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@afemme
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⚔️ Girl Gang ⚔️
Leiomy Maldonado & Nike DID THAT!
1985

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1x06 // 2x01
Ok Ken (and David). As much as I hate to make you guys famous or even respond to you directly. We all die one day and you're old so fuck it. Yea yea my 2013 performance at the Grammys was absolute shit. Technical difficulties, blah blah. Thanks for the reminder. Very much appreciated. Fuck that performance though. You think that's why I kept my work out of the Grammy process this year? Don't you think I would've wanted to play the show to 'redeem' myself if I felt that way? In reality, I actually wanted to participate in honoring Prince on the show but then I figured my best tribute to that man's legacy would be to continue to be myself out here and to be successful. Winning a TV award doesn't christen me successful. It took me some time to learn that. I bought all my masters back last year in the prime of my career, that's successful. Blonde sold a million plus without a label, that's successful. I am young, black, gifted and independent.. that's my tribute. I've actually been tuning into CBS around this time of year for a while to see who gets the top honor and you know what's really not 'great TV' guys? 1989 getting album of the year over To Pimp A Butterfly. Hands down one of the most 'faulty' TV moments I've seen. Believe the people. Believe the ones who'd rather watch select performances from your program on YouTube the day after because your show puts them to sleep. Use the old gramophone to actually listen bro, I'm one of the best alive. And if you're up for a discussion about the cultural bias and general nerve damage the show you produce suffers from then I'm all for it. Have a good night.

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Tina Turner on Late Night with David Letterman - April 30, 1993
But then, maybe “I don’t believe in you” is the cruellest way to kill a monster.
Heyen Oyeyemi, White Is For Witching (via 7-weeks)
“I like my baby hair with baby hair and afro”
I’ve always wanted to see Storm with kinkier hair texture. How cool would it be to see the most iconic black female superhero stuntin’ with protective hairstyles? Imagine her hair being as fluffy as the clouds that are at her command.
I think about this a lot.
The mirror was often used as a symbol of the vanity of woman. The moralizing, however, was mostly hypocritical. You painted a naked woman because you enjoyed looking at her, you put a mirror in her hand and you called the painting Vanity, thus morally condemning the woman whose nakedness you had depicted for your own pleasure. The real function of the mirror was otherwise. It was to make the woman connive in treating herself as, first and foremost, a sight.
John Berger - Ways of Seeing (via spoutziki-art)
Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups… So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.
Philip K. Dick (via scifi-fantasy-horror)

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Understanding marginality as position and place of resistance is crucial for oppressed, exploited, colonized people. If we only view the margin as sign marking the despair, a deep nihilism penetrates in a destructive way the very ground of our being. It is there in that space of collected despair that one’s creativity, one’s imagination is at risk, there that one’s mind is fully colonized, there that the freedom one longs for as lost. truly the mind that resists colonization struggles for freedom of expression. The struggle may not even begin with the colonizer; it may begin within one’s segregated, colonized community and family. So I want to note that I am not trying to romantically re-inscribe the notion of that space of marginality where the oppressed live apart from their oppressors as ‘pure.’ I want to say that these margins have been both sites of repression and sites of resistance. And since we are well able to name the nature of that repression we know better the margin as site of deprivation. We are more silent when it comes to speaking of the margin as site of resistance. We are more often silenced when it comes to speaking of the margin as site of resistance.
bell hooks, “Choosing the Margin as a Space of Radical Openness” [x] (via wocinsolidarity)