Wicdiv #33 spoiler
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Kiana Khansmith
noise dept.
d e v o n

if i look back, i am lost
we're not kids anymore.
trying on a metaphor
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
taylor price
DEAR READER

â
Alisa U Zemlji Chuda

Origami Around

JVL
will byers stan first human second
occasionally subtle

Andulka

â
Cosmic Funnies
seen from South Korea
seen from Kenya

seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United Kingdom

seen from United States
seen from Malaysia
seen from Tanzania

seen from Pakistan
seen from Philippines
seen from United States
@alexanderluddite
Wicdiv #33 spoiler
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Moebius created over 1000 storyboards for the Alejandro Jodorowskyâs adaptation of Dune. 1000 boards all collected in that book Frank Pavich wields. HmmmmmmmâŚ.
All I want is for someone to publish this.
Typo London 2017
Untitled
March 2017
This MV director is magic

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Just sit with that.
What Happen ? | Atlanta, GA
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Photographed by: Shamaal
Lauren, Iain & MartinÂ
(insp.)
reblog if you want lesbian farmers to invade the rural south
I keep my spirits up with a different motivational background every day.
DEATH IS COMING, EAT TRASH, BE FREE!

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Prince
A couple of years ago I got to see Prince in concert. Heâd just finishedâwhat? His fourth encore? Fifth? I lost track. It was crazy.
He left the stage again. Everyone kind of looked around, that thing where a crowd scans each other to see if weâre all in agreement that this is over, that thereâll be no more encores.
The house lights come on and people stand, put their jackets on, and prepare to shuffle outside, completely satisfied with this three hour concert. And then his voice comes out of the speakers, from backstage, booming.
âWhereâre you going? Donât you know I wrote ALL the hits?â
I thought I was going to die laughing. And then he came out again for one more song. Just one more.
Podcorn Podcast 4/13/16 -- The Dawn of Sadfleck
Podcorn Podcast 4/13/16 â The Dawn of Sadfleck
Podcorn Podcast triumphantly returns as its co-hosts continue to ride the illness merry-go-round! This week, weâre talking about Batman v Superman: Dawn of Justice, the yearâs first superhero blockbuster and DCâs tentpole film for their cinematic universe. The movie has opened to some less than glowing reviews, but is it as messy as people have talked it up to be? Are there bright spots in theâŚ
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Shamelessly plugging my podcast
Aesop Stores and products, Various featured at Taxonomy of Design
A brand of skincare products that originated in Australia, I find Aesopâs aesthetic notable for being so distinct while being simultaneously nondescript. I took one sidewise glance through a storefront window as I walked by it earlier today and immediately recognized the simple yet bold product stickers; alternating bands of thick black and white separated sections of product descriptions. In my mind, most of their stores trade in wood grains like the one I walked by did, but I was surprised to learn that their stores actually use a variety of materials designed to blend in with the wide variety of neighborhoods they grace with their presence.
What tickled me most was a full page of design elements dedicated to one of their English stores-- one that is no longer in business. Even when the physical dies, the idea lives on.
The Omega Men, covers for issues 1-9. by Trevor HutchinsonÂ
Something worth fighting for.
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Is there a reason you don't often describe race in characters? when reading Anansi boys I had this weird conception of the characters of Charlie and Spider as white, when on future reads having context it was obvious they should not be.
I actually describe race a lot in Anansi Boys. You know who comes from where, after all, how they talk, what kind of foods they eat. But I only tend to tag the skin colour of the white characters in the book when they first show up.
For example:
 "Excuse me,â said a small white woman with a clipboard, âare these people with you?â
or
He was a middle-aged white manwith receding very fair hair. If you happened to see Grahame Coatsand immediately found yourself thinking of an albino ferret in anexpensive suit, you would not be the first.
or
They went inside: down woodensteps to a cellar where rubicund barristers drank side by side withpallid money market fund managers.
or
Grahame Coats had goneoff-white â one of those colours that turn up in paint catalogueswith names like Parchment or Magnolia. He said, âHow did you getaccess to those accounts?â
or
Her flatmate, Carol, athin-faced white woman from Preston, stuck her head around thebedroom door. She was towelling her hair vigorously.
or
She wore a white blouse, and ablue denim skirt, and over it, a grey coat. She had very long legsand extremely pale skin, and hair which remained, with only minimalchemical assistance, quite as blonde as it had been when MorrisLivingstone had married her, twenty years earlier.
or
Fat Charlie squeezed in nextto a large woman with a chicken on her lap. Behind them two whitegirls chattered about the parties they had attended the previousnight and the shortcomings of the temporary boyfriends they hadaccumulated during their holiday.
(Those from a quick flip-through, and far from exhaustive.)
I hope people find on a careful reading that the race of the various characters is pretty obvious, and is often described (for example, Daisyâs father is from Hong Kong, her mother is Ethiopian).Â
Iâm sorry you read Fat Charlie and Spider and Mr Nancy and their families as white on first read, but that might have something to do with the way that peopleâs heads reading a book can default all characters to white, if other information is not immediately supplied, which is a very bad habit, and one I hope Anansi Boys might help people to shed.
And there is, after all, a huge pointer to the race of the title characters in the titleâŚ
I expanded the first paragraph of my reply, slightly. Because race isnât just skin-colour. I remember, when Anansi Boys came out, getting an email telling me off for getting the post-funeral food in the beginning of the book âwrongâ and ânot doing my researchâ, because the old ladies werenât eating Southern Funeral Food, they were eating the food that black people from the Caribbean would eat.
Something to chew on. I've been guilty of this more than once.
frontis of fronta : an international collection of contemporary activities. Designed by Zdenek Rossmann and published in Brno in 1927.Â