airjems likes writing... and stuff

An incomplete list of powers that can be used for good and evil.

amalgamation – ability to merge existing creations

attack powers – blasting, shock waves, object projection, fire breath, laser vision, etc.

creation – ability to create out of nothing

dream manipulation – ability to change dreams

echolocation – ability to determine locations through reflected sound waves

elasticity – ability to stretch their body in any way

element control - ability to control the elements

emotions manipulation – ability to manipulate the emotions of others and themselves

empathy – ability to feel and replicate the emotions, moods, and temperaments of others

energy absorption – ability to absorb energy from people and objects and use it

enhanced physical skills – like senses, stamina, strength, accuracy, intelligence, speed, etc.

fear inducement – ability to evoke extreme fear and horror in others

flight – ability to fly

hypnosis – ability to hypnotise and manipulate others

immortality – not being able to die

immutability – not being able to get altered by outside forces

invisibility – impossible to see

invulnerability – being immune to all forms of physical harm

knowledge replication – ability to replicate the knowledge and skills of others

levitation – ability to levitate in the air

magic – conjuring things

mind control – having control over another’s mind

omnilingualism – ability to speak and understand every language

portal creation – ability to create portals for transport

psychokinesis – ability to move energy and matter

reality warping – ability to manipulate reality

regeneration – ability to rapidly heal

replication – ability to replicate people (including themselves) and objects

self-detonation – ability to self-explode

shapeshifting – ability to change their appearance

telekinesis – ability to move objects with their mind

telepathy – ability to communicate through their minds

teleportation – ability to instantaneously travel

temperature resistance – ability to survive extreme temperatures

vocal mind control – ability to control people with their voice

x-ray vision – ability to see x-rays

More: Hero & Villain Masterpost

Sight

darkened roomd with bright lights

glow of the neon signs filling the space

colorful screens

flashing lights from game machines

rows of arcade machines

unique designs and colorful graphics

various prizes on display

stuffed animals, little toys and gadgets

Hearing

sounds of electronic music

beeping and buzzing

various sound effects from the games

chattering people

laughing and shouting in excitement and sometimes disappointment

cheering each other on

clinking of coins being inserted into machines

the sound of tokens being dispensed

the sound when someone scores a highscore

Touch

the tactile feel of gripping a joystick

pressing buttons

steering a wheel

the feel of small basketballs quickly being thrown in a hoop

the smoothness game tokens

the slight crinkle of tickets in your hand

the coldness of an ice cold soft drink in hand

Smell

the delicious aroma of buttery popcorn, sugary cotton candy

the warm smell of pizza or hot dogs

a faint scent of old carpet

the smell of a mix of many people in a confined space

Taste

buttery taste of popcorn

overwhelming sweetness of cotton candy and other candy options

the delicious taste of a pizza, after running around and being lost in the games

soft drinks pouring down your throat, fighting dehydration

or write about! whatever floats your boat

"you're going to have to try a little harder than that" (or "to impress me," but avoid making it sound overly cocky)

"liar."

"don't flatter yourself."

"you'd just love to know, [wouldn't you?]"/"wouldn't you love to know."

"was that a compliment?"

"if i didn't know any better, i'd think..."

"i like when you say my name."

"say that again."

"you're distracting me."

"stop staring."

"miss me [yet]?"

"careful, someone might think..." ("that you like what you see," "you've grown soft," "you miss me," etc)

"you love it." > "i do."

any playful feign of injury (to the ego); "ouch."

"[i know how you can] make it up to me."

"what will i get [if i do]?"

"stop pretending that you aren't enjoying this."

"you just can't stay away from me, can you?"

"were you trying to make me jealous?" > "maybe. did it work?" > "absolutely."

"is that right?" with a little smirk...

"do tell."

Not epic or climactic. Just... alive.

• A character almost admits they were wrong and then pivots • Two people sitting in a car after an argument, engine off, neither leaving • Someone practicing a speech in the mirror and hating how it sounds • A character lying for someone they resent • An inside joke that no longer feels funny • A public setting where private tension is simmering • Someone seeing their ex unexpectedly and performing indifference • A character giving advice they absolutely do not follow • A confession interrupted by something mundane • A person rereading old messages they shouldn’t • A gift that misses the mark completely • A character realizing they’ve outgrown someone mid-conversation • Someone saying “It’s fine” and meaning “I will remember this forever” • A moment where a character notices they are no longer the favorite • Two people who used to be close struggling to find a topic

library dates

try on ridiculous outfits at a store

people watching

museum dates

hiking

sightseeing

take a bus without checking destination

fake-propose at different bars for free drinks

listen to street musicians

bird feeding

stargaze

trivia night

try to discover new cool things in areas you already know well

curate a playlist together

online personality quizzes

take-out by candle light

car / backyard camping

amateur photo shoot

gather wildflowers

follow random online dance tutorials

video game date night

cook together

see free, local artists

aimlessly drive around

build a spa at home

browse flea markets

watch sunrise and sunset in different scenic locations

board games

look through old memories (yearbook, pictures, journal, …)

