Why do the rawest quotes come from the simplest inconvenience?

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@ajaeyinalife
Why do the rawest quotes come from the simplest inconvenience?

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Weird question but like, how much would the plot of Dracula change or the plot be recontextualized if nearly the entirety of the crew of light + Lucy wasnāt white š¤š¤š¤
Does Eugenides have long hair or short hair after the second book? Cause I refuse to believe he didnāt grow back his luscious hair afterwards š¤
I hate how he never tried to grow his hair back
Hey!!! So howās Fallen London going?
Does Eugenides have long hair or short hair after the second book? Cause I refuse to believe he didnāt grow back his luscious hair afterwards š¤

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red-coded characters my beloved
"I can't make her out," he said; "she's a Russian, by the look of her; but she's knocking about in the queerest way. She doesn't know her mind a bit; she seems to see the storm coming, but can't decide whether to run up north in the open, or to put in here. Look there again! She is steered mighty strangely, for she doesn't mind the hand on the wheel; changes about with every puff of wind. We'll hear more of her before this time tomorrow."
Let's pause the grieving atmosphere between Mina, and Mr. Swales' words about to see the funniest dark comedy tone of the situation.
Dracula, a wealthy nobleman who has been landlocked for god knows how long, decided that the sailors who were just doing their job were expendable enough for him to kill and torture. Why would he care about the fate of simple humans when they are there to serve him as both food, and entertaiment at the expense of their lives; the Count only needs them to steer the ship near enough to Whitby right?
Well, after Dracula pushed the captain towards absolute terror after this trip from hell, which in return strengthen his indomitable human spirit, which made him tie himself to the wheel with the holy object that symbolically makes the ship herself untouchable to Dracula's hands... There he is.
The mighty conqueror of romania, the terrifying shadow that lurks the night, a living myth defying time as he feeds on the life of his victims... trapped in a ship where he cannot touch anything that matters thanks to his over indulgence, lack of actual care for his own plans, and once again underestimation of humans.
A shovel was not enough to make Dracula truly understand.
A trope that gets to me: 'guard dog' character and their partner who are both fully aware of it and honestly don't care/kind of like it. Someone says "call your guard dog off" and their partner does call them off. That person, their 'guard dog', is someone who is unreservedly, irrefutably loyal to them. Someone undoubtedly dangerous who is willing to kill, to maim, to obey, simply because of their love for one another. There's no manipulation involvedā it is loyalty, brutal, dogged loyalty. And it goes both ways.
First time posting my knitting to tumblr. Look at my Bug Son
Has anyone have premonitions about a series that like from outside is an incredible series but you have a gut feeling that itās going to be known as the worst series in existence SOLELY for itās ending?

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Doggust 2023 by Jonathan Wesslund
im riveted by this. this is the future of television.Ā
this post has rendered my activity feed unusable on so many occasions but I canāt bring myself to delete it. Noodlesā¦
I remember reading somewhere that Visual novels are not genres but rather mediums. And that game devs should start promoting the premise of their games rather than try to sell it as a visual novel for VN fans. I remember reading how marketing it that way helps sell the games better because people would start playing it because they like the story not because of its niche.
This also helps developers to create unique games people want to play and reach a wider audience. Like, eventhough disco elysium isnāt really a VN on like a UI level or gameplay wise. Itās still considered as a VN (despite people saying otherwise) because it technically still fits into VN checklist.
ā¦ā¦ Itās currently midnight and Iāve been scrolling tumblr and Twitter to find this post so if anyone is kind enough to find it please tag it here.
Thanks <3
The post, find THE POST.
This is why you donāt type half awake at midnight trying to search for a specific post.
I remember reading somewhere that Visual novels are not genres but rather mediums. And that game devs should start promoting the premise of their games rather than try to sell it as a visual novel for VN fans. I remember reading how marketing it that way helps sell the games better because people would start playing it because they like the story not because of its niche.
This also helps developers to create unique games people want to play and reach a wider audience. Like, eventhough disco elysium isnāt really a VN on like a UI level or gameplay wise. Itās still considered as a VN (despite people saying otherwise) because it technically still fits into VN checklist.
ā¦ā¦ Itās currently midnight and Iāve been scrolling tumblr and Twitter to find this post so if anyone is kind enough to find it please tag it here.
Thanks <3

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Oppenheimer is weird as in all aspects - cinematography, editing, script, writing and acting, is a good- even incredible movie.
But the feeling I had after watching the movie, just as I left the cinema was just, āhuhā.
Which is sad since my brother and cousin LOVED it. Everyone in the internet has been almost raving about it too. And, how at the end they left it feeling solemn, thinking and even moved by it.
But, me ?? Nah, I wasnāt feeling anything. I came out knowing it was a good movie on a technical level but thatās it. I didnāt leave with awe nor solemn or even just think about it. It was just a movie to me. And that made me sad because I wanted to love it. To adore it, even.
The only thing I could pinpoint about why I donāt like Oppenheimer despite feeling that I should was that ā¦. I didnāt give a flying fuck about Oppenheimer until the last hour.
Like, I feel like I was detached from Oppenheimer despite following him for the entirety of the film. Like I could see his flaws but I couldnāt care about him in anyway. I knew how he felt or what he did. I knew his personality traitsā¦. But, Nolan tried to create such a macro story about Oppenheimer without trying to think about why I should care about him.
Should I feel sad because he has flaws ? Should I feel the dread he feels when he realizes what heās done ? Should I relate to him for being a fish out of water? A human experience everyone has felt once in their life?
It felt like I knew him but it felt like I didnāt know who he really was.