun (Bahrain), northern Arabia, the late antique Syrian cities (Hatra and Palmyra, mostly) and southern Arabia (which had very little to do with Mesopotamia).
Dilmun
The best documented cases of Mesopotamian engagement with Arabian deities are Inzak and Meskilak from Dilmun, ie. Bahrain (plus Failaka and a part of the coast). Long ago I wrote their wiki articles, which should still be more or less up to date, so if you want to know their history in detail simply check those out. As far as specific curiosities go, both already appear in the long poetic composition inscribed on the cylinders of Gudea (Dietz O. Edzard, Gudea and his Dynasty, p. 78):
It’s still debated if the varying Mesopotamian spellings of their names - like those in the passage above - are to be taken as attempts at providing them with Sumerian etymologies (ex. Jean-Jacques Glassner, Dilmun, Magan and Meluhha: Some Observations on Language, Toponymy, Anthroponymy and Theonymy, p. 241), or if their names are actually Sumerian in the first place (ex. Piotr Steinkeller, The Birth of Elam in History, p. 198). In the Old Babylonian period, one particular variant of Meskilak’s name - Ninsikila - might’ve contributed to my favorite case of a deity’s gender shifting, the transformation of Lisin’s spouse - also named Nisikila - from a god into a goddess (Julia M. Asher-Greve, Joan G. Westenholz, Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources, p. 103). In roughly the same period, both Inzak and Meskilak got to appear in a number of Mesopotamian myths, too. For example, here’s a passage from Enki and the World Order mentioning the latter (Jerrold S. Cooper, Enki and the World Order. A Sumerian Myth, p. 39):
She’s actually the very first deity appointed by Enki to rule over a region or activity, which might reflect the importance of trade with Dilmun (ibidem, p. 160). It seems that, at least in Mesopotamian imagination, Meskilak had some special connection with him in general, since she also appears in association with him in Enki and Ninmah (ibidem, p. 135). Coincidentally(?), Inzak was associated with Enki in some capacity in Dilmun (Khaled Nashef, The Deities of Dilmun, pp. 345-346) and, perhaps unexpectedly, in Susa in Elam (Wouter Henkelman, The Other Gods Who Are: Studies in Elamite-Iranian Acculturation Based on the Persepolis Fortification Texts, p. 307). In sources from the first millennium BCE, Inzak was also associated with Nabu; in one case his name is used as a cryptographic spelling of Nabu’s (Wilfred G. Lambert, Processions to the Akītu House, p. 62). This association might be related to a bizarre attestation of Inzak from the syncretic hymn to Nanaya from the first millennium BCE, in which he and Meskilak are apparently treated as one and the same; while “visiting” Dilmun Nanaya instead claims the identity of an otherwise unknown goddess, Šuluḫḫītum (Manfred Krebernik, Šuluḫḫītum in RlA vol. 13, p. 288). No strong evidence exists in favor or against viewing her as a genuine Dilmunite deity. Zarpanit’s alleged Dilmunite counterpart, Laḫamun, is in a similar situation too (The Deities…, pp. 348-347). In the incantation series Šurpu, both Inzak and Meskilak appear in a sequence of apparently marine-themed deities, with Lugala’abba (“king of the sea”), Lugalidda (“king of the river”) and the Mesopotamian god of the Persian Gulf, Laguda (Manfred Krebernik, Meskilak, Mesikila, Ninsikila in RlA vol. 8, p. 94). The rest of the response is more meandering and offers less direct evidence, so it is to be found under the cut.

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is he afraid to be sued by current atlus employees since he's not a part of them anymore?
The tweet deletions wouldn't be out of fear of lawsuits, but instead maybe a mix of notions of respect in Japanese culture and perhaps some nudging by COLOPL to stop tweeting entirely about games not made by them. But anyway, hot off the presses:
The Fun Is Kanekover
これから僕の古巣の会社の作品についての質問にはお答えしない事にします。 また過去のポストも消しますので、楽しみにしてくださった皆さま、ご容 From now on, I will not answer questions about the works of my former company. Also, I will delete past posts, so to everyone who was looking forward to them, please forgive me.
At least we learned a lot of cool stuff!
Eidolon of Time Ch. 1-3
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River monsters capable of dragging animals as heavy as elephants down into the depths of the Ganges. Boasting both a firm grasp and a hefty bite, the ceruleum lurks beneath the river surface.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Evidence of the time I made Arioch and Mara in 3D Dot Game Heroes in May 2010.
Rochdale's Baum Rabbit was a horrific phantom that haunted around the graves around the Church of St. Mary in the Baum. It was said to be intimidating to many a nighttime pedestrian, particularly the drunken ones coming from the nearby pub.