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Shigeko Kubota, "Fluxnapkins", 1965
Fluxorchestra at Carnegie Recital Hall, New York, NY, September 25, 1965 [Walker Art Center, Minneapolis, MN; Gift of the artist (Yoko Ono), 2002]
The Stone by Anthony Cox, Eye Bags by Yoko Ono, The Paradox, New York, NY, 1966 [Walker Art Center, Minneapolis, MN; Gift of the artist, 2002]
MAMCO X HEAD - Quickkopy Conceptualism
Exhibition
Exhibition: from May 13 to June 20, 2026 Opening reception: Wednesday, May 13, 2026 at 6 pm
Free entry
Campus HEAD Bât. D., La Fabrique Bd James-Fazy 15 1201 Genève
MAMCO and HEAD -the exhibition Quickkopy Conceptualism: Bay Area Dada to Bay Area Punk, the result of a project carried out jointly since autumn 2025 by the museum team, HEAD students, and visiting researcher Branden W. Joseph.
Born from an exploration of the archives of the Geneva-based collective Ecart, the exhibition traces the networks of postal exchanges that, from the 1970s onward, connected various alternative art scenes across the West. It highlights the Dada and punk spirit of the Bay Area in San Francisco through fanzines, collages, performances, and audio and video documents—traces of a scene that challenged meaning, gender, authority, and institutions.
incl. recent mail-art incl. Bill Gaglione, Luc Fierens etc

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Emilio Villa's "Flippant Ball-Feel" text was composed and published on the occasion of the "Flippers Chimeri" by Corrado Costa and William Xerra, exhibited in the contemporary gallery of the Mana Market Hall in Rome. Villa (1914-2003) was a poet, visual artist, art critic, and translator. A forerunner of the neo-avant-garde and a precursor to Gruppo 63, he spent time in Brazil in the 1950s and became involved with the Brazilian concrete poetry group before returning to Rome. A student of languages, Villa often wrote in a dialect of Milan rather than what he saw as the problematic and academic "Ytaglya" of the post-war period. He also often inserted words and phrases in ancient Greek, Provençal, French, and other languages into his poems, complicating his texts. His goal at times is to deliberately disorient and confuse his reader. As of January 2023, OCLC locates only three copies of this small work in Italian libraries and none elsewhere.
Joseph Beuys, Felt TV, Gelatin silver print (1970) by Lothar Wolleh
Image and sound support each other’s claim to reality; just a television, a sheet of felt, and the realization that information isn’t simply transmitted—it is constructed through the relationship between medium, perception, and authority.