harp-lute, varnished wood; overall: 90.5 x 37.5 cm; london c. 1700s.
seen from T1
seen from United States

seen from Hungary
seen from China

seen from Hungary
seen from Hungary

seen from T1

seen from Italy
seen from France

seen from Singapore

seen from Italy

seen from Singapore
seen from Germany

seen from Germany
seen from United States
seen from United States

seen from France
seen from Germany

seen from Germany

seen from Germany
harp-lute, varnished wood; overall: 90.5 x 37.5 cm; london c. 1700s.

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The Dream of Queen Katherine (Shakespeare, Henry VIII, Act IV, Scene 2) (1781) - Henry Fuseli
Ring, c. 1760-1800
From the Victoria & Albert Museum
Contes de La Fontaine illustrés par Jean-Honoré Fragonard, c. 1770.
Secret glances, hidden love—eye miniatures were the ultimate 18th-century love token. These strikingly modern-looking portraits, cropped to preserve anonymity, were worn as jewelry, held close to the heart as a reminder of distant lovers.
Artists are unknown, and the Eye Miniatures featured here are English.

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Purse
c. 1701-1730
gold, silver, silk, metal
London Museum
Today I found out that that alleged 18th Century woodcut of a woman saying "come out you bitch, I'll maul you" that's been doing the rounds is apparently 100% legitimate, and the reason nobody could source it is because the screenshot gets the title wrong. It's evidently from The new art and mystery of gossiping (the popularly circulated screenshot misspells "mystery" as "mastery"), and the full text is available here:
The new art and mystery of gossiping. Being a genuine account of all the women's clubs in and about ... London, with the manner of their clu
Basket-Hilted Broadsword (Schiavona). Venetian, 1775-1800.
The Art Institute of Chicago.