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So as part of a much longer ask about why humans in Aku's future are at different technological/cultural stages that should be centuries apart, I got asked,
Maybe its a reflection of when he got to each part of the world…? But why wait so long in going from feudal east asia to north america? Don't tell me the ocean was a barrier? 😭
And guess what! I have an answer!
To start with (and you, Person Who Asked This, haven't reached this episode yet, so i'm just gonna give you a minor spoiler): yes, actually, it DID take Aku a long time to conquer the world. There's an episode where we learn that he got a robot army because taking over the world was going too slowly for his tastes. Meaning:
by Aku's own measure, taking over the world took forever. He wasn't "waiting," he was SLOW.
Aku didn't finish conquering the world until sometime AFTER he had a killer robot army. So depending on what era you think Jack was born and how long you think it'll be before we have fully autonomous killer androids, Aku's global conquest took anywhere from 500-1500 years.
The evidence suggests that, until Aku got his robots, he was trying to conquer the world without an army. as in ALONE. as in ONE GUY. is it any wonder he took so long?
if an invader conquers a city, sets up an oppressive government and establishes a military force to enforce its new laws, and then the government+military moves 100 miles away because the government+military is just one single person with laser eyes, do you know what that means? that city is now un-conquered, my friend.
true, along with himself Aku also had a smattering of dubiously solid shadow demon things he can summon up—but they're provably easy to destroy, it would not be hard to mount a revolt against them if the civilians knew that Aku himself wasn't around to back them up.
plus a few bounty hunters and eventually scientists he could bribe into working for him, but like?? unlike every other human population, Aku has no "home nation"—or city, or tribe, or even so much as a goddamn polycule—on whose loyalty he can unquestionably depend. literally no one, anywhere, wants him in charge! every human who works for him does so either out of greed, or fear.
and the fearful ones will be looking for an opportunity to escape or undermine him; and the greedy ones will only stick around until the incalculable atrocities aku's committing finally get to their consciences, or else they catch wind of Aku's tendency to backstab his hired labor rather than pay them.
Without a loyal army, he's fighting an uphill battle. and he didn't have that army for centuries. not only is everyone in front of him trying to stop his advance any way possible, but also everyone behind him is trying to escape his grasp. he probably had to keep backtracking to re-conquer places.
the ocean wasn't the barrier; the process of trying to conquer a WHOLE FUCKING PLANET, and ALONE, was the barrier.
So: that's all stuff that can be plausibly extrapolated from canon.
Now we're moving into headcanon territory, which is only tangentially related to your questions but I've wanted to share this for a while: My Big Fancy Map Of How I Think Aku Conquered The World!!
0 - START HERE. Japan. I don't think Aku cared very much for Japan, he didn't have a good time there.
1, 2 - from a global conquest starting point in Japan there's really only three options: invade Korea, invade China, or invade the Philippines. China is scary as hell; Japan's experiences with war with Korea were, let's leave it at "bad"; so: the Philippines, and then on to Indonesia.
3 - Australia's the biggest chunk of land Aku's faced up to this point and he's still a newb at conquest, he glances off the north coast and moves on to some more islands.
4 - loops back to finish off Australia.
5 - you'd think that if Japan is Aku's base of operations, he'd then go back to home base and from there head west into Korea & China. But I don't think Japan was Aku's base of operations. I'll have more on that in a sequel post. because this post is long.
The great advantage of starting off by conquering islands is that it makes it much easier to control how much information leaks out of your new little empire, because no one's escaping your empire without boats. Which is even harder for them to do if you can control the weather. At this point in canon we know that Aku's been making periodic trips to mainland, and that at least as far as east Africa people have heard about—and done business with—a "great evil spirit"; never mind how many people the little prince told about Aku during his travels. It's probably safe to say that, at minimum, China & Korea are VERY, VERY aware that the island empire worryingly close to their coasts has been conquered by some kind of gigantic malevolent shadow. But they probably know very little more than that, because not many people are escaping Japan and anybody who sails over for recon ain't returning.
So everybody's nervously watching toward the east for Aku to invade.
They don't expect him from the southwest.
