ā leonardo dicaprio by mario sorrenti, 1995
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ā leonardo dicaprio by mario sorrenti, 1995

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byĀ rachelbarkman
if you want the rewards of finding a new favorite song then you have to submit to the mortifying ordeal of listening to unfamiliar music

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Erica Baum, Nine Images from āDog Earā, (2011)
A dog-eared page ā a folded corner ā is the simplest memory system: itĀ marks a stopping point, a favorite passage, a place to remember. Along withĀ marginalia, underlining, and other notational strategies, dog ears map a history of reading and remind us that reading is a physical act: an encounter with words, to be sure, but also a tactile experience with paper and individual pages of a book. A dog ear is legible as a readerly engagement with the material text. Someone readĀ this; someone stoppedĀ here.Ā
Erica Baumās book Dog EarĀ (Ugly Duckling Press, 2011) makes this point and takes it further. In Baumās rendering, the dog ear presents an activist readerly engagement: by folding a page, the reader creates a new site of meaning, a square of text to be encountered not as placeholder but as a rich cluster of words, selected (appropriated, deformed) by the readerās hand.Ā

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[ID: tweet by @ J_Salzer reading: My friend Bobby just casually said āif art is how we decorate space, music is how we decorate timeā and I was like hold up hold up hold up. end ID]
What I can tell you as a transgender woman is that occasionally I will read trans woman characters written by cisgender authors. And I can pretty much always tell when the author is cis, even if the character is portrayed respectfully, because they get some details wrong or something. But I certainly donāt think that they shouldnāt be allowed to take a stab at it, and I actually appreciate any representation that isnāt egregiously harmful. And I certainly donāt think that only transgender women should be allowed to write transgender women because then it falls on me, and thatās rather tokenizing, isnāt it?
Also it seems like demanding that only #OwnVoices authors should be allowed to write certain characters is an excellent way to enforce a situation where most books are about cishet white people.
And no: you probably wonāt get all of the specific details of someone elseās lived experience correct, in much the same way that most authors donāt get all of the specific details about how, say, nuclear reactors or space work. But so long as your character passes as realistically human and not a one-dimensional caricature of what you think that other types of people are like, then I think that thatās reasonable.

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People will straight up call your cellphone and expect you to answer