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@aaknopf

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from “Erotic-Fugitive-Bliss”: Cavafy in Fragments/ An Erasure
And I shall not                fear my passions                like a coward. I shall                abandon my body
To its pleasure, to delight,                to the most                daring desire—                without any fear.
Like the heart of a seafarer: Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Sunbeams, the sun, Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â the sea within. Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â The air, the apparitions
Of the night.                Nostalgia                for arriving. Affection                for what must disappear.
And I love                the liturgical presence                of our past, the years                walking
Slowly through the narrow woods,      the grand second, grander      than the first—                your stout sensuous mind
Wrapped so carefully                in green                silk                want:
The secret                sound                of approaching                events. Your zenith, at last,                in your path.
Go out now.                No longer brush aside                or fail to bow—                even later—                to the serious and sudden
Midnight hour                (with its exquisite music)                that your Fate                is giving you, finally,                now.
You                whom the gods found                always deserving,                move                with steadfast steps
Toward life’s window,                listen, and look                with colorless                gravity.
My Library
My books remain on the shelves as I left them last year, but all the words have died. I search for my favorite book, Out of Place. I find it lying lonely in a drawer, next to the photo album and my old Nokia phone.
The pen inside the book is still intact, but some ink drops have leaked. Some words breathe its ink, the pen like a ventilator for a dozen patients:
Home, Jerusalem, the sea, Haifa, the rock, the oranges, the sand, the pigeon, Cairo, my mother, Beirut, books, the rock, the sea, the sea.

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Figs         for Dr. Bruno Ceolin
Some words trip me in my second tongue.
I say pepino—cucumber when I mean pimienta—pepper.
Confuse ginebra—gin, when I mean ginger—jengibre.
And when the acupuncturist tells me— El hĂgado enamorado quiere decir el cuerpo está sano. The liver in love means the body is healthy—
I mistake hĂgado—liver, for fig—higo.
I prefer my translation.
All’s right with the world when figs are in love.
SELF-PORTRAIT : JUST MY IMAGINATION
In the college dorm room, I sit cross- legged on the floor, Scripting ideograms on notebook pages, Practicing kanji, sipping Mateus from a teacup Blazed with coppery red dragons with golden eyes. Barefoot, I wear jeans and a plain white tee, And bend from the waist to do this steady work. Motown plays from the stereo— the Temps Crooning a cool tune— and a rhythm slowly builds, A sinuous pulse of wordless feeling, a guide for phrasing, And the images rise, recollections from childhood, The scents of the past, the chant of tides from the sea, A garland of cigarette smoke curling through household air, My grandfather dealing flower cards before him on the floor: The first plum blossoms bursting from a black bough, Yellow butterflies ringed around peonies, a white heron Poised between twin pines before a pink cascade of sakura. Legacy is like this— insinuations, stray images Collecting in the mind stilled from passion, Fundaments persisting in our waking dreams. I move the cup aside, shimmering with wine. Left to right, I gather strophes with a pen, From a swirl of flowers, trail of ideograms . . . Running away with me . . . tell you, once again . . .
Drowning on Crete
Before I died,
I was pulled out of the water.
It only took half a minute.
I wasn’t wearing anything.
I was five.
Bottles of soda must have fallen from the chaise.
But I heard nothing.
I was below the water
And earth, where boys die,
Not knowing where to go.
Nothing to do in the hidden rooms
But lie down and wait.
Light was coming through a ceiling.
What would rescue even look like?
Painted on the vase,
Dark orange on black,
My parents hold my small body.
Their tears are wet like my hair.
I swallow water.
The sun is strong,
The sea smells like men’s bodies.
I didn’t die
But for one moment
I was someone who would never be old.
Vow
I love you; I don’t know how else to begin.
How we began, though, was almost as if it were already written. The details of how we arrived
at each other, to say I love you even as we fall asleep,
to let each other’s name be the first sound we utter every morning, can only be a gift of careful construction,
a design of an elsewhere where we were already together.
Saying nothing, you make me want to live more meaningfully. The world is so wild, beautiful,
and terrifying, and everywhere we turn, a new atrocity.
Then, I close my eyes and picture joy. Among things, there is this day. Among faces,
there is yours. And I am no longer afraid.
I watch you in your own, quiet moments, and I want this life. I want this life
to be longer. All I want is more time with you.
I love you. This is the only way I know how to end.