6 - canon fact: Aku does not seem to enjoy the cold! I think he made the classic "invade Russia in the winter" blunder. Conquered central Russia, un-conquered central Russia, angrily retreated to China. It doesn't help that, depending on what century you think this is, most of the turf north of the Silk Road is still dominated by nomadic peoples, and—listen, Aku's basically a kaiju with a more refined vocabulary. It's a lot easier for Godzilla to knock down Tokyo than it is for him to step on 500 individual galloping horses. Aku has a much easier time conquering settled cities than nomadic tribes. So he goes "fuck the Turks and the horses they rode in on" and moves south.
7, 8, 9, 10, 11, 12, 13 - this is where i think Aku starts buckling under the strain of trying to conquer the entire planet as one guy, a handful of shadows, and a revolving door of mercenaries who hate him. even the fucking turks have an empire now?? He's grumpy, this is too hard, invading & pillaging a new place is fun but buckling down and establishing rule over a region isn't. It's a lot easier to smash a kingdom than it is to grip a kingdom & keep that grip. He's always been pretty liberal with the eye lasers but increasingly he finds himself going "fuck it, this city can't rebel against my rule after i move on if none of them are left alive."
it's just a miserable, centuries-long, never-ending slog across india, the middle east, east europe, east africa, central africa... the only thing keeping him going is his inborn conviction that he's to be the master of this world. that, and the fact that he's the biggest asshole that's ever existed.
14 - hits the westernmost point of Africa. he now "rules" an empire stretching from japan to senegal.
please picture aku standing at the very tip of point almadies staring out at the atlantic ocean with a sense of weary triumph—tired, yet determined, and wiser and stronger from his many long years of unending battle.
now imagine somebody reminding him there's another couple untouched continents and making him cry.
15, 16 - finishes up the southern half of Africa before tackling the rest of Europe.
Intermission (6 part TWO) - he finally takes the northern half of eurasia, as well as russia. probably in like, june. he's learned his lesson.
he's now conquered all of afro-eurasia and australia—but we're using "conquered" very loosely here. at this point in history he doesn't really have a government or a country of any kind. what "conquered" really means right now is that he's ensured no one else has a government or country. he's crushed all major kingdoms, broken up all major empires, killed every dynasty of note, slaughtered every army of any size...
and a single really determined kaiju might not be able to maintain rule over four continents, but a single really determined kaiju CAN maintain chaos. any time a population center starts trying to mount a revolt or reestablish local rule, he just, swings by and smashes them again!
but that's A LOT of territory with A LOT of population centers that are all constantly trying to get their feet back under themselves. it's next to impossible for aku to make any forward progress while aku's trapped in a neverending cycle of suppressing everyone else's forward progress.
but eventually he makes the jump across the atlantic.
17, 18, 19, 20, 21 - hit the east coast of brazil, swooped south around the andes, headed up the west coast and into central america. depending on when aku reaches the americas (as well as how much he disrupted europe's colonization plans), he may or may not still have to contend with the inca & aztec empires. if he does, that's what he uses as his justification for going from the south up rather than from the north down: take out the big empires first, and then all he'll have to worry about is some nomadic tribes and then some people who live up in the tundras, no big deal.
(translation: he does NOT want to deal with more nomads and tundras, he is SICK AND FUCKING TIRED of nomads and tundras, it's russia ALL OVER AGAIN he can't do it he just can't do it he's gonna crawl back in the pit of hate for a thousand years don't touch him don't talk to him don't even LOOK at him.)
22 - if hitting the bermuda triangle will let him put off heading north then by god bring on the triangle
23, 24 - now, we don't know how much colonization happened in this setting, but we do know colonization happened, because there's a bunch of white people in the american southwest and one character references the US civil war. apparently while aku was chewing his way through the ottoman empire they were still busy shipping pilgrims to new england. sure. whatever.
but i have to imagine plunging the entire eastern hemisphere into interminable crisis held back the european colonization of the americas to some degree; meaning the industrialization of the US is even more concentrated on the east coast than it otherwise would've been. so while they're building in the east and moving west, aku slides up california to conquer the west and move east.