(๑ᵔ⤙ᵔ๑) TEXTURE MATTERS MORE THAN TASTE!! "it tasted good" tells me nothing. "The crust shattered into a thousand buttery shards" or "gummy, like chewing a tire" NOW I'm there. Crunch, slime, melt, chew, squeak (yes some foods squeak and it's horrible)

(๑ᵔ⤙ᵔ๑) Food is memory!!! your character doesn't just eat chicken soup, they eat the chicken soup that tastes like being home sick from school, like their grandmother's kitchen, like the last good day before everything changed. FOOD CARRIES STORY!!

(๑ᵔ⤙ᵔ๑) Temperature is a character!! scalding coffee that burns your tongue, ice cream so cold it gives you a headache, room-temperature pizza at 2am that tastes like regret. Temperature changes the entire experience!!!

(๑ᵔ⤙ᵔ๑) The SOUND of eating reveals character. Do they slurp? Chew with their mouth open? Cut everything into tiny pieces? Eat standing over the sink? These tiny details tell you who someone IS

(๑ᵔ⤙ᵔ๑) Describe what it does, not what it is!! Don't say "the spicy curry" say "the curry that made her sinuses open up like floodgates and her eyes water and why did she think she could handle this"

Sight

rolling waves crashing on the shore

seagulls flying overhead

golden sand stretching along the coastline

seashells, driftwood, and seaweed scattered on the beach

people sunbathing, playing, or walking

dogs jumping around the water

a group of people playing volleyball or frisbee

boats on the horizon or surfers in the water

the shimmer of sunlight reflecting on the water

Hearing

the rhythmic crashing of waves

crying seagulls and other coastal birds

children laughing and playing

yelling from groups playing volleyball

the distant hum of boats or jet skis

wind rustling through palm trees or beach grass

vendors selling ice cream, yelling out to their potential customers

footsteps crunching in the sand

Touch

warm, grainy sand beneath your feet

cool ocean water lapping at your ankles

a salty breeze brushing against your skin

smooth pebbles, rough shells, or prickly bits of dried seaweed

the sun's heat on your skin

ice cream cone in hand

dampness from the sea mist or splash of waves

rough skin, dehydrated from the sea water

getting sand in places you wish it wouldn't touch

Smell

salty sea air

the scent of seaweed

the smell of sunscreen

barbecues or food stands nearby (grilled fish, fries)

a faint fishy or musty ocean smell

Taste

salt on your lips from the ocean spray

a hint of sand in all your snacks

fresh seafood from a stall or a nearby restaurant

sweetness from tropical fruit or ice cream

More: How to create an atmosphere

i thought i told you to stay back.

i love you too much to let you get hurt like this.

this affects me, too, you know.

every time you leave, i sit up all night waiting, praying you'll come back alive.

you keep pulling stunts like this and something bad will happen.

do you have a death wish or something?

this isn't fair to me.

i deserve better than this.

i didn't get any sleep last night because i was so worried about you.

you promised me you'd stop going out at night.

i don't like hearing this.

you've been risking your life, and for what? so you can feel like a goddamn hero?

i said i would handle it.

what the fuck are you doing here?

you told me you'd stay put.

so much for laying low.

you remember how bad it was last time.

seems like you haven't learned anything.

i believe you promised me you'd lay low.

i can't keep doing this.

don't give me that look.

we'll discuss this later.

this stops now.

i'm tired of picking up the pieces once you've left.

you keep throwing yourself into danger.

you don't give a shit about yourself, do you?

i'm sitting here, worried out of my mind, while you're out doing god knows what.

that was really stupid of you, and you know it.

i thought you knew better than this.

what's your excuse this time?

you do realize what this does to me, right? seeing you get hurt like this? you know it hurts me, too?

you really don't give a shit how this affects me, huh.

that was the dumbest possible thing you could have done.

i need you to stop throwing yourself into harm's way.

that was completely unnecessary.

they had it handled.

you didn't need to step in like that.

why do you think you're invincible?

the last time you pulled a stunt like this, it nearly got you killed.

i can't just sit here and watch you get hurt.

what are you trying to prove?

you just like fucking with my heart, don't you.

this shit hurts me, too, you know.

you're not the only one affected by this shit.

you've got a lot of people counting on you to come home every night.

what happens if you don't come back?

you think we can just carry on without you?

you think i can handle things if you end up dead?

i'm not sticking around to watch you get hurt.

you're not even slick.

you think you're invincible, don't you.

quit pretending you've got everything under control.

let someone else do it for a change.

you can't keep putting yourself through shit like this and expect me to just sit back and watch.

i'm done with this.

next time you do this, i'm not coming back.

promise me this is the end.

look me in the eyes and tell me you'll stop doing this.

let the authorities deal with it.

you're making a big mistake.

is it worth dying for?

