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This diagram on fol. 122r of Ms. Codex 1248 is called a Guidonian hand, a tool that was developed to help medieval singers learn how to sight-sing. Looking closer at this hand can teach you quite a bit about how the names of notes have changed since the medieval period, and which ones have been added to the hexachord. And, as a bonus to go along with it all, there is also a very fancy cuff.
Manuscript description and digital images can be found here at OPenn.
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EDWARD CUCUEL
Hot Day (Two Ladies Under Trees), 1915.
Öl auf Leinwand
Ketterer and Kunst
JEAN DEGOTTEX (1918-1988)
REPORT ÉCRU, 1977
Acrylique sur toile
Signée et datée au dos
Acrylic on canvas; signed and dated on the reverse
Tajan
An exceptional Junyao purple-splashed zhadou-form flowerpot, Ming dynasty, early 15th century
Courtesy Alain Truong
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Variations: Six Film Stills
Variations Nathaniel Dorsky | 1998 | 24 minutes | silent speed | 18 fps | 16 mm | color | silent
Variations blossomed forth while shooting additional material for Triste. What tender chaos, what current of luminous rhymes might cinema reveal unbridled from the daytime word? During the Bronze Age a variety of sanctuaries were built for curative purposes. One of the principal activities was transformative sleep. This montage speaks to that tradition. N. D.
Distribution Canyon Cinema Distribution Light Cone
From nathanieldorsky "About" :
Nathaniel Dorsky, born in New York City in 1943, is an experimental filmmaker and film editor who has been making films since 1963. He has resided in San Francisco since 1971.
“In film, there are two ways of including human beings. One is depicting human beings. Another is to create a film form which, in itself, has all the qualities of being human: tenderness, observation, fear, relaxation, the sense of stepping into the world and pulling back, expansion, contraction, changing, softening, tenderness of heart. The first is a form of theater and the latter is a form of poetry.” - Nathaniel Dorsky
In his book Devotional Cinema (2003), Dorsky writes of the long-standing link between art and health as well as the transformative potential of watching film. He also writes of the limitations of film when its vision is subservient to an idea or representative of language description, which can describe a world but does not actually see it.
Walnut shells cut in half.
Holland from the Air by Frans Sellies
Étienne Léopold Trouvelot - Trouvelot Figures, Electric Sparks & Negative Poles (Chromolithographs), c. 1885-1888.
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Landscape (Recto)
1911-1912
Marguerite Thompson Zorach (American, 1887–1968)
Art Institute of Chicago
Corn Spider
Corn field by the highway somewhere in Wisconsin
8/27/2024
Piping Plover Petroglyph
Montrose Beach Bird Sanctuary
Chicago, IL
10/13/2024
Spirals in art
Fern Ammonite - Liz McGowan (1997) | Red and White Shell - Georgia O'Keeffe (1938) | Spiral Jetty - Robert Smithson (1970) | Snow labyrinth - apulkkan on Flickr | Sculpting the Land: Artistic Interventions with the Landscape - Strijdom van der Merwe (2005) | Spiral detail from The Lindisfarne Gospels (715 - 720) | The Westray Stone, Neolithic era stone carving found in Pierowall Quarry, Orkney, Scotland | Untitled - Andy Goldsworthy | Untitled, no 2 of 12, from series Spirals - Louise Bourgeois, 2006 | 12th century snake mosaic, Church of Saint Adriano di San Demetrio Corone in Calabria, Italy | Snow Drawings - Sonja Hinrichsen (2014) |
Georgia O'Keeffe Bleeding Heart, 1932 Pastel on paper-faced gray cardboard, 15 1/8 x 10 inches Georgia O'Keeffe Museum
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Trevor Paglen, They Watch the Moon, 2010.
“This photograph depicts a classified ‘listening station’ deep in the forests of West Virginia.
The station is located at the center of the National Radio Quiet Zone, a region of approximately 34,000 square kilometers in West Virginia and parts of Maryland.
Within the Quiet Zone, radio transmissions are severely restricted: omnidirectional and high-powered transmissions (such as wireless internet devices and FM radio stations) are not permitted.
The listening station, which forms part of the global ECHELON system, was designed in part to take advantage of a phenomenon called moonbounce.
Moonbounce involves capturing communications and telemetry signals from around the world as they escape into space, hit the moon, and are reflected back towards Earth.
The photograph is a long exposure under the full moon light.”
Via conscientious, via likeafieldmouse
Sam Gilliam (American, b. 1933)
untitled - 2019
