Favorite L7 songs Ā #1
One More Thing
Politics messing with my rights Thereās nothing fun to do tonight

⣠Chile in a Photography ā£
cherry valley forever
Cosmic Funnies
NASA
Not today Justin

blake kathryn
Keni
todays bird
art blog(derogatory)
Show & Tell

Misplaced Lens Cap
The Bowery Presents
ojovivo
Lint Roller? I Barely Know Her
Game of Thrones Daily

#extradirty
Cosimo Galluzzi
Monterey Bay Aquarium

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@aleprouswitch
Favorite L7 songs Ā #1
One More Thing
Politics messing with my rights Thereās nothing fun to do tonight

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Nine years ago, Jennifer Finch called on fans to help her process a ton of old film, mostly photos of other musicians, both live shots and candids. I donated money, and about a month later, I got this postcard. I've had it hanging on my wall in my office/studio for years now.
Jennifer's passing yesterday hit pretty hard. I found out while out with friends and didn't say anything to them, but it was necessary to pay proper respects. Jennifer wasn't only a killer bassist, but also a great photographer. She spent decades documenting various music scenes and those photos are precious (pun fully intended).
Her body of work as a photographer serves as a reminder as to why scene documentarians are so important. I've spent years documenting Chattanooga's noise and experimental music scene, and even before that I was documenting sludge and doom metal bands across the southeast. Music scenes deserve to be remembered properly.
Those pictures are little gemstones, important morsels of time that will outlive our physical forms. There are people I've photographed that I'm no longer in touch with, and people who are sadly no longer alive. Memories unfortunately can fade with time, so pictures, videos, audio recordings, interviews - that's what keeps memories for us.
Today I'm putting on some of my favorite L7 tracks and going through my own massive backlog of concert photography. There's still so many pictures I haven't edited. I'm grateful I still have time on this Earth to do it. Thanks for everything, Jennifer.
LeperwitchĀ - Live at Memphis Concrete Festival 2026
Finally got around to editing and uploading this.
So many of y'all saying you love my "smoking era" just puts a big, wheezy grin on my face.
One reason I decided to start taking pictures of myself smoking is to destigmatize it. There is no shame in being a smoker!
But yeah, fun little music things are in the works...

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The Four Food Groups
Harsh Noise
Beer
Cigarettes
SSRIs
Not letting the art of Notes Poetry die
Today in "Is the person running this blog actually a N/azi or just some edgy teenager" š

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Not letting the art of Notes Poetry die
Never not thinking about the trans woman I met in a gay bar in a town I'll never go back to who said "gender roles are like chains, fun to use in bondage scenarios but largely irrelevant in daily life"
The very few but vocal critics that Women of Noise has (okay let's get real, it's mostly one salty ex-friend) saying that it's run exclusively by cis white women for other cis white women, when
I'm not cis (I'm closest to nonbinary femme)
We have five mods total - there's me and Julia, the two you see here on Tumblr, and then joining us on Instagram and Discord is Daisy (who's trans), Elena (who's Latina and from Ecuador), and Mae (who is black). 4 out of 5 of us are noise musicians, and we're all writers with a background in interviewing artists and covering events.
Every Women of Noise Fest has had very diverse performers, and it wasn't for the sake of "looking good", it's because I chose artists whose work I enjoy and deeply respect. This year alone we have an incredibly diverse pool of performers that's at least half made up of nonwhite performers and overwhelmingly queer and/or trans. I'm so blessed everyone wants to be a part of this Fest with enthusiasm.
I've come to learn that no matter how well you try to run things, there's always going to be somebody out there with a metaphorical measuring stick to see if you're "enough" by some kind of pseudo-intersectionality standard. We're over here doing out best, and I think that's what matters the most to the people who support us.
Jerry Cantrell by Alison Dyer, 1992

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Layne Staley by Alison Dyer, 1993 (?).