Quilt, Log Cabin pattern, Light and Dark variation, ca. 1865.
Photo : Courtesy Metropolitan Museum of Art, New York
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Quilt, Log Cabin pattern, Light and Dark variation, ca. 1865.
Photo : Courtesy Metropolitan Museum of Art, New York
Artnews

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La Danza de la Muerte. AnĂłnimo. Alemania. Siglo XVI
has it ever been or will it ever be possible to wear an outfit that doesnât look dumb, in the summer, as a transmasculine individual with a small waist and an unfortunately fat mouth heat tolerance issues vaguely gothic aspirations and a persistent look of dull stupidity. to a workplace without air conditioning.
Riza-yi 'Abbasi, The Lovers (Isfahan, 1630 CE). The artist Rizaâyi 'Abbasi revolutionized Persian painting and drawing with his inventive use of calligraphic line and unusual palette. He painted The Lovers toward the end of a long, successful career at the Safavid court. The subject of a couple entwined reflects a newly relaxed attitude to sensuality introduced in the reign of Shah Safi (r. 1629â42). Here the figures are inextricably bound together, merged volumes confined within one outline. [Robert Scott Horton]
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âFor she had eyes and chose me.â â William Shakespeare, Othello
void when read once
[Image ID: Four embroidered words in a grid: "void when read once". The stitched background is dark purple. The words are stitched in ecru thread. The square is bordered in beads of ecru and transparent purple. /.End ID]

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Philippine Crocodile Skink aka Spiny Waterside Skink (Tropidophorus grayi), family Scincidae, Los BaĂąos, Laguna, Philippines
photograph by Gelo Arboleda
[âThe English were obsessed with waste, which was why America was first and foremost a âwastelandâ in their eyes. Wasteland meant undeveloped land, land that was outside the circulation of commercial exchange and apart from the understood rules of agricultural production. To lie in waste, in biblical language, meant to exist desolate and unattended; in agrarian terms, it was to be left fallow and unimproved.
Wasteland was idle land. Arable tracts of desirable property could only be associated with furrowed fields, rows of crops and fruit trees, golden waves of grain, and pasture for cattle and sheep. John Smith embraced the same ideological premise with a precise (if crude) allusion: the Englishmanâs right to the land was ensured by his commitment to carpeting the soil with manure. An English elixir of animal waste would magically transform the Virginia wilderness, making untilled wasteland into valuable English territory. Waste was there to be treated, and then exploited. Waste was wealth as yet unrealized.
In his âDiscourse of Western Planting,â Hakluyt confidently described the entire continent as that âwaste firm of America.â Not terra firma, but waste firm. He saw natural resources as raw materials that could be converted into valuable commodities. Like other Englishmen of his day, he equated wastelands with commons, forests, and fensâthose lands that sixteenth-century agrarian improvers eyed for prospective profits. Wasteland served the interest of private owners in the commercial marketplace, when the commons was enclosed and sheep and cattle grazed there; forests could be cut down for timber and cleared for settlements; fens or marshes could be drained and reconstituted as rich, arable farmland.
It was not just land that could be waste. People could be waste too. And this brings us to our most important point of embarkation: Hakluytâs America required what he classified as âwaste people,â the corps of laborers needed to cut down the trees, beat the hemp (for making rope), gather honey, salt and dry fish, dress raw animal hides, dig the earth for minerals, raise olives and silk, and sort and pack bird feathers.
He pictured paupers, vagabonds, convicts, debtors, and lusty young men without employment doing all such work. The âfry [young children] of wandering beggars that grow up idly and hurtfully and burdenous to the Realm, might be unladen and better bred up.â Merchants would be sent to trade with the Indians, selling trinkets, venting cloth goods, and gathering more information about the interior of the continent. Artisans were needed: millwrights to process the timber; carpenters, brick makers, and plasterers to build the settlement; cooks, launderers, bakers, tailors, and cobblers to service the infant colony.
Where would these workers come from? The artisans, he felt, could be spared without weakening the English economy. But the bulk of the labor force was to come from the swelling numbers of poor and homeless. They were, in Hakluytâs disturbing allusion, âready to eat up one another,â already cannibalizing the British economy. Idle and unused, they were waiting to be transplanted to the American land to be better (albeit no more humanely) put to use.â]
Nancy Isenberg, White Trash: The 400 Year Untold History Of Class In America
Mangrove Pit-Viper aka Shore Pit-Viper (Trimeresurus purpureomaculatus), family Viperidae, Singapore
As the name would suggest, these snakes are usually found in coastal Mangroves.
photographs by Prashanta Kumar Mohanty
William Morrisâ 1876 design for a tile panel, produced by the potter William De Morgan.
Kusozu, The death of a noble lady and the decay of her body, 18th century

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My collection of vintage rabbits is coming along hoppingly.
Moths in the genus Semioptila
Photographs by Nigel Voaden
Japan had a short-lived heyday of transgender self-determination in the midcentury. Multiple clinics offered gender-affirming surgeries from around 1950 to 1965 before the nation banned them. Trans people hung out on the streets of Tokyo like in these Katsumi Watanabe photos I recently colorized.
1960s Japan was by no measure a haven for trans people. However, it wasnât like the U.S., either. Trans folks congregated in bars with relaxed âcrossdressingâ laws compared to other countries. These newly colorized photos show the everyday lives of trans women in midcentury Tokyo.
Mary Pudlat (Canadian, 1923-2001) Field of Rabbits Inuit (Canadian Arctic Native styles) 1989 Published by the West Baffin Eskimo Co-op Ltd., Cape Dorset, Nunavut, Canada. State/Edition: 42/50
La Mode illustrÊe, no. 35, 31 aoÝt 1873. Robe en foulard muance varech. Modèle de chez Mme Rossignon, rue de Provence, 9. Ville de Paris / Bibliothèque Forney

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Jackie Sabbagh
Shoe, ca. 1800; Victoria & Albert Museum T.193-1914
The dramatic piecing on this black-and-white kid leather slipper presaged WWI naval "dazzle" camouflage by over a century, but it has a similar monochromatic drama. White stitching on the black adds an extra stripe of contrast.