THE CONCLUSION - and eventually he gets around to the FUCKING tundras. and now he's conquered the world yahoo yippee.
but a caveat: he's conquered the world... once. at one point or another he has held every major population center on the planet, but he hasn't yet held them at the same time. taking over the americas means he's utterly lost his grip on east asia by now—if he even held it at all by the time he reached brazil. how much of europe and africa is still under his sway? how many of the people he bribed/bullied into maintaining his rule are still ruling—how many have been overthrown or killed or just decided to declare themselves the rulers in his absence? when's the last time he visited australia??
somewhere in the americas he realized that if something didn't change he'd end up spending all eternity circling the globe like a dog chasing its tail trying to re-conquer his lost lands while the lands he just left behind slipped out of his grip again. and humans are getting more dangerous. their gunpowder weapons are shooting bigger bullets and/or a whole bunch of bullets simultaneously. they're making bombs and trains and steel ships. possibly nukes?? and listen—aside from the sword, nothing of this world can harm Aku, but the show establishes multiple times over that there's plenty in this world that can hurt Aku, and the humans are getting pretty good at hurting.
this is the point at which we're told in canon that aku grew impatient with the pace of his conquest—and got himself a fucking robot army.
after that, he could finally switch from playing whack-a-mole with human resistance groups to consolidating global rule under his name.
You've mentioned before the idea of Scaramouche getting modifications so he can play the flute. Do you think that was a casual "ear piercings would be nice" type of decision, or a heavier "I need to lose a hand so I can get a prosthetic" kind of decision? (Scaramouche Buys A Penis supposes the former, but he's also doing it for Aku which makes a lot of other things go out the window. Then again, the flute thing is also for Aku, just less directly...)
actually i headcanon the flute thing is because his robot line was modeled after X-49, The First Robot In Aku's Army With Emotions; and because they're all running operating systems based off of X-49's emotions chip, half of them also acquire X-49's love of jazz. The programmers have no idea where the Loving Jazz subroutine is. Baffling but fascinating. So Scaramouche got his face remodeled so he could play jazz music; and fucking Harlequin already called dibs on the trumpet so Scaramouche had to pick another instrument if he wanted to join the robot jazz band.
using the flute for combat came later.
Anyway I think it's something between a piercing and a prosthetic that simply isn't analogous to humans.
It's a major invasive restructuring of his head that totally changes how his entire face works, possibly even alters how he makes speech—did he have to switch from talking out of a speaker to talking out of actual mechanical vocal cords in order to get the right air flow? Were his cooling fans restructured to force air through his throat and simulate air from lungs? Did he have a "throat" beforehand or was his neck just solid with no tube through it? This ain't no piercing.
but also—unlike both a piercing AND an amputation—if Scaramouche thought it sucked he could just reverse it. like. He's a machine. He might have his original jaw at home in a drawer and be able to switch it out with a screwdriver. Even if it does require a specialist to change the parts, so what! Hack half his face off and then replace it with new parts! Do as much damage as you want! What's the risk to Scaramouche, is he gonna bleed to death? Is he gonna scar? No! Hell, if you mess up his face TOO much you can just upload his brain into a brand new head and install it on his body!
so to him i think getting a modded mouth is more like buying a car. Like, it's probably expensive; the cost might be so high as to prohibit him doing it every weekend, he's gotta save up for it; unless he's a millionaire this is probably a major lifestyle decision that will impact his day-to-day life for at least the next few years; but like,, if it sucks and he doesn't like it, he can just get rid of it as soon as he's saved up enough to trade in the old one and buy a new one. No permanent alterations to his life. Bank account aside, the decision is 100% reversible.
If you do wanna compare it to personal body mods, then it's not like amputating your hand to get a prosthetic; it's like already having a prosthetic hand, and deciding to get a different more specialized prosthetic hand.
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If you are still looking for sappy scaraku concepts may I suggest beach episode?
Like does the giant tree need sunscreen or sunglasses? Probably not but it can't hurt! Inexplicable swimwear for everybody! Is that a palm tree or your boyfriend? Either way what a nice shade it provides! Maybe go for some ice cream later!
I hope this was helpful and just the right amount of stupid!
Sunblock, you say?
