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La poupĂŠe, Hans Bellmer, 1934
Man Ray Attempt at a Self Portrait, Paris 1934
"Quote me as much as you like; as a matter of fact I donât even mind if you misquote me !" Man Ray, when asked by an interviewer if he would mind being quoted.
La Mode illustrĂŠe, no. 23, 4 juin 1882, Paris. Toilettes de la Mon. Fladry, Mme Coussinet Succr. 43, rue Richer. Collection of the Rijksmuseum, Netherlands
Strangely, in tandem with the intensification of its investment in knowledge, over the nineteenth century the interesting becomes increasingly associated with âthe commonplace, the inessential, the accidental, the minute, the transient.â On the basis of these qualities, [Susan] Sontag links the interesting not just to the novel but to the âindiscriminateâ practice of photography, âidentified with the idea that everything in the world could be made interesting through the camera.â Sontag elaborates, âThe photographic purchase on the world, with its limitless production of notes on reality, makes everything homologous [and therefore interesting],â since âwhat makes something interesting is that it can be seen to be like, or analogous to, something else.â Note the shift in emphasis from difference to typicality in this account of the interesting, although as a comparative aesthetic it must always keep both in tension. As we have seen, something can be recognized as different and therefore interesting only if there is a standard or type from which the particular object can be perceived to deviate.
Our Aesthetic Categories: Zany, Cute, Interesting - Sianne Ngai

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Portrait of Giovannina Pacini, the eldest daughter of the Italian composer Giovanni Pacini, Karl Pawlowitsch BrjullowÂ
Shot by Chris Von Wangenheim for Valentino F/W 1971
rupture by kate kretz, 2018 (crowdsourced grey hair from people who have experienced profound loss hand embroidered on cotton)
Fernando Pessoa, trans. Richard Zenith
Entwining fish. Kunst en samenleving. 1903. Chapter header.
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No sooner had issues about masculinity and the male role been raised by Womenâs Liberation at the end of the 1960s, than they were reinterpreted as therapeutic issues. During the 1970s there was a small boom in groups, workshops and counsellors concerned with âmen and feminismâ, âmale sexualityâ, âmale liberationâ, and âmenâs issuesâ. In the later 1970s books written by therapists began to roll off the presses, using this therapeutic experience as source material. The titles included The Hazards of Being Male, Sex and the Liberated Man, Tenderness is Strength, Men in Transition. Similar articles appeared in the journals of psychotherapy, with titles such as âRequiem for Supermanâ.
This activity was at ďŹrst close to feminism, at least to liberal feminism. Early therapeutic groups for men were called âconsciousness-raising groupsâ. A critical attitude was taken to the âtraditional male roleâ. The rationale for therapy was that men needed therapistsâ help in breaking out of the male role and becoming more sensitive and emotionally expressive. The psychiatrist Kenneth Solomon, for instance, explicitly formulated the goal of âgender-role therapyâ as moving the client towards androgyny.
This was not necessarily easy for therapists. In a perceptive paper in 1979, Sheryl Bear and her colleagues observed that psychotherapists tended to ignore social contexts, to be conservative themselves about gender, and to demand stereotypical behaviour from their clients. Consciousness-raising for therapists was going to be important.
But such warnings were set aside as a fundamental change came over the ďŹeld. A paper by Jack Kaufman and Richard Timmers published only four years later marks the shift. This described a group of American male therapists, initially pro-feminist but feeling that they lacked something, who went in search of the masculine. They used familiar group-therapy techniques, and unfamiliar images from the poet Robert Bly, to overcome their resistances to encountering âthe hairy manâ, the deep masculine. Once the deep masculine was found, they helped initiate each other into it.
The main direction taken by masculinity therapy in the 1980s was this attempt to restore a masculinity thought to have been lost or damaged in recent social change. It proved remarkably popular in the United States. Blyâs own book Iron John was a runaway best-seller in 1990â1 and there has been a rush of publications in its wake. The range of ideas about restoration, and the common ground, can be seen by comparing four recent popular Books About Men based on masculinity therapy.
Warren Farrellâs Why Men Are the Way They Are is particularly poignant as Farrell wrote one of the original Books About Men, The Liberated Man. In the early 1970s he organized a menâs support network for NOW, the largest feminist organization in the United States. He helped set up a number of consciousness-raising groups for men, and encouraged public demonstrations in support of feminist causes. He offered a vigorous critique of âthe masculine value systemâ and the way men were trapped by the male role. In an early paper Farrell did not hesitate to call men âa dominant classâ who needed to renounce their position of privilege.
A decade later, things were greatly changed. Farrell now argued that too much attention had been given to womenâs experience of powerlessness and it was time to give attention to menâs experience of powerlessness. As this might seem to contradict the facts he had noticed in the early 1970s, Farrell carefully redefined power by shifting from the public world to the inner world of emotion. Men did not feel emotionally in control of their lives, therefore they lacked power. Men should not feel guilty about what is wrong with the world since women were equally to blame. If women wanted men to change, women had to make that happen by changing their emotional expectations of men. But Farrell held out little hope for this. He now saw menâs and womenâs psychologies as starkly different, revealed in their âprimary fantasiesâ (men: sex with lots of beautiful women; women: a secure home).
(Since this chapter was written, Farrell has published another book on the subject, The Myth of Male Power. It repeats these arguments with greater vehemence, increased bitterness against feminism, more emphasis on the biological base of sex difference, and a new respect for â guess what? â Robert Bly and male rituals.)
bolding mine and superscript numbers removed. R. [Raewyn] W. Connell, Masculinities, 2nd ed. (Milton Park, Abingdon, Oxfordshire, England: Routledge, 2020), 206â208. 1st ed. published 1995.
Tunic fragment, 300s-400s, Byzantine Empire.
Lynette Yiadom-Boakye, âAn Assistance of Amberâ, oil on linen, 2017
strange decanters by etienne meneau
Victorian mourning locket from the Alexander McQueen reference archive, uses rubies and human hair.

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faustian bargain:
fustian bargain:
A woman using sign language. Coloured aquatint by W.T. Annis, 1819.
The Wellcome Collection