It gets a lot of flack (not unjustified), but the Save the Cat Beat Sheet is truly great for figuring out how to get a plot on paper. You do not have to follow it to the letter, but it does give you definite goals to meet when trying to figure out where to go next.

Other popular plot outline structure's include:

Dan Harmon's Story Circle

The Snowflake Method

The Hero's Journey

Dan Wells' 7-Point Structure

And many mooooooore. Any plot structure that works for you is great, but keep in mind, you might have to try out more than one.

It gets a lot of flack (not unjustified), but the Save the Cat Beat Sheet is truly great for figuring out how to get a plot on paper. You do not have to follow it to the letter, but it does give you definite goals to meet when trying to figure out where to go next.

Other popular plot outline structure's include:

Dan Harmon's Story Circle

The Snowflake Method

The Hero's Journey

Dan Wells' 7-Point Structure

And many mooooooore. Any plot structure that works for you is great, but keep in mind, you might have to try out more than one.

↳ What lie do they tell themselves to sleep at night? Seriously. What’s the little piece of denial that keeps them functioning? Do they pretend they don’t care what people think? Tell themselves they’re over that one person? Convinced they’re not the villain of someone else’s story? We all lie to ourselves; your OC is no exception.

↳ What’s their emotional kryptonite? A specific thing that absolutely shatters them, like someone crying? Being ignored? Praise from a parent figure? The sound of an old song? The smell of something nostalgic? Find it and use it against them (lovingly, of course).

↳ When do they feel the most alive? Is it mid-battle, mid-baking, mid-breakup? Does adrenaline light them up, or do they find joy in the quiet, mundane things, like folding laundry while listening to sad girl music? This can reveal a LOT about what drives them.

↳ What would totally ruin their day? A bad haircut? Someone touching their stuff? Or is it something deeper, like being reminded of their failures, or seeing someone else succeed where they couldn’t?

↳ Who do they think they should be? And who are they really? This one’s juicy. Do they think they should be a hero, but keep acting like a villain?

↳ What’s the one thing they’d never admit out loud, even under duress? The shameful thought. The inappropriate desire. The thing they desperately want but don’t think they deserve. DONT FORGET: Characters are built on what they repress.

↳ What are they petty about? Don’t pretend your OC is above this, I mean everyone’s petty about something. Do they hold grudges over stolen pens? Get irrationally jealous of someone’s hair? Still mad about a game of Uno from 2007? Petty makes them fucking real.

↳ How do they act when they think no one’s watching? Do they let their mask slip? Dance around the kitchen? Talk to their cat in baby voice? Cry a little?

↳ What would make them snap? Where is the breaking point? What line has to be crossed for them to finally say “Enough”? Is it injustice? Betrayal? Feeling powerless? You’ll know you’ve found it when it scares you a little (Or a lot).

⊹ standing too close. like just barely not touching. why are their shoulders breathing on each other??

⊹ conversations that sound normal but feel like foreplay. “pass the salt” has never been so loaded.

⊹ one of them says something flirty and the other freezes for 0.2 seconds like “oh.”

⊹ eyes dropping to lips and then—back up. with effort.

⊹ holding eye contact just a little too long. like... are they gonna kiss or duel??

⊹ unintentional physical contact that lasts one second too long and now they’re both broken

⊹ a hand on the small of the back. that’s it. that’s the tweet.

⊹ tension so thick that other characters start noticing like “hey are you two okay?” (they are not)

⊹ “accidental” sleepovers. “oh no there’s only one bed.” yeah. suuuure.

⊹ biting back a smile. biting back a moan. biting anything really.

⊹ one of them walks away and the other has to physically restrain themselves from watching the hips

(PS: but literally everyone else does and is so tired)

These characters aren’t clueless, no, they’re not walking around like, “love? never heard of her.” They know something’s going on, they just won’t admit it (not to themselves, not to anyone.) Maybe they’re scared of messing it up, or maybe they think the other person doesn’t feel the same. Maybe they’ve stuffed the feeling so deep even a NASA rover couldn’t dig it out.

Whatever the reason, they’re not avoiding the truth as much as they’re…rebranding it. Calling it “friendship” while giving each other their only jacket and dreaming about each other’s voices like it’s totally normal behavior.

ꕤ They don’t realize it’s love, but they notice everything else. They clock every mood shift, every absence, every little thing. They definitely  know when something’s off.