As it happens, scaraku beach episode was the original idea behind this picture. i didn't draw scaramouche because i wanted the focus to be on the visual of aku in the water staring out at the ocean, chilling menacingly. inactive, yet threatening by his mere presence. like the monolith in 2001 a space odyssey. but scaramouche is also there in my heart. riding aku's shoulder or something.
I've mentioned before that Scaramouche is regularly trying to drag Aku on mental health grass-touching excursions dates outside his tower; and one of his most successful tactics is "you own this planet and you never even enjoy it, let's go look at some nature."
so yes aku can be persuaded to visit the beach and terrify the tourists. he's not interested in doing traditional beach vacation things—no swimsuits or towels or umbrellas, no surfing or volleyball, no cute beachside cocktails—but he'll relax and enjoy the view. maybe turn into an octopus and enjoy the view from underwater a while.
scaramouche is up for traditional beachside activities and touristing. he's waterproof, he can handle stuff in the ocean. but he's here for aku. if aku wants to vibe on the beach then they're vibing on the beach.
so a beach day ends up looking like,
and yes: if the beach is too sunny for aku's tastes, he WILL ruin the weather for everyone else.
if they stay for more than one day Scaramouche is getting the nearest beachside hotel room possible so he's got a place to plug in his charging cable at night, and Aku's sleeping curled up on the beach right under Scaramouche's window. "couldn't aku just shrink into a form small enough to share the hotel room?" yes but he doesn't want to. he wants to sleep on the beach with the sand and open air and surf sounds. it's his beach because it's his planet so he can do that and nobody can stop him.
this is perplexing and alarming to the locals. not only has it been a generation since aku was last seen out in public, but no one's ever heard of him just, like... hanging out. as if he's on vacation. aku doesn't take vacations, that's like the moon taking a vacation, or air taking a vacation. it doesn't work like that.
aku doesn't mind dozens of worried locals staring at him as he sleeps as long as none of them disturb him and none of them have a magic sword.
(Aku would not be willing to let down his guard in public so much if he wasn't being guarded by his #1 assassin, the only robot to ever survive battle with Samurai Jack. Scaramouche has the hotel room window open and while he recharges he's keeping watch over Aku, just in case. He probably wouldn't be able to actually catch Jack before he attacks—but it's at least enough for Aku to feel safe, something he hasn't felt outside his tower in many years.)
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sorry a random ass meme about how temperatures are lower beneath trees made me think that Aku himself might actually be an awesome respite from the sun... if he actually let someone sit under him. Though between this and his weird horns, I think birds have already figured this one out. I imagine that Aku is cursed with being the bird hangout spot if he stands somewhere too long, like any other tree.
flaming eyebrows aside, given Aku's status as evil incarnate and how wild animals & monsters instantly fight-or-flight him even when he's in disguise, I bet birds steer well away from that particular tree.
And if I said Megamind through its three subversions of Superman shows a deeper understanding that the point of Superman is that he was loved and taught to love by good, present parents, and because of that he is able to return that love to a world even if it doesn't always accept it, and he is not corrupted by his power, than many other films either subverting or playing the superman story straight.
Megamind has three Superman subversions. One is obviously Megamind himself. He was not raised loved by the world, but rather was loved by those hated by the world. Because he was still raised with love, he does care about other people, hence his character development. But because he didn't receive wider love growing up, his own is misplaced at first.
Metro Man was not loved growing up in a way that mattered. His adopted father was clearly very absent, and while we don't know much about his family, their relationship seems superficial. Because of this, his sense of duty to the world is also superficial, hence his boredom.
Hal wasn't raised with power. He gained it and was shown how to use it by a 'space dad' who only taught him power and not love. Hence, he sees it only as a grasping means to an end.
All three of these subversions, in their negative space, create the silhouette of the superhero that they are parodying. That silhouette is of a space child that came to earth and was cared for very deeply by the world, and taught love through his experience of love, and because of that holds fast to his duty to the world. Which is Superman.
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getting scambot messages from random accounts that clearly used to be normal active blogs is sad enough. you know that there used to be a real person on that blog until they were tricked into handing their password to the digital fae.
but it's an entirely new level of tragic when somebody you've actually spoken to gets turned into a bot account. it's like peeking at a zombie apocalypse through the window and realizing one of the shambling corpses was your friend.
and then the zombie catches sight of you, lurches up to your window, and shouts through the glass that they accidentally reported your account to tumblr and you'll be deactivated unless you click this link.