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Sometime before the War Sometime before the War we were stole
It was New Orleans— The loud harbor Congo Square Like the sea we were stole
like a gnarled cut- down tree— yoked driven north
It was years before I were brought home
Taken torn we was always being born
from each other We are the other’s mother
From one another we ate
what the other did
As one we sang, we spake— She was the body I the soul Without one Perishes the whole
We each latched yoked so knew
when they said we were sold
that whoever claimed they owned me
was chained to us too
We was born blue beneath a Carolina sky
Where we will die
A horizon inside us
We are like the Carolinas, blue,
& our country— cleaved in two.
WITHOUT
The world will keep trudging through time without us
When we lift from the story contest to fly home
We will be as falling stars to those watching from the edge
Of grief and heartbreak
Maybe then we will see the design of the two-Â minded creature
And know why half the world fights righteously for greedy masters
And the other half is nailing it all back together
Through the smoke of cooking fires, lovers’ trysts, and endless
Human industry—Maybe
then, beloved rascal
We will find each other again in the timeless weave of breathing
We will sit under the trees in the shadow of earth sorrows
Watch hyenas drink rain, and laugh.
Things My Grandmother Said
Turmeric can heal anything but a broken heart. I’ve got some Benadryl I bet could shush that dog of yours. Sounds fun but what does it pay. You can’t shoot the spots without shooting the leopard. If dressmaker’s dummies could cook, we’d all be old maids. Poetry? You’re grinding water with a pestle of ice, but when you’ve never thirsted a day in your life, I guess you can play. I know plenty of family history, but don’t ask me where green eyes got into the bloodline. India invented recycling, we called it karma, but trash now is trash later. I wasn’t crying, I was dicing onions in a memory in Ahmedabad. Every time I stand up there’s Rice Krispies in my knees. This girl is perfect for you, I know her aunt. Read that to me at my funeral, boy, right now my show is on. I got to be this old by nibbling a little raw ginger every morning. Ambition’s a sinkhole that deepens the more you dump in it, but that doesn’t mean don’t get a job. In the old days, families were so big, counting nephews felt like counting stars. Every kite forgets its string. Sure, the Ganga is holy but who told you to drink from it?
In Defense of Obsession
I walk blocks in the wind thinking of you like a lion. And imagine your hand in my mouth.
poem I wrote after I told you about my joie de vivre
I’m sorry I never saw your play theatre is yelling at people to leave rooms and/or begging people to stay in rooms New York is cool because you get to wait in line to walk over a puddle
PARK AVENUE SOUTH
Such a beautiful cold light Did I live in that building once? Where was Max’s? The back entrances of banks And the Metropolitan Building Architectural detail Fitzgerald May have passed out on

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A Process of Wondering Which Begs Me to Question
how love makes us want a thing we don’t want how it makes you want a shotgun or a whistle to blow to want love to bite, chew us up, and spit us out into something pretty and purposeful, maybe love is a ghost we called a séance for we sit around the table waiting for love to answer to our magic knock once for yes twice for no and no knock comes neither does a whisper and now we are outside waiting for smoke to fall from the clouds as a sign that our voices were heard in the mirror we chanted spells into for renewal an awakening my heart is a dog in a kennel barking for release for a wind to blow the door off the cage and run
coming back to poetry (or, trans—?)
I guess I’ve been androgynous (in that ugly way) all my days, I didn’t know. No one said Know it. But I mowed my green lawns well ashamed: my buoyant, gay labor, like a crow flies, sweated for future. It made my Body swell not at all, timid buddings no Roses & slowly; so I felt insufficiently male. So I craved, swell Like ants in a colony, for more: “Trans— ?” So the cheeky happiness made Like late mail, barely, carrying its special memos Out to anyone, but few received. All my friendships; all my family, so half received me and I was like an anthill scattering. But what is so Sexual about wanting swell scatter? Or different treatments? Or chores? that old Victorian femme- only Faint way I, no Female, could use Faint excusing me from lawn’s hell? No Heaven fell, but It was just Childish thinking; (Unfair?) Now I sit, crow- symbolic, still, thirty, Proto to a kind of Second Puberty, trapped, not yet in gender’s manual traffic, But in my own poem. This is progress. Just to be writing again any one poem. But I was saying something about fire— fire ants, rage? How they do their cryptic, patient work in spiraled pairings.