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celestia is such a funny character like she's constantly manipulating twilight and friends to do shit instead of just asking and you could arguably frame that as being bc she's a "god" and pushing fate to her design or whatever, except that she engages with the group like a normal and relatable person, which makes it more like villainous machinations, except 90% of this manipulation goes towards things like "I don't want my party to be boring shit again. put my little country girl blorbos in there with zero prep so they fuck it up bad"
Celestia instantly makes more sense as a character when you ignore the princess stuff and remember that she's a 1000+ years old wizard. Of course she does manipulative trickster stuff to teach moral lessons and/or cause chaos to amuse herself, that's classic wizard behavior. Of course sometimes she's actually socially awkward and bad at personal relationships and has bad ideas that she thought were good that result in her eating shit embarrassing style, that's classic wizard behavior. Of course she lets the aristocrats and nobles run around being assholes she's still running on wizard advisor programming, she's basically trying to merlin the entire upper class of equestria instead of just a king and some knights. "Yeah uuhhh we'll release the incarnation of chaos himself from his ancient prison because we think this shy girl can be friends with him", terrible plan if you're thinking like a ruler, amazing plan if you're thinking like a wizard. Just look at Canterlot 'Castle' for five seconds and ask yourself if that's in any way a castle. No. Wizard tower, yes. Wizard.
It's June, motherfuckers, and you know what that means! Apart from firing a few rent-lowering shots to filter out the chuds from my following, it's probably also a good time to post a reminder that there are many strange ways to be queer, and this is one of them.
video transcript below the cut, may be slightly inaccurate, I tend to ad-lib when reading my scripts into voiceover
It's Pride Month, so if you'll forgive me I'm taking a two minute break from the One Piece, League of Legends, Marvel Rivals, Final Fantasy and Pokรฉmon shorts to tell youโฆ Sylveon is trans, Taliyah is trans, everyone on the Straw Hats is queer, there are no words to describe how queer superheroes are as a concept let alone how queer they all are individually, and here's a fun fact for you: Cloud Strife's story gets ten times better when you understand it as an allegory for a trans coming out experience.
As for me, well, I'm not trans, but I do occupy my own little space in the rainbow flags which looks like this. I am aromantic.
We are generally not as visible as many of our queer siblings, probably at least partly because it's kind of a difficult identity to even discover in yourself, you basically have to prove a negative.
But what is this thing, "aromantic"? Wellโฆ okay, let's say you're a straight guy, right. You know the way you feel romantically about other men? I feel exactly the same way, and then I also feel that way about women, and then also the same way about all of the other genders.
Now, aromantic often goes along with asexual, there's a lot of co-occurrence of the two, but not always, and that is my situation. Yes to sex, no to romance, which being a man, yes, I know, that just makes me the same as 90% of the men you match on Hinge. "Ha ha ha didn't realize "fuccboi" was an orientation now," I know. I get it. I understand. I have had all the same thoughts myself, especially when I was questioning.
Which is the difficulty with being aromantic, because in order to figure out that that's what you are, you have to prove a negative. I have never been in love, and I have no reason to think I ever will beโฆ but what if someday I meet The One??? What if there's a special divinely designated perfect soulmate out there, just waiting for me, and one day our eyes will meet across the room and it will be love at first sight forever?
And like. I can't prove that won't happen, anymore than I can prove that there isn't a flowery pink teapot currently hiding somewhere in the orbit of Saturn. And frankly, if it did happen, I wouldn't be mad. Why would I be? I would have a soulmate! That's a pretty big W, I think.
Butโฆ I've had over thirty years to encounter someoneโanyoneโwho can spark my romantic interest, and thus far, every challenger of every gender has failed. So either I am aromantic, or else you people have a skill issue.
Anyway, like anything to do with queerness, aromantic is a sprawling and diverse spectrum. You got your aroaces, aroallos, aroflux, arospikes, demiromantics, frayromantics, grayromantics, cupioromantics, there's a whole world of different experiences present under this umbrella. For me, though, just "aromantic" is fine. That's the broad label, that's the one I fall under, that's the identity I take pride in. Happy June!