RIP to the blog that used to DM me to tell me they liked my new chapters. Their last known words spoken before being turned, 17 hours ago: "Ggs!" They were praising someone's deadlift.
the message they tried to get me with is probably the same message that got them, so for anybody who hasn't already been warned about the signs of a zombie account:
if you get something like this ↑ they're gonna follow up by instructing you to contact tumblr support on discord and give you contact info; or they're gonna link a website that looks sort of like tumblr support and say you have to email them; or any variety of "you must now contact tumblr, here is how you contact tumblr."
whatever they send you, it Does Not lead to tumblr. it leads to the master zombie that bit them and inducted them into the ranks of the undead, and will bite you the second they have your email and password. i might be confusing zombies and vampires. anyway,
it's easier to fall for these messages because the blog doesn't LOOK like a bot blog, because it ISN'T a bot blog. it's a normal person's blog that got accessed by a bot, meaning the blog's content CLEARLY looks like a real active user when you click on it. and yes—it might even be a blog you already know. sometimes bots like this go down a blog's DMs or reblogs and message people they've previously interacted with.
they got one of my treasured followers, and they can get you too. don't fall for their tricks. know the signs.
Not to be all "the children have forgotten the sacred texts!" but I just saw someone refer to a ship between two people who are good friends in canon as a crackship.
Hon. No. Crackship doesn't just mean "not canon". It's difficult to imagine two people who spend significant canon time together as a crackship. Crackship is when you write Galactus getting fucked by Tony the Tiger.
The notes are starting to be all, "Yeah, crackship means there's no chemistry! Even canon ships can be crackships!" and I must STRENUOUSLY disagree.
A crackship isn't just any ship that makes you go, "Eh, I don't see it." A crackship is absolutely WILD in concept. A crackship is the one that makes your friends look at you with the beginnings of existential horror. It's the one where they wave a circle round you thrice and close their eyes in holy dread, for you on honeydew hath fed and drunk the milk of paradise.
anyway I said it as a joke but if anyone wants to join my Tony the Tiger/Galactus Discord -
i used to play a game where friends would chuck two random characters at me and i'd have to construct and justify a ship between them as fast as possible. Very fun game.
My crowning achievement is from Invader Zim: one of the Planet Jacker aliens who tried to steal the earth to throw into their dying sun as firewood; and a goldfish that appeared in one scene (in a different episode) to accidentally flop into a guy's water glass and cause him to choke when he drank it.
though justifying Uchiha Sasuke and Sailor Moon came pretty close.
THAT is a crack ship. a ship that may cause people to accuse you of smoking a particularly potent form of cocaine to have come up with it. not "i can't imagine it working out," but "i can't imagine it PERIOD, and i can't imagine how YOU imagined it." merely mentioning the names, without even getting to the explanation/justification, should inspire confusion and awe.
the only canon(-based) ship I can think of that has crackship energy is Prowl/Tarantulas because—when Sins of the Wreckers started publishing—they had never interacted, they weren't in the same army, they weren't from the same time period, they weren't even from the same Transformers series. They had no hobbies, social groups, or morals in common. Simply imagining them MEETING, much much less getting along, much less having ANY sort of affectionate feelings for each other, was so outrageous as to be inconceivable. Like it isn't a concept the average brain could conceive. it's the kind of ship that feels like it could only have been proposed by a random name generator being loaded up with the names of every Transformers character and randomly spitting out those two.
So SotW giving them a secret history where they collaborated, inspired each other, and fought over custody of their son? That felt like crackship energy.
But it was only able to carry that energy because, when Nick Roche wrote SotW, he was building upon 30 years of Transformers history and lore that had already established these characters and set out how implausible their interactions were. SotW had the same relationship to a well-established canon that a fanfic has to its canon.
But now that he HAS written SotW, Prowl/Tarantulas is not a crackship and never will be again. Because now they canonically DO have a history with each other. Tarantulas said "We were each the muse to the other." right there on the page in Spookytooth font. When you can explain a ship by posting comic pages where they are actually talking to each other, it's no longer a crackship.
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