Ali Cat X-ing

Everyday chasms.

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Also, when we move too much during an argument, or lean forward, it’s scary, and I never knew. I was even a little insulted at first, because surely she didn’t think I would hurt her. But see, that doesn’t matter. It wasn’t a sign that she mistrusted me specifically; it’s a conditioned response. (Although if you keep doing it once you realize it scares her, she SHOULDN’T trust you.)

Not every woman has been physically harmed by a man she trusted, but every woman KNOWS a woman who has.

I used to be horrible about this, because I didn’t realize how intimidating it was. I didn’t understand why the woman I was with clammed up or tried to tell me what she thought I wanted to hear, and I only got angrier, and acted even more like an asshole. It was wrong. It was abusive. It didn’t matter if I INTENDED it that way; it was still emotionally abusive. And it was inexcusable.

I get that when passions are high, and when you’re frustrated, it’s a natural tendency to let your voice get louder, to shout and gesture and lean forward. But you can train yourself to do better. You can train yourself to keep more of an even tone, to refrain from large and fast gestures, to not lean into her personal space. I did. I’m not perfect at it yet, but goddamn it, I WILL be.

History is littered with the bodies of women who believed a man “would never.” This includes women killed by men who honestly, deeply, truly believed they “would never”… right up until she said that one thing or moved in just that way and he just got so mad, just that once, and pushed her or punched her or slashed her or shot her… just once, y’know, to shut her up, or because she was flinching and didn’t she know that HE’S NOT LIKE THAT and I’LL TEACH HER TO BE AFRAID OF ME…

We are trained, from infancy, that Men With Loud Voices are a source of pain from which we cannot escape, and attempts to escape may result in more pain. And as soon as we’re old enough to comprehend a world broader than our immediate circle, a world that extends into the past and will run into the future, we realize that there is no way, no way at all, to tell which men “would never” and which men “would never… except if.”

We live or die on that “if.” And any man who doesn’t like facing that hyper-vigilance can work on fixing OTHER MEN, not women’s fear.

The reaction shouldn’t be “not all men are like that;” it should be “no woman should have to live in fear.”

I’m tearing up reading all these notes

I’m 6’2 and weigh 180lbs

1. will and elizabeth’s love story

2. elizabeth becoming pirate king

3. avoiding sexualizing elizabeth or the other female pirate characters in the first 3 films by allowing them to wear period-accurate pirate outfits that aren’t tailored to be revealing and impractical for ‘sex appeal’ just because they’re women

6. I run a corseting panel at cons and literally use Elizabeth’s lace-up scene as a video clip of what historical corseting was actually like, because the only thing they got wrong in this scene is that tightlacing wouldn’t be a thing for about another 200 years (and you couldn’t tightlace with the corset style Elizabeth is wearing anyway). It’s one of the most accurate corseting scenes I’ve ever seen.

7. Will’s hat.

8. That scene with all the pirates on the gallows where that little boy starts singing Hoist the Colours? Yeah, that’s fucking legendary. The rest of AWE was kind of a trash fire, but that scene gave me goosebumps.

9. There’s this great shot in the first one where they really drive home the class differences inherent in this time period by having the governor talking about progress and civilization to Elizabeth in their carriage, and then they cut to a shot outside the carriage where a beggar gets splashed by mud from the wheel. It’s a perfect way to underline that everything is not, in fact, a nice little upper-class fairytale, and to give some weight to Will’s storyline, because he has a lot more in common with that beggar than with the governor.

10. For its time, the CGI was fucking amazing.

11. And let’s not forget the work of the makeup department, which had to actually invent new ways of putting on makeup for this movie.

12. The governor’s death scene. Holy shit.

13. They could have gone with a Jack/Will/Elizabeth love triangle, but they didn’t. There are some hints Jack is in love (or at least in lust) with Elizabeth, but he recognizes that she loves Will, and that’s that.

Then… where do I go? I’m just at home muttering

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