Academy Award winner Marcia Lucas has died. While winning major awards for her work as an editor for Star Wars (alongside a team of editors, including Paul Hirsch and Richard Chew; some of her contributions outside of her work with George Lucas include Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York), she mostly disappeared from the public eye following her divorce and essentially retired.
While Marcia dispelled the belief that she singlehandedly saved Star Wars in the edit (and very passionately defended George's craftmanship and ideas, which she felt were undercredited, as well as the work of their team in general), there was a lot of work she specifically did and I thought it would be good to highlight just how much she did and give her credit where it is due. There is a lot that came from her that most don't know about. Most of those examples are from Howard Kazanjian's biography, A Producer's Life, published in 2021.
On some of the uncredited dialogue and story revisions for Star Wars:
On some of her work in Star Wars:
On having the iconic trench run on the Death Star as her biggest work while working on Star Wars:
On her uncredited work in The Empire Strikes Back:
On how her input changed the ending of Raiders of the Lost Ark:
On her joining the Return of the Jedi crew, an emphasis in finding the right cut for actors, cutting together footage of Luke in ROTJ after she and George disagreed with the characterization the director had given to Mark Hamill and unable to reshoot footage:
On editing the climactic ending in the Throne Room in ROTJ:
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There are multiple chapters that are set in hospitals where the characters are attempting to recover from injuries that never fully heal. I must once again stress that my experience in WWI was perfectly normal.
There is a giant horrible mudplain full of unrecoverable and perfectly preserved dead bodies that the characters have to walk through in a land where the air is poisoned gas, and on a compLETELY UNRELATED NOTE: WWI WAS TOTALLY FINE AND NORMAL!!
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
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I see your โRocky swears like a sailor but only in pitches humans canโt hear/refuses to teach Grace what those words meanโ and raise you โRocky swears like a sailor and now has to explain to Grace that โbad bad badโ isnโt actually a sequence you play on your Eridian speech piano in polite company.โ
Grace is both horrified and amused to realise that a more accurate translation for what Rockyโs been saying is โshit shit shitโ.
k but imagine Rocky wanting to learn about how humans became the apex predators of their planet so he has Grace โhuntโ him in the biodome as an experiment and during it he thinks Grace isnโt trying or taking it seriously which is bad bad bad because this is for research purposes
only for Rocky to get more and more tired as the experiment goes on just to realize that Grace isnโt which makes him panic so he puts as much distance as he can between them and finds a (hopefully) safe spot to sleep and when he wakes up the human is crouching over him like โgot youuuโ and Rocky has never shrieked so damn loud before in his life
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i think the key difference between george lucasโs star wars and disneyโs star wars is that lucas is a man with an ideology. someone with a point of view, and all that entails. which comes with ideas of revolution, anti-imperialism, challenging the status quo, cultural appropriation and racist stereotypes. complex and contradictory ideas because thatโs how artists are: complex and complicated people. disney is not. disney is a corporation. a corporation canโt have ideology, because ideology defeats the purpose of profit. and when the only thing you do is to turn on the movie manufacturing machine before you sit down and plan what ideas are you trying to convey to the audience, then your results are going to be washed out corporate garbage. and because when youโre a giant corporation who only cares about selling to the widest audience possible, you canโt take sides. you canโt decide on an idea. because you want to sell your product to people who are on the entire political spectrum. which results in movies without ideology, without purpose, without soul.
I have been looking for this post for years after I came across it and itโs finally here and I need to reblog this because it is absolutely and entirely accurate.
#as I always say: lucas was making a samurai film and a ww2 flying ace film and a western film and adding laser swords#because he fundamentally LIKED samurai films and dambusters films and westerns and 40โs adventure serials#but disney are making a โstar wars filmโ and adding nothing because it already had laser swords and they have nothing else to say#xerox of a xerox baybeeeee (via harrietvane)
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