⇢ “You changed your hair.” ⇢ “You looked upset earlier.” ⇢ “You didn’t text me back and I panicked.” ⇢ “You weren’t at lunch and it felt weird.” ⇢ “Are you cold?” hands over jacket without a second thought

They don’t say “I love you,” but their actions scream it constantly.

ꕤ they get weird when someone else gets close They’re not jealous. No, how dare you think something like that… they’re just keeping an eye out. For safety... Or whatever."

⇢ “Who was that?” ⇢ “Oh, you’re hanging out with them again?” ⇢ “I just think it’s interesting how you never cancel on them.”

They don’t say it, but they hate the idea of being replaced. It stings more than they’re ready to admit.

ꕤ they make excuses to be around each other.

Literally inventing reasons to be in the same space.

⇢ “Wanna study together? I’m struggling with this topic.” (They’re not.) ⇢ “Oh, I was just in the area.” (They weren’t.) ⇢ “You forgot this.” (It’s a single pen.)

They’d rather lie badly than admit, “I just wanted to see you.”

ꕤ  Their friends are so over it Everyone around them is either rooting for them or trying not to scream.

⇢ “You’re in love with them.” ⇢ “That’s not friendship, and you know it.” ⇢ “You made them soup. FUCKING SOUP. Just say you’re married already.” ⇢ “If I have to hear you talk about them one more time, I’m charging rent.”

Friends are the Greek chorus of this situation, like, brutally honest and endlessly tired.

ꕤ  There’s always a moment they almost figure it out That one soft, unspoken beat where the truth almost breaks through.

⇢ Watching them laugh like it’s the first time. ⇢ Seeing them cry and wanting to fix it more than anything. ⇢ Realizing no one else makes them feel like this. ⇢ Thinking, God, they’re beautiful.

Then they blink, panic a little, and go, “Huh. Weird.” And move on. Like absolute fools.

ꕤ  When it finally hits, it’s not cute, it’s catastrophic. Suddenly everything makes sense and feels like too much.

⇢ Flashbacks. ⇢ Internal screaming. ⇢ “Oh no.” ⇢ “OH MY GOD.” ⇢ “Has it always been this obvious??” ⇢ “Wait. Everyone knew?!”

When you buy a bottle of wine in a (nicer) restaurant, generally (please note my emphasis there, this is a generalization for most restaurants, but not all restaurants, especially non-US ones) you may see a waiter do a few things when they bring you the bottle.

The waiter presents the bottle to the person who ordered it

The waiter uncorks the bottle in order to serve it

The waiter hands the cork to the person who ordered the bottle

The waiter pours a small portion of the wine (barely a splash) and waits for the person who ordered it to taste it

The waiter then pours glasses for everyone else at the table, and then returns to fill up the initial taster's glass

Now, you might be thinking -- that's all pretty obvious, right? They're bringing you what you ordered, making sure you liked it, and then pouring it for the group. Wrong. It's actually a little bit more complicated than that.

The waiter presents the bottle to the person who ordered it so that they can inspect the label and vintage and make sure it's the bottle they actually ordered off the menu

The waiter uncorks the bottle so that the table can see it was unopened before this moment (i.e., not another wine they poured into an empty bottle) and well-sealed

The waiter hands the cork to the person who ordered the bottle so that they can inspect the label on the cork and determine if it matches up; they can also smell/feel the cork to see if there is any dergradation or mold that might impact the wine itself

The waiter pours a small portion for the person who ordered to taste NOT to see if they liked it -- that's a common misconception. Yes, sometimes when house wine is served by the glass, waiters will pour a portion for people to taste and agree to. But when you order a bottle, the taste isn't for approval -- you've already bought the bottle at this point! You don't get to refuse it if you don't like it. Rather, the tasting is to determine if the wine is "corked", a term that refers to when a wine is contaminated by TCA, a chemical compound that causes a specific taste/flavor. TCA can be caused by mold in corks, and is one of the only reasons you can (generally) refuse a bottle of wine you have already purchased. Most people can taste or smell TCA if they are trained for it; other people might drink the wine for a few minutes before noticing a damp, basement-like smell on the aftertaste. Once you've tasted it, you'll remember it. That first sip is your opportunity to take one for the table and save them from a possibly corked bottle of wine, which is absolutely no fun.

If you've sipped the wine (I generally smell it, I've found it's easier to smell than taste) and determined that it is safe, you then nod to your waiter. The waiter will then pour glasses for everyone else at the table. If the wine is corked, you would refuse the bottle and ask the waiter for a new bottle. If there is no new bottle, you'll either get a refund or they'll ask you to choose another option on their wine list. A good restaurant will understand that corked bottles happen randomly, and will leap at the opportunity to replace it; a bad restaurant or a restaurant with poor training will sometimes try to argue with you about whether or not it's corked. Again, it can be a subtle, subjective taste, so proceed